{"id":6578,"date":"2022-03-03T13:19:56","date_gmt":"2022-03-03T11:19:56","guid":{"rendered":"http:\/\/kim.lv\/?p=6578"},"modified":"2022-07-18T15:06:08","modified_gmt":"2022-07-18T12:06:08","slug":"art-portfolio-force","status":"publish","type":"post","link":"https:\/\/kim.lv\/en\/art-portfolio-force\/","title":{"rendered":"ART PORTFOLIO AGAINST FORCE"},"content":{"rendered":"KIM? & ARTISTS FOR UKRAINE
\n 
\nOn 24 February 2022 people in several Ukrainian cities woke up at 5 am to the sound of explosions. President Putin had ordered Russian troops to invade Ukraine. All of us at Kim? and those closely affiliated, we all stand for Ukraine. During the times Latvia faced the confrontations by Soviet OMON forces in January 1991, the Kim? team members were under the age of 10. And 1991 is the year Latvia and Ukraine became independent republics, splitting away from the Soviet Union. We could not have imagined the horror Ukraine and its people are facing now, in 2022. Already for a week the defence forces of Ukraine are fighting to prevent the attempted occupation of their country. Today, on 3 March 2022, a full week into this war we are still struggling to overcome the shock; however, we cannot continue going on with work-as-usual. By consolidating what is at our disposal – ART -, coupled with a generous support from our artist friends – we have created an impromptu art work portfolio available in exchange for donations.
\n 
\nALL PROCEEDS FROM ARTWORK PURCHASES WILL GO TO SUPPORT UKRAINE. ASSOCIATION KIM? WILL TRANSFER DONATIONS FROM INDIVIDUALS TO AN ACCOUNT CREATED UNDER ZIEDOT.LV FOR THE SUPPORT OF UKRAINIAN PEOPLE!
\n 
\nTo make your inquiry please contact Kim? Executive Director El\u012bna Dr\u0101ke, elina@kim.lv, ph. +371 29147500.
\n 
\nAcknowledgements to all artists and gallery Jenny’s, Sophie Tappeiner gallery, Galerie PhilippZollinger, MISAKO & ROSEN, Tokyo, XYZ Collective, Union Pacific, Galerie Cr\u00e8vec\u0153ur.
\n 
\n\"\"
\n\u0112riks Apa\u013cais
\nMirror<\/em>, 2011 <\/strong>
\nAcrylic and oil on canvas
\n50 x 50 cm
\n\u20ac 3000
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nErica Baum
\nHedge (Stills)<\/em>, 2015<\/strong>
\nArchival pigment print
\n38.10 \u00d7 38.99 cm (15 \u00d7 15.35 in.)
\nCourtesy of the artist and Cr\u00e8vecoeur, Paris
\n\u20ac 3000
\n 
\n\"\"
\nAnne Bourse
\nStupid sun who can\u2019t stop moving<\/em>, 2020<\/strong>
\nFelt pen, typex and ballpoint pen on coated paper
\n32 \u00d7 25 cm
\nCourtesy of the artist and Cr\u00e8vecoeur, Paris
\n2500 \u20ac
\n 
\n\"\"
\nAnna Ceipe
\nFrom the series After evidence<\/em>, 2021<\/strong>
\nGlazed ceramic
\nLeft leg, right leg – 23 x 9 x 6 cm
\nNote: Safety tag can be removed by the new owner
\n\u20ac 600
\n 
\n\"\"
\nCOBRA
\n2017 (Gordon Matta-Cobrark)<\/em>, 2017<\/strong>
\nInkjet print , 3d stickers , framed
\n63 x 49 cm
\nUnique pice
\nCourtesy of XYZ Collective
\n\u20ac 920
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nJ\u0101nis Dzirnieks
\nDe Familie Kocht Een Hond Maar Toen De Dierenarts Hem Zag, Belde Hij De Politie<\/em>, 2020<\/strong>
\nUV Inkjet print on extruded polystyrene, UV resistant epoxy resin
\n58.5 x 89 x 4.5 cm
\n\u20ac 700
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nVika Eksta
\nBathing<\/em>, from the series God Nature Toil, 2015<\/em><\/strong>
\nArchival print
\n48 x 48 cm, framed
\n3\/5 + 2AP
\n\u20ac 750
\n 
\n\"\"
\nIeva Epnere
\nFrom the series Their Flemish Landscapes<\/em>, 2012<\/strong>
\nArchive pigment print, float mount, wooden frame
\n79.5 x 63.5 cm
\n\u20ac 800
\n 
\n\"\"
\nEvita Goze
\nFrom the series On Guard<\/em>, 2015-2019<\/strong>
\nInkjet print, framed
\n115 x 93 cm
\n1\/5 + 2AP
\n\u20ac 600
\n 
\n\"\"
\nEvita Goze
\nFrom the series On Guard<\/em>, 2015-2019<\/strong>
\nInkjet print, framed
\n50 x 63cm
\n1\/5 + 2AP
