{"id":8453,"date":"2024-11-04T14:24:33","date_gmt":"2024-11-04T12:24:33","guid":{"rendered":"https:\/\/kim.lv\/?p=8453"},"modified":"2025-01-21T15:43:01","modified_gmt":"2025-01-21T13:43:01","slug":"white-dwarfs-and-all-those-bautiful-nebulas","status":"publish","type":"post","link":"https:\/\/kim.lv\/en\/white-dwarfs-and-all-those-bautiful-nebulas\/","title":{"rendered":"White Dwarfs and All Those Beautiful Nebulas"},"content":{"rendered":"&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Artists: <\/span>Eike Eplik, Kristi Kongi, and Anna Mari Liivrand<\/p>\n<p><span style=\"font-weight: 400;\">Curated by \u0160elda Pu\u0137\u012bte<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400;\">Our understanding of life comes from a sample of one, from looking at our living planet and understanding amid all of the complexity, what is the essence of life and therefore the likelihood of it occurring elsewhere in the Universe.\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Andrew Cohen \u2013 <\/span><i><span style=\"font-weight: 400;\">The Universe<\/span><\/i><span style=\"font-weight: 400;\"> (2023)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Once upon a time, the Universe was a dark ocean, with no stars to provide light, warmth or matter for planets and moons to be born and potentially nurture life. The Big Bang changed all this by giving birth to galaxies full of stars and planets with giant black holes holding these illuminated worlds in their grip. This now billion-year-old cosmic world seems eternal, yet astronomical research begs to differ. In the 18th century, British astronomer William Herschel became the first to detect a white dwarf star in the vast sky of the universe, although it would take more than a century for scientists to understand what it was he had observed. A white dwarf turned out to be a former star that has collapsed into an energy-dense, Earth-size stellar object, which eventually turns into a stellar remnant \u2013 a black dwarf. Even though no fully-formed black dwarf has yet been detected, we can, to put it in Julijonas Urbonas\u2019s words, \u201ccosmically imagine\u201d how, after billions of years, a universe will slowly switch off all its light bulbs.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Then again, where there is death there is also life. From their outer layers, white dwarfs create a planetary nebula that erupts into colourful gas clouds, becoming a new star-forming incubator. In other words, it uses the leftovers of the old world to create a new one. The triangle dance of white dwarfs, nebulas and newly formed substances, from which life emerges, can be viewed as cosmopoetry for the cycle of life. When certain entities are coming close to the end of their life cycle, it could be said that they leave behind a beautiful nebula-like glow, which could be seen as the ruins of the past, memories, or even ghosts. As bleak as that may seem, it&#8217;s just a process of change, preparing the ground for new life and ideas to sprout and grow. Knowing the elementary rules of physics about the conservation of energy or just following the life cycle in nature right here on Earth, one notices that there is no such thing as a total end. Death is only the start of something new, as particles and energy spread and reform. The exhibition explores this process of rebirth, where entropy and change are part of a new beginning, where nothing is truly lost, and nothing is truly still or in control.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The practices of Eike Eplik, Kristi Kongi and Anna Mari Liivrand do not focus on studies of cosmology, yet their observations of the world and contemplations about it mirror the processes taking place in the universe. They study and question the world they inhabit \u2013 whether that\u2019s the natural world, culture, emotions, dreams or memories. The worlds they create constantly expand and transform, not letting themselves be identified as a single form or message. Each using their own set of skills, media and forms of artistic expression, they present visions of the world as a liquid entity in constant metamorphosis. In the exhibition, they take up a certain role play by mimicking the processes happening with white dwarfs, and by closely collaborating, they build narratives that echo each other.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In this imaginary cosmic time-space, Anna Mari Liivrand takes on the symbolic role of the white dwarf. Trained as a sculptor, she works in a wide spectrum of media, exploring fragility, evanescence and melancholy in today\u2019s society. Many of her sculptures take inspiration from sacral architecture, including graveyard fences and reliquaries, which are recurring motifs in her works, together with ornaments, decorations and readymades that she uses as anchor points in an ever-changing world. Using the line as the main visual tool, she brings all this together in elegant spatial installations.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In the exhibition, Liivrand builds her world out of shattered stained glass passages and threatening black iron forests. The hanging wrought iron sculptures are reminiscent of plants or thorny vines that carry leftover pieces from people\u2019s belongings, for example, a glove or a piece of jewellery. These lost or left-behind things become peculiar charms that, like the landscape itself, have transformed into ruins, reminders of uncertainty, loss and change. This decadent scenery is embraced by stained-glass pieces in the form of windows inspired by early industrial and sacral architecture. Soldered together from different patches of defective, faded coloured glass, they represent something broken down in time.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">This surreal frozen landscape evaporates in the colourful shadow worlds created by painter Kristi Kongi, who is the nebula in this metaphor. Kongi\u2019s artistic approach can be described as fluid and in constant motion. The motifs and compositions float and develop instead of rapidly changing. Her sight is fixed on certain horizons, which she studies with the help of light, colour and shadow-like forms. Some landscapes emerge as patterns and grids born from the observation of urban sites, others as subtle colour gradients found in the sky.