{"id":1426,"date":"2018-03-13T23:47:26","date_gmt":"2018-03-13T21:47:26","guid":{"rendered":"http:\/\/uba.lt\/kim\/?p=1426"},"modified":"2019-01-10T16:42:51","modified_gmt":"2019-01-10T14:42:51","slug":"tobias-kaspar","status":"publish","type":"post","link":"https:\/\/kim.lv\/lv\/tobias-kaspar\/","title":{"rendered":"Tobias Kaspar person\u0101lizst\u0101de"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">Esej\u0101 par pa\u0161portretu glezniec\u012bbu m\u0101kslas zin\u0101tnieks T. D\u017e. Kl\u0101rks reiz rakst\u012bja: \u201cP\u0101r\u0101k cie\u0161i raudz\u012bties uz sevi \u2013 tas ir mulsino\u0161i. Pat sevis apzin\u0101\u0161an\u0101s jeb <i>self-consciousness<\/i> ir j\u0113dziens, ko var saprast div\u0113j\u0101di: vienviet tas noz\u012bm\u0113 kaut ko c\u0113lu un gr\u016bti sasniedzamu, citviet \u2013 to nelaim\u012bgo st\u0101vokli, kas saist\u012bts ar pubert\u0101ti un \u0101das probl\u0113m\u0101m.\u201d Turpinot aizs\u0101kto portretu un pa\u0161portretu \u017eanru izp\u0113ti, tie\u0161i \u0161o pretrun\u012bgo, slideno noz\u012bmju robe\u017e\u0101s Tobiass Kaspars ir izveidojis jaunu uzst\u0101d\u012bjumu, kas l\u012bdz \u0161im izpaudies vi\u0146a projektos <i>Bodies in the Backdrop<\/i> (2012), <i>Friends, Lovers &amp; Financiers<\/i> (2014), <i>Two Cities \u2013 Two Lives<\/i> (2015), <i>The Street <\/i>(2016) un <i>New Address <\/i>\u2013 publik\u0101cij\u0101, kas iez\u012bm\u0113 m\u0101kslinieka p\u0101rcel\u0161anos uz R\u012bgu. \u0160\u012bs m\u0101kslinieka gr\u0101matas pamat\u0101 ir sarunu s\u0113rija <i>Roommate Education<\/i>, kuras fokus\u0101 ir <i>making of<\/i> jeb \u017eanrs, kas vislab\u0101k paz\u012bstams kinofilmu kontekst\u0101. Nereti \u0161is blakusprodukts\u00a0\u2013 filma par to, k\u0101 uz\u0146emta filma, \u2013 tiek izmantots k\u0101 instruments, ar kura pal\u012bdz\u012bbu tirgot \u201cpieredzi\u201d, liekot publikai notic\u0113t, ka filmas tap\u0161anas process sniedz b\u016btisku izpratni un inform\u0101ciju par pa\u0161u filmu. Tas izriet no s\u0101kotn\u0113j\u0101 produkta, t\u0101d\u0113j\u0101di uzturot nebeidzamo sp\u0113li: produkts, kas izriet no produkta, kura pamat\u0101 savuk\u0101rt ir cits produkts.<\/span><\/p>\n<span class=\"indent\"><\/span>Portrets \u2013 uzst\u0101d\u012bjums, kuru Kaspars rad\u012bjis \u0161ai izst\u0101dei, ir velt\u012bts \u013beva Tolstoja \u201cAnnai Kare\u0146inai\u201d. Kare\u0146ina ir viens no tiem neskait\u0101majiem sievie\u0161u t\u0113liem, ko v\u012brie\u0161u dzimuma autori izmantoju\u0161i, lai izteiktos par sociopolitiskiem jaut\u0101jumiem; vi\u0146a ir priek\u0161pl\u0101na butaforija, kuras uzdevums ir izcelt fon\u0101 notieko\u0161o. Tolstoja z\u012bm\u0113tais t\u0113ls, situ\u0101cija t\u0101laika sabiedr\u012bb\u0101 un nosac\u012bjumi, kas tiek izsp\u0113l\u0113ti Kare\u0146inas t\u0113l\u0101, \u0161odien kalpo par iedvesmu tra\u0123isku ziepju operu scen\u0101riju rakst\u012b\u0161an\u0101.<\/span><\/p>\n<span class=\"indent\"><\/span>Gertr\u016bde Staina sav\u0101 laik\u0101 rad\u012bja \u201cv\u0101rdu portretus\u201d, neatlaid\u012bg\u0101, atk\u0101rtojumiem p\u0101rbag\u0101t\u0101 manier\u0113 savirkn\u0113jot savstarp\u0113ji nesaist\u012btus v\u0101rdus. Vi\u0146as m\u0113r\u0137is bija fiks\u0113t nevis k\u0101du \u0101r\u0113ji redzamu \u201cpaties\u012bbu\u201d, bet aprakst\u0101m\u0101 subjekta<i> <\/i>psiholo\u0123isko b\u016bt\u012bbu. 20. gadsimta s\u0101kum\u0101 ASV un Eiropas m\u0101kslinieces un m\u0101kslinieki cent\u0101s rad\u012bt Stainas liter\u0101ro