\n\u20ac 400
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nKaspars Gro\u0161evs
\nNothing passes V<\/em>, 2020<\/strong>
\nSpray paint, oil, acrylics, ink on canvas
\n33 x 41 cm
\n\u20ac 600
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nHaus der Matsubara
\nHelga Granz<\/em><\/strong>
\nWatercolour on paper
\n33 x 22.7 cm
\nCourtesy of Union Pacific
\n\u20ac 280
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nRasa Jansone
\nThree Courses and Dessert On Top 1<\/em>, 2020<\/strong>
\nHand-cut collage and oil on plywood
\n65 x 51 x 0.5 cm
\n\u20ac 1000
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nNova Jiang
\nGoose<\/em>, 2019<\/strong>
\nCeramic, engobe, gold glaze
\n9\u201d x 4-\u00bd\u201d x 4-\u215c\u201d
\nEdition of 2, 1 AP
\nCourtesy of Union Pacific
\n\u20ac 2010 \/ $ 2200
\n 
\n\"\"
\nJan Kiefer
\ndie Treppe (green, orange, red)<\/em>, 2020\/21<\/strong>
\nAcrylic, acrylic-binder, acrylic-medium, archival paper
\non primed cotton
\n50 x 40 cm
\nCourtesy of Union Pacific
\n\u20ac 2390 \/ \u00a3 2000
\n 
\n\"\"
\nIeva Kraule-K\u016bna
\nThe Buyer\u2019s Control of the Space V<\/em>, 2021<\/strong>
\nUrethane rubber, pigment
\n60 x 16 cm
\n\u20ac 400
\n 
\n\"\"
\nMaija Kur\u0161eva
\nA Song<\/em>, 2022<\/strong>
\nCut out gouache drawing, acrylic paint
\nFramed: 30 x 42 cm
\n\u20ac 500
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nMaija Kur\u0161eva
\nA Mountain<\/em>, 2022<\/strong>
\nCut out gouache drawing, acrylic paint
\nFramed: 63 x 83 cm
\n\u20ac 1200
\n 
\n\"\"
\nMaija Kur\u0161eva
\nOn<\/em>, 2022<\/strong>
\nCut out gouache drawing, acrylic paint
\nFramed: 30 x 42 cm
\n\u20ac 500
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nInga Meldere
\nUntitled<\/em>, sketch, 2022<\/strong>
\nOil on paper
\n24 x 18 cm
\n\u20ac 250
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nInga Meldere
\nWoman by the window<\/em>, sketch, 2022<\/strong>
\nOil on paper
\n24 x 18 cm
\n\u20ac 250
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nYoan Mudry
\nToday is monday<\/em>, 2021<\/strong>
\nInk on paper
\n21 x 29.7 cm
\nCourtesy of Union Pacific
\n\u20ac 980 \/ \u00a3 820
\n 
\n\"\"
\nAgnieszka Polska
\nLoveboat<\/em>, 2017<\/strong>
\nInkjet print on archival paper
\n30 cm x 27 cm
\nEdition 3\/3
\nCourtesy of Union Pacific
\n\u20ac 2680 \/ \u00a3 2250
\n 
\n\"\"
\nLouise Sartor
\nArc-en-ciel<\/em>, 2020<\/strong>
\nPigment print on paper
\n30 \u00d7 17 cm
\nEdition N\u00b02 of an edition of 4 + 1 AP
\nCourtesy of the artist and Cr\u00e8vecoeur, Paris
\n\u20ac 900
\n 
\n\"\"
\nKri\u0161s Salmanis
\nNo-one looks me in the eye but the cameras<\/em>, 2019<\/strong>
\nPhotograph
\n30 x 40 cm
\nEdition: 3\/10
\n\u20ac 300
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nKri\u0161s Salmanis
\nAll the trees in China<\/em>, 2019<\/strong>
\nFotogr\u0101fija
\n30 x 40 cm
\nEdition: 3\/10
\n\u20ac 300
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nCarter Seddon
\nMidtown Manhattan<\/em>, 2021<\/strong>
\nSilver gelatin print
\n11.75 x 14 inches \/ 30 x 35.5 cm (framed)
\nEdition of 3 + 1AP
\nCourtesy of Jenny’s gallery
\n\u20ac 1800
\n 
\n\"\"
\nElza S\u012ble
\nCamouflaged tail<\/em>, 2022<\/strong>
\nAcrylic, gelatin, graphite cores on a plaster gauze coating 50 x 7 cm
\n\u20ac 1550
\n 
\n\"\"
\nElza S\u012ble
\nStrawberry bloodvessel salad<\/em>, 2022<\/strong>
\nAcrylic, gelatin, graphite cores on a plaster gauze coating
\n50 x 7 cm
\n\u20ac 1550
\n 
\n\"\"  
\nMartin Soto Climent
\nEste es el contenido de la pol\u00edtica de poblaci\u00f3n<\/em>, 2021<\/strong>
\nInk, colour pencil and colour marker on paper
\n21 x 13.8 cm
\nCourtesy of Union Pacific
\n\u20ac 2730 \/ $ 3000
\n 
\n\"\"
\nL\u012bga Spunde
\nIn the Park<\/em>, 2020<\/strong>
\nDigital drawing. Archival pigment print. Mounted on aluminium composite.