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Using the \u201cpainting inside painting\u201d effect, she fills the exhibition walls and floors with vibrant colours that pour and leak like a liquid or gas breaking out into the other rooms. The canvases displayed on the walls are full of shadows soaked in saturated yellows, greens, blues and pinks. The forms inside them are reminiscent of mountains, plants and even human hands, floating in the night sky or in a dawn full of mist. These works are metaphysical spaces inhabiting the artist&#8217;s various emotions \u2013 self-portraits, if you will.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The promise of the chemical laboratory of the cosmos is the emergence of life. Sculptor Eike Eplik is deeply fascinated by biodiversity and its complicated relationship with humankind. She creates sensitive and imaginative works full of personal mythology, using different visual expressions and materials such as clay and metal. Similar to the ideas of philosopher Astrida Neimanis about water-connected worlds, the artist takes a humble approach to all living things; in her art, strictly defined categories, hierarchies, genders and bodies do not exist. Her work can be described as micro-worlds, like bestiaries, inhabited by fantastic creatures in combination with plant forms including fungi, roots, and cones.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Animating the life forms and vessels that incubate them, Eike Eplik&#8217;s sculptures inhabit the rooms, similar to a bird constructing a nest, or mycelia creating a complicated network of roots. Trying to capture the moment when life starts to morph into more complex entities, she is trying to mimic something that can be compared to the Cambrian explosion. That occurred on Earth 538.8 million years ago, when a sudden radiation of complex life occurred, with stunning diversity. Her created world is still frozen, but there is an awakening there. Spread across several rooms, it takes the form of porcelain sculptures covered with soft, transparent glaze. The forms seem alien, yet also familiar, resembling butterfly cocoons or water-lily buds. Sheltered in a room of their own, they emerge as different types of bodies made of relief-shaped stainless steel. The amorphous forms create associations with aerial roots of some tropical forest trees, neuron network systems in our brain, or blood vessels branching through a body. Some of these porcelain and steel sculptures seem to develop an arm, growing hair, or other organic details associated with the mammal world, suggesting the emergence of more complex life forms.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">This exhibition is not the story of the cosmos or the existential state of a society living in the so-called Second Space Age on a potentially dying planet. It&#8217;s the story of the discovery of ourselves as curious beings caught in a state of melancholy and transition.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400;\">White Dwarfs and All Those Beautiful Nebulas<\/span><\/i><span style=\"font-weight: 400;\"> is an exchange project between Kogo Gallery and Kim? Contemporary Art Centre, which involves creating exhibitions at both art institutions.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Biographies:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Eike Eplik (born 1982) is a sculptor and installation artist living in Tartu. Her formal education includes a master\u2019s from the Sculpture Department (2010) at the Estonian Academy of Arts and a Bachelor&#8217;s from the Sculpture Department (2007) at Tartu Art College. In 2006, she was awarded the Eduard Wiiralt Stipend and in 2012 the contemporary art festival ART IST KUKU NU UT\u2019s young artist production stipend, KUKU NUNNU. In 2015 she was nominated for the Sadolin Art Prize and in 2018 Eplik was awarded the Addo Vabbe Stipend. Eplik was one of the recipients of the national artist\u2019s salary from 2021 to 2023, and in 2021, she was awarded the Annual Prize of the Cultural Endowment of Estonia.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Kristi Kongi (born 1985) is a painter and installation artist living in Tallinn. She is an associate professor and head of the Painting Department at the Estonian Academy of Arts. Her formal education includes a Master\u2019s from the Painting Department at the Faculty of Visual Arts (2011) at the Estonian Academy of Arts and a Bachelor&#8217;s from the Painting Department (2008) at Tartu Art College. She has been awarded the Young Artist Prize (2011), the Sadolin Art Prize (2013), the Konrad M\u00e4gi Prize (2017) and the Estonian Cultural Endowment\u2019s annual award (2021), and was nominated for the K\u00f6ler Prize in 2016. She has participated in the Casa L\u00fc residency in Mexico City, Mexico (2023), the Dedazo residency in Carrillo Puerto, Mexico (2018), De Liceiras in Porto, Portugal (2016), and Samband \u00cdslenkra Myndlistarmanna (S\u00cdM) in Reykjavik, Iceland (2014).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Anna Mari Liivrand (born 1993) is a sculptor and installation artist living in Tallinn. Her formal education includes a Master\u2019s from the Contemporary Art Department (2022) and a Bachelor\u2019s from the Sculpture and Installation (2016) Department at the Estonian Academy of Arts. She has also studied fine arts at the Iceland University of Arts. In 2014, Liivrand received the Young Sculptor Prize. In addition to solo exhibitions, she has participated in numerous group shows, including the 7th Artishok Biennale. She was the recipient of the Eduard Wiiralt Prize in 2020 and was awarded the Estonian Cultural Endowment\u2019s annual award (2021).<\/span><\/p>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>&nbsp; Artists: Eike Eplik, Kristi Kongi, and Anna Mari Liivrand Curated by \u0160elda Pu\u0137\u012bte &nbsp; &nbsp; Our understanding of life comes from a sample of one, from looking at our living planet and understanding amid all of the complexity, what is the essence of life and therefore the likelihood of it occurring elsewhere in the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-8453","post","type-post","status-publish","format-standard","hentry","category-kim-exhibitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>White Dwarfs and All Those Beautiful Nebulas - Kim? 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