eksperimentu vizu\u0101lus ekvivalentus. \u0160ie \u201cobjektu portreti\u201d nav figurat\u012bvi, tie neatt\u0113lo uz t\u012bklenes projic\u0113tus mode\u013cus-poz\u0113t\u0101jus. Pikabija, iedvesmojoties no sludin\u0101jumiem, mediju att\u0113liem un pas\u016bt\u0101mo pre\u010du katalogiem, rad\u012bja \u201cmeh\u0101niskus\u201d portretus, kuros savus draugus un laikabiedrus att\u0113loja, izmantojot t\u0101das ma\u0161\u012bnb\u016bves deta\u013cas k\u0101 skr\u016bves vai zobrati; Prustu un Bergsonu portretu \u017eanr\u0101 interes\u0113ja mode\u013cu dz\u012bves apst\u0101k\u013cu izp\u0113te un vi\u0146u sabiedrisk\u0101 nost\u0101ja. <\/span><\/p>\n<span class=\"indent\"><\/span>Viens no centr\u0101lajiem izst\u0101des elementiem ir teksta un fotogr\u0101fijas apvienojums darb\u0101 <i>Anna K.<\/i>, kas ietver R\u012bgas un Romas tenisa kortos uz\u0146emtus tuvpl\u0101nus un atsevi\u0161\u0137as Tolstoja rom\u0101na fr\u0101zes par t\u0101d\u0101m t\u0113m\u0101m k\u0101 zemkop\u012bba, m\u0101jsaimniec\u012bba, naudas apgroz\u012bba un visp\u0101r\u0113js t\u0101laika sociopolitisk\u0101 fona raksturojums. Fotogr\u0101fijas iek\u013cautas instal\u0101cij\u0101, kas veidota no objektiem, kuri izv\u0113l\u0113ti p\u0113c tiem pied\u0113v\u0113t\u0101s simbolisk\u0101s v\u0113rt\u012bbas, proti, atbilst\u012bbas noteiktai \u0161\u0137irai un dz\u012bvesveidam. Vair\u0101ki no \u0161iem objektiem, veidotiem porcel\u0101n\u0101 vai bronz\u0101, ir r\u016bpniecisku ra\u017eojumu kopijas, kurus ra\u017eojo\u0161ie Latvijas un starptautiskie uz\u0146\u0113mumi iek\u013cauti izst\u0101des korporat\u012bvo sponsoru sarakst\u0101.<\/span><\/p>\n<span class=\"indent\"><\/span>Tobiasa Kaspara rad\u012btais portrets ir jucekl\u012bgs \u2013 tas ir sare\u017e\u0123\u012bts mikslis, kur\u0101 ietilpst pretrunas un neviennoz\u012bm\u012bbas, ierobe\u017eojumi, no\u0161\u0137irt\u012bba, att\u0101lums, aukstasin\u012bba un pa\u0161savald\u012bba. Izst\u0101des atkl\u0101\u0161ana notiek laik\u0101, kad Latvijas Nacion\u0101laj\u0101 oper\u0101 un balet\u0101 tiek uzvests balets \u201cAnna Kare\u0146ina\u201d, atz\u012bm\u0113jot 10.\u00a0gadadienu kop\u0161 izr\u0101des iek\u013cau\u0161anas baletnama repertu\u0101r\u0101. Balstot izst\u0101des tematiku uz Annu Kare\u0146inu, Kaspars rad\u012bjis izst\u0101des vietai piel\u0101gotu instal\u0101ciju, kas ietver atsauces uz citu laik\u0101 un telp\u0101 tuvu kult\u016bras pas\u0101kumu v\u0113l vien\u0101 darb\u012bbas jom\u0101, kuru ieskauj m\u0101kslinieciska spriedze un ac\u012bm redzama atkar\u012bba.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><span class=\"s1\">2016. gada pavasar\u012b <span style=\"text-decoration: underline;\">Tobiass Kaspars<\/span> (dz. 1984) rad\u012bja 24 stundu izst\u0101di <i>The Street <\/i>Romas<i> <\/i>filmu studij\u0101 <i>Cinecitt\u00e0 Film Studios<\/i>. 2015. gad\u0101 m\u0101kslinieks atv\u0113ra <i>Toby\u2019s Tristram Shandy Shop <\/i>Berl\u012bnes izst\u0101\u017eu telp\u0101 <i>Udolpho<\/i>, kur\u0101 p\u0101rdeva Lorensa St\u0113rna rom\u0101na \u201cD\u017eentlme\u0146a Tristama \u0160endija dz\u012bve un uzskati\u201d pirmizdevumus. 