\n133 x 90 cm
\nEdition: 5 + 2AP
\n\u20ac 1350
\n 
\n\"\"
\nL\u012bga Spunde
\nThe Hands<\/em> (from the installation There\u2019s No Harm In Any Blessings<\/em>), 2020<\/strong>
\nDigital drawing. Archival pigment print. Mounted on aluminium composite.
\n110 x 150 cm
\nEdition: 5 + 2AP
\n\u20ac 1500
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nSab\u012bne \u0160n\u0113
\nIn The Gaia<\/em>, 2022<\/strong>
\nDigital drawing, digital print
\n59.4 x 42 cm
\n\u20ac 220
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nSab\u012bne \u0160n\u0113
\nLove Spreads Like a Virus I<\/em>, 2022<\/strong>
\nDigital drawing, digital print
\n59.4 x 84.1 cm
\n\u20ac 320
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nKazuyuki Takezaki
\nUntitled (No War)<\/em>, 2022<\/strong>
\nOil on canvas
\n22.7 x 15.8 cm
\nCourtesy of MISAKO & ROSEN, Tokyo
\n\u20ac 3630
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nSophie Thun
\n1968\/69-2021 (working title)<\/em>, 2021
\nPhotograph by Zenta Dzividzinska interpreted by Sophie Thun<\/strong>
\n30 x 40 cm
\nSilvergelatine print + photogram on baryta paper
\nUnique print
\nCourtesy of Sophie Tappeiner gallery
\n\u20ac 1000
\n 
\n\"\"
\nViktor Timofeev
\n192.128.9.1<\/em>, 2011<\/strong>
\nInk on paper
\n27.5 x 47 cm
\n\u20ac 850
\n 
\n\"\"
\nViktor Timofeev
\n192.128.7.2<\/em>, 2011<\/strong>
\nInk on paper
\n27.8 x 44.8 cm
\n\u20ac 850
\n 
\n\"\"
\nViktor Timofeev
\n192.128.2.2<\/em>, 2011<\/strong>
\nInk on paper
\n27.8 x 44.8 cm
\n\u20ac 850
\n 
\n\"\"
\nViktor Timofeev
\n192.128.2.3<\/em>, 2011<\/strong>
\nInk on paper
\n27.8 x 38 cm
\n\u20ac 850
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nUrara Tsuchiya
\nUntitled<\/em>, 2020<\/strong>
\nGlazed Earthenware
\n20 cm x 20 cm
\nCourtesy of Union Pacific
\n\u20ac 2150 \/ \u00a3 1800
\n 
\n\"\"
\nSab\u012bne Vernere
\n0306<\/em>, 2021<\/strong>
\nInk on paper, framed
\n41,5 x 51 cm
\n\u20ac 600
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nSab\u012bne Vernere
\n1806 II<\/em>, 2021<\/strong>
\nInk on paper, framed
\n42 x 54 cm
\n\u20ac 600
\nSold\/Donated<\/strong>
\n 
\n\"\"
\nAmanda Ziemele
\nFrom series Neunauge<\/em>, 2019<\/strong>
\nMonotype, printing color on paper, framed
\n53 x 79 cm
\n\u20ac 1200
\nSold\/Donated<\/strong>","protected":false},"excerpt":{"rendered":"

KIM? & ARTISTS FOR UKRAINE   On 24 February 2022 people in several Ukrainian cities woke up at 5 am to the sound of explosions. President Putin had ordered Russian troops to invade Ukraine. All of us at Kim? and those closely affiliated, we all stand for Ukraine. During the times Latvia faced the confrontations […]<\/p>\n","protected":false},"author":2,"featured_media":6669,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-6578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kim-events"],"acf":[],"yoast_head":"\nART PORTFOLIO AGAINST FORCE - Kim? Contemporary Art Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kim.lv\/en\/art-portfolio-force\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:en]ART PORTFOLIO AGAINST FORCE[:lv]KIM? & M\u0100KSLINIEKI UKRAINAI[:] - Kim? Contemporary Art Centre\" \/>\n<meta property=\"og:description\" content=\"KIM? & ARTISTS FOR UKRAINE   On 24 February 2022 people in several Ukrainian cities woke up at 5 am to the sound of explosions. President Putin had ordered Russian troops to invade Ukraine. All of us at Kim? and those closely affiliated, we all stand for Ukraine. During the times Latvia faced the confrontations […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kim.lv\/en\/art-portfolio-force\/\" \/>\n<meta property=\"og:site_name\" content=\"Kim? 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