<\/p>\n
\u201cAr\u012b \u0161odien Latvijas tuvum\u0101 man\u012btas Krievijas zem\u016bdenes un ku\u0123i\u201d, \u201cBaltijas valst\u012bm j\u0101satraucas par ES sabrukumu\u201d, \u201cJ\u016blij\u0101 pie Latvijas robe\u017eas nov\u0113roti kopum\u0101 18 Krievijas milit\u0101rie ku\u0123i un devi\u0146as lidma\u0161\u012bnas\u201d, \u201cNATO ar\u012b turpm\u0101k sol\u0101s r\u016bp\u012bgi sekot l\u012bdzi Baltijas j\u016bras re\u0123ion\u0101 notieko\u0161ajam\u201d, \u201cAugsta ranga ASV anal\u012bti\u0137is: Tre\u0161ais pasaules kar\u0161 var\u0113tu s\u0101kties Latvij\u0101\u201d \u2013 \u0161\u0101das ir Ievas Epneres piez\u012bmes, gatavojoties izst\u0101dei. Viet\u0113jos un starptautiskos pla\u0161sazi\u0146as l\u012bdzek\u013cos fiks\u0113tie virsraksti-pazi\u0146ojumi, kuru adekv\u0101tums un faktu paties\u012bba ir jaut\u0101jums pats par sevi, tom\u0113r ir kas vair\u0101k par probl\u0113msitu\u0101cijas pieteikumu. Tie signaliz\u0113, ka m\u016bsdienu t.s. individualit\u0101tes laikmets tiek apzin\u0101ti virz\u012bts pretim jauna aukst\u0101 kara situ\u0101cijai. \u0160\u0137ietamais tagadnes miers ir sa\u0161\u0137ob\u012bjies un visp\u0101r\u0113j\u0101 nov\u0113ro\u0161ana un uzraudz\u012bba jaun\u0101 izpild\u012bjum\u0101 ir atgriezusies \u0161aj\u0101 krast\u0101.<\/p>\n<\/span>Interes\u0113joties par dal\u012bjumu draugs\u2013ienaidnieks, sav\u0113jais\u2013sve\u0161ais, dal\u012bbnieks\u2013v\u0113rot\u0101js, Ieva Epnere jaun\u0101kaj\u0101 darbu cikl\u0101 piev\u0113r\u0161as padomju mantojuma fiziskaj\u0101m liec\u012bb\u0101m, k\u0101 ar\u012b to psiholo\u0123iskajiem nospiedumiem cilv\u0113ku dz\u012bv\u0113. Par teritori\u0101lo un saturisko ietvaru izv\u0113l\u0113ta Latvijas Rietumu robe\u017ea \u2013 visos laikos simboliski un politiski uzl\u0101d\u0113ta josla gar Baltijas j\u016bras krastu, kas reiz bijusi vienas varas gal\u0113j\u0101 Rietumu robe\u017ea, bet \u0161obr\u012bd ir citas zonas Austrumi.<\/p>\n<\/span>Balstoties personiski pieredz\u0113taj\u0101, izp\u0113t\u0113 un z\u012bm\u012bg\u0101s apst\u0101k\u013cu sakrit\u012bb\u0101s (satikt\u0101s personas, ieg\u016btie fakti u.c.) uzietaj\u0101 un sarun\u0101s uzklaus\u012bt\u0101, Epneres video, fotogr\u0101fij\u0101s un izst\u0101des telpas scenogr\u0101fijas pamat\u0101 ir identit\u0101tes nepast\u0101v\u012bbas jaut\u0101jums. Rea\u0123\u0113jot uz sabiedr\u012bbas att\u012bst\u012bbas procesiem postpadomju Latvij\u0101, autore p\u0113ta, k\u0101 darbojas cilv\u0113ka individu\u0101l\u0101 atmi\u0146a un k\u0101da ir t\u0101s noz\u012bme kolekt\u012bv\u0101s atmi\u0146as konstru\u0113\u0161an\u0101; k\u0101 reiz piedz\u012bvotais nev\u0113lamais tiek atgr\u016bsts un k\u0101 cilv\u0113ks, kur\u0161 audzis un liel\u0101ko m\u016b\u017ea da\u013cu dz\u012bvojis un str\u0101d\u0101jis vien\u0101 re\u017e\u012bm\u0101, sp\u0113j vai nesp\u0113j sadz\u012bvot ar jauno situ\u0101ciju un iek\u013cauties taj\u0101.