2012. gad\u0101 Tobiass Kaspars aizs\u0101ka sav\u0101 v\u0101rd\u0101 nosauktu d\u017einsu l\u012bniju, un kop\u0161 2009. gada vi\u0146\u0161 ir viens no br\u012bv\u0101 laika pavad\u012b\u0161anai velt\u012bt\u0101 asto\u0146u numuru \u017eurn\u0101la <i>PROVENCE <\/i>izdev\u0113jiem. Vi\u0146\u0161 ir ar\u012b Latvijas Instit\u016bta Rom\u0101 idejiskais autors un dibin\u0101t\u0101js. Tobiasa Kaspara darbi izst\u0101d\u012bti da\u017e\u0101d\u0101s m\u0101kslas instit\u016bcij\u0101s, tostarp Var\u0161avas Modern\u0101s m\u0101kslas muzej\u0101 (2016), <i>Istituto Svizzero di Roma<\/i> (2015), <i>Wattis Institute for Contemporary Art<\/i> Sanfrancisko (2015), <i>Solo Shows<\/i> Sanpaulu (2015), <i>CAFAM Biennale<\/i> Pekin\u0101 (2014), <i>Kunsthalle Wien<\/i> (2014), <i>Kunsthalle St.<\/i>\u00a0<i>Gallen<\/i> (2014), <i>Midway Contemporary Art<\/i> Mineapolis\u0101 (2013), <i>Artists Space<\/i> \u0145ujork\u0101 (2013), <i>Palais de<\/i> <i>Tokyo<\/i> Par\u012bz\u0113 (2012), <i>Kunsthalle Z\u00fcrich<\/i> (2011), <i>Kunsthalle Basel<\/i> (2011), <i>Museum Hamburger Bahnhof<\/i> Berl\u012bn\u0113 (2011), <i>Kunsthaus Bregenz<\/i> (2011), <i>K\u00fcnstlerhaus Stuttgart<\/i> (2010).<\/span><\/p>\n<p>&nbsp;","protected":false},"excerpt":{"rendered":"<p>Esej\u0101 par pa\u0161portretu glezniec\u012bbu m\u0101kslas zin\u0101tnieks T. D\u017e. Kl\u0101rks reiz rakst\u012bja: \u201cP\u0101r\u0101k cie\u0161i raudz\u012bties uz sevi \u2013 tas ir mulsino\u0161i. Pat sevis apzin\u0101\u0161an\u0101s jeb self-consciousness ir j\u0113dziens, ko var saprast div\u0113j\u0101di: vienviet tas noz\u012bm\u0113 kaut ko c\u0113lu un gr\u016bti sasniedzamu, citviet \u2013 to nelaim\u012bgo st\u0101vokli, kas saist\u012bts ar pubert\u0101ti un \u0101das probl\u0113m\u0101m.\u201d Turpinot aizs\u0101kto portretu [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[3,4,26],"tags":[],"class_list":["post-1426","post","type-post","status-publish","format-standard","hentry","category-2017-exhibitions","category-kim-exhibitions","category-past-exhibitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tobias Kaspar person\u0101lizst\u0101de - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kim.lv\/en\/tobias-kaspar\/\" \/>\n<meta property=\"og:locale\" content=\"lv_LV\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:en]Solo Show by Tobias Kaspar[:lv]Tobias Kaspar person\u0101lizst\u0101de[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs\" \/>\n<meta property=\"og:description\" content=\"Esej\u0101 par pa\u0161portretu glezniec\u012bbu m\u0101kslas zin\u0101tnieks T. D\u017e. Kl\u0101rks reiz rakst\u012bja: \u201cP\u0101r\u0101k cie\u0161i raudz\u012bties uz sevi \u2013 tas ir mulsino\u0161i. Pat sevis apzin\u0101\u0161an\u0101s jeb self-consciousness ir j\u0113dziens, ko var saprast div\u0113j\u0101di: vienviet tas noz\u012bm\u0113 kaut ko c\u0113lu un gr\u016bti sasniedzamu, citviet \u2013 to nelaim\u012bgo st\u0101vokli, kas saist\u012bts ar pubert\u0101ti un \u0101das probl\u0113m\u0101m.\u201d Turpinot aizs\u0101kto portretu [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kim.lv\/en\/tobias-kaspar\/\" \/>\n<meta property=\"og:site_name\" content=\"Kim? 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Laikmet\u012bg\u0101s m\u0101kslas centrs","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/kim.lv\/en\/tobias-kaspar\/","og_locale":"lv_LV","og_type":"article","og_title":"[:en]Solo Show by Tobias Kaspar[:lv]Tobias Kaspar person\u0101lizst\u0101de[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","og_description":"Esej\u0101 par pa\u0161portretu glezniec\u012bbu m\u0101kslas zin\u0101tnieks T. D\u017e. Kl\u0101rks reiz rakst\u012bja: \u201cP\u0101r\u0101k cie\u0161i raudz\u012bties uz sevi \u2013 tas ir mulsino\u0161i. Pat sevis apzin\u0101\u0161an\u0101s jeb self-consciousness ir j\u0113dziens, ko var saprast div\u0113j\u0101di: vienviet tas noz\u012bm\u0113