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While working on the series, Liankevich toured around the villages of Belarus, where he documented still existing pagan traditions. Describing the idea of the project, the author says: \u201cI was trying to answer the question, who we, Belarusians, were earlier and who we are today?\u201d<\/p>\n
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Pagan culture in Belarus has very deep roots. Most of its traditions have been derived from the Baltic and Finno-Ugric tribes. Paganism has managed to survive in different social and politic regimes, also 70 years of communism, and has preserved the most important feature: special regard and honour towards nature. Most of the pagan customs are related to rejuvenation of nature: welcoming of the spring, the harvest time, midsummer eve etc. Things which from the first sight might seem trivial, for example, a stone, a tree, a plant, a wreath of flowers or a road, appear to be entwined with symbolic meaning and are alive.<\/p>\n
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The series \u201cPaganism\u201d has an anthropological character. It is shown in a way how Liankevich has photographed portraits of people: frontal and in natural environment. At the same time there is something mysterious in the images. Even though the rituals in photographs are documented, somewhat in them is not completely comprehensible for the viewer and thus also not accessible. Svetlana Poleschuk, photography researcher from Belarus, writes: \u201cAndrei has managed to capture the very character of paganism: it is present and nonexistent, observable and hidden, obvious and mysterious, literary and mystic, all at the same time.\u201d Landscapes, images of animals and other photos along with the portraits make one believe that the world of pagan really exists.<\/p>\n
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Andrei Liankevich (\u0410\u043d\u0434\u0440\u0435\u0439 \u041b\u0435\u043d\u043a\u0435\u0432\u0438\u0447, 1981) is one of the best known Belarusian photo documentalists. He has performed more than 50 solo exhibits and has participated in group exhibitions in Europe, Asia and the USA. His works have been published in reputed international press, such as \u201cThe New York Times\u201d, \u201cSpiegel\u201d, \u201cGEO\u201d, \u201cVanity Fair\u201d, \u201cReaders Digest\u201d and others. The photographer has received several prizes for “Pagan traditions in Belarus”. \u201cPaganism\u201d, book of works by Andrei Liankevich, was published in 2010.<\/p>\n
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Supported by: Ministry of Culture, State Culture Capital Foundation, Riga City Council, fineArtPrint.lv, EPSON, The Natural History Museum of Latvia, www.lcca.lv, FK magazine, Kolonna, VKN, Radio Naba, Ir.lv, \u00bc Satori, TVNET, Valmiermui\u017eas alus, Restaurant","protected":false},"excerpt":{"rendered":"
From July 2 to August 7, 2011, at Kim? an exhibition by a Belarusian photographer Andrei Liankevich titled \u201cPaganism\u201d was held. Exposition features around 30 black-and-white photographs depicting pagan culture that is still present in rural areas of Belarus. While working on the series, Liankevich toured around the villages of Belarus, where he documented […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[30,4,26],"tags":[],"class_list":["post-3731","post","type-post","status-publish","format-standard","hentry","category-30","category-kim-exhibitions","category-past-exhibitions"],"acf":[],"yoast_head":"\n