<\/p>\n<\/span>Izst\u0101des tematika tiek pieteikta jau caur pirm\u0101s telpas sienas br\u016bngani roz\u0101 kr\u0101sojumu, kas apzin\u0101ti izv\u0113l\u0113ts l\u012bdz\u012bgs armijas flotes \u016bdensl\u012bd\u0113ju silt\u0101s ve\u013cas tonim; uz t\u0101 izvietotas fotogr\u0101fijas \u2013 melna mat\u0113ta fona ieskauti levit\u0113jo\u0161i objekti, \u012bpa\u0161as, t\u0101l\u0101s j\u016br\u0101s ku\u0123ojo\u0161u milit\u0101ro j\u016brnieku statusu apliecino\u0161as trofejas k\u0101 va\u013ca ilknis, korallis un citi iek\u0101roti objekti.<\/p>\n<\/span>Stilistisk\u0101s atsauces un noz\u012bmju deta\u013cas t\u0101l\u0101k turpin\u0101s telpu nodalo\u0161os aizkaros \u2013 karus, industrializ\u0101ciju, t\u0101pat ar\u012b slepen\u012bbu un \u0113nas simboliz\u0113jo\u0161\u0101 pel\u0113kaj\u0101. \u0160\u012b viegli vi\u013c\u0146ain\u0101 auduma masa Baltijas j\u016bras nokr\u0101s\u0101 ir k\u0101 z\u012bm\u012bga robe\u017e\u0161\u0137irtne, kas ier\u0101m\u0113 izst\u0101des telpu un nodala to no dz\u012bv\u0101 st\u0101st\u012bjuma da\u013cas \u2013 aiz aizkariem redzamiem se\u0161iem dokument\u0101liem video \u2013 Baltijas j\u016bras krasta biju\u0161o aizliegto zonu iedz\u012bvot\u0101ju st\u0101stiem pirmaj\u0101 person\u0101.<\/p>\n<\/span>Otraj\u0101 telp\u0101 projic\u0113ts izst\u0101des centr\u0101lais darbs \u2013 video ar nosaukumu \u201cPotom\u201d (tulk. no krievu valodas \u2013 \u201cv\u0113l\u0101k\u201d), kur\u0101 ar ievelko\u0161u vides, laika un personas nosac\u012bt\u012bbas pal\u012bdz\u012bbu konstru\u0113ta k\u0101da nekonkr\u0113ta \u201cbiju\u0161\u0101 milit\u0101rista\u201d mald\u012b\u0161an\u0101s \u0161aj\u0101 v\u0113sturiski uzl\u0101d\u0113taj\u0101 laiktelp\u0101.<\/p>\n<\/span>Video pirm\u0101s min\u016btes piesaka kaut ko nezin\u0101mu un neizskaidrojamu, si\u017eetiski t\u0101 ir filmas t\u0113la par\u0101d\u012b\u0161an\u0101s da\u017e\u0101d\u0101s vid\u0113s: j\u016bras krast\u0101, uz ku\u0123a, Liep\u0101jas \u012bpa\u0161aj\u0101 zon\u0101 Karost\u0101 un ritu\u0101l\u0101s situ\u0101cij\u0101s \u2013 sevis sakop\u0161ana, \u0137erme\u0146a vingrin\u0101jumi un formast\u0113rpa uzvilk\u0161ana. T\u0101pat film\u0101 tverama simboliska da\u017e\u0101do varu nomai\u0146a, no padomju okup\u0101cijas l\u012bdz neatkar\u012bbas atjauno\u0161anai, lai pag\u0101tnes pieredzi v\u0113l vair\u0101k sapl\u016bdin\u0101tu ar \u0161odienas situ\u0101ciju, beigu kadros no jauna atgrie\u017eoties pie j\u016bras un uzburot nep\u0101rprotamas draudus v\u0113sto\u0161as nor\u0101des.