{"version":"1.0","provider_name":"Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","provider_url":"https:\/\/kim.lv\/lv","author_name":"Kim?","author_url":"https:\/\/kim.lv\/lv\/author\/kim\/","title":"Nika Mausa person\u0101lizst\u0101de \u201cIel\u016bgums et\u012bdei\u201d - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"z8B5QNeWJj\"><a href=\"https:\/\/kim.lv\/lv\/nick-mauss-invitation-letude\/\">Nika Mausa person\u0101lizst\u0101de \u201cIel\u016bgums et\u012bdei\u201d<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kim.lv\/lv\/nick-mauss-invitation-letude\/embed\/#?secret=z8B5QNeWJj\" width=\"600\" height=\"338\" title=\"&#8220;Nika Mausa person\u0101lizst\u0101de \u201cIel\u016bgums et\u012bdei\u201d&#8221; &#8212; Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs\" data-secret=\"z8B5QNeWJj\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Nika Mausa pieeja darbam ar v\u0113sturisk\u0101m atsauc\u0113m m\u0101kslinieciskas izp\u0113tes virzien\u0101 \u013cauj main\u012bt skatu uz t\u0101d\u0101m tradicion\u0101l\u0101m discipl\u012bn\u0101m k\u0101 glezniec\u012bba un skulpt\u016bra, att\u0101linoties no teor\u0113tisko pie\u0146\u0113mumu bag\u0101\u017eas un postmodern\u0101m apropri\u0101cijas strat\u0113\u0123ij\u0101m. Nika Mausa darbos v\u0113sturiskas atsauces tiek atsve\u0161in\u0101tas no to ori\u0123in\u0101l\u0101 konteksta, t\u0101s iek\u013caujot jaun\u0101 kol\u0101\u017e\u0101, kur\u0101 jau pabeigti (izst\u0101st\u012bti) st\u0101sti, caur laikmet\u012bguma prizmu skat\u012bti, tiek [&hellip;]"}