<\/p>\n <\/p>\n \u201cPotom\u201d tapusi sadarb\u012bb\u0101 ar Nacion\u0101lajiem bru\u0146otajiem sp\u0113kiem (NBS) un J\u016bras sp\u0113ku flotili. Filmas galveno varoni atveido aktieris \u0122irts Kr\u016bmi\u0146\u0161, epizodiski film\u0101 par\u0101d\u0101s da\u013ca no J\u016bras sp\u0113ku flotiles komandas. Filmas ska\u0146u celi\u0146u veidojis komponists Edgars Rubenis, ska\u0146as re\u017eija \u2013 Ernests Ansons, operatori \u2013 Baiba K\u013cava un J\u0101nis \u0160\u0113nbergs.<\/p>\n Ieva Epnere<\/span> (1977) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101. Rada fotogr\u0101fijas, video un filmas, kur\u0101s personiski, priv\u0101ti st\u0101sti ir s\u0101kumpunkts m\u0101ksliniecisk\u0101m refleksij\u0101m par identit\u0101ti, trad\u012bcij\u0101m un ritu\u0101liem. Jaun\u0101k\u0101s person\u0101lizst\u0101des: Sea of Living Memories, Art in General, \u0145ujorka (2016); Pyramiden and other stories, Zacheta Project Room, Var\u0161ava (2015); A No-Man’s Land, An Everyman’s Land, kim? Laikmet\u012bg\u0101s m\u0101kslas centrs R\u012bg\u0101 un Liep\u0101jas Muzejs Liep\u0101j\u0101 (2015); Waiting Room (2015), Contretype, Brisele; Galerie des Hospices (2014), Kan\u0113anrusijona (2014); \u201cTelpas atmi\u0146a\/Mindscapes\u201d(2013), kim? Laikmet\u012bg\u0101s m\u0101kslas centrs R\u012bg\u0101. Grupu izst\u0101des: \u201cLaikmet\u012bg\u0101 ainava\u201d, C\u0113su M\u0101kslas festiv\u0101ls, C\u0113sis (2016); 62nd International Short Film Festival Oberhausen, V\u0101cija (2016); Identity: Behind the Curtain of Uncertainty, Ukrainas Nacion\u0101lais m\u0101kslas muzejs, Kijeva (2016); Something erie, Signal \u2013 Laikmet\u012bg\u0101s m\u0101kslas centrs Malm\u0113 (2016); Le fragole del Baltico, Careof, Mil\u0101na (2015); Ornamentalism. The Purv\u012btis Prize (2015), Arsenale, Ven\u0113cija; 61. starptautiskais \u012bsfilmu festiv\u0101ls, Oberhauzene, V\u0101cija (2015), 6. Maskavas Starptautisk\u0101 laikmet\u012bg\u0101s m\u0101kslas bienn\u0101le, Maskava (2015).<\/p>\n <\/p>\n ","protected":false},"excerpt":{"rendered":" Izst\u0101des kuratore: Zane Onckule \u201cAr\u012b \u0161odien Latvijas tuvum\u0101 man\u012btas Krievijas zem\u016bdenes un ku\u0123i\u201d, \u201cBaltijas valst\u012bm j\u0101satraucas par ES sabrukumu\u201d, \u201cJ\u016blij\u0101 pie Latvijas robe\u017eas nov\u0113roti kopum\u0101 18 Krievijas milit\u0101rie ku\u0123i un devi\u0146as lidma\u0161\u012bnas\u201d, \u201cNATO ar\u012b turpm\u0101k sol\u0101s r\u016bp\u012bgi sekot l\u012bdzi Baltijas j\u016bras re\u0123ion\u0101 notieko\u0161ajam\u201d, \u201cAugsta ranga ASV anal\u012bti\u0137is: Tre\u0161ais pasaules kar\u0161 var\u0113tu s\u0101kties Latvij\u0101\u201d \u2013 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[7,4,26],"tags":[],"class_list":["post-1327","post","type-post","status-publish","format-standard","hentry","category-2016-exhibitions","category-kim-exhibitions","category-past-exhibitions"],"acf":[],"yoast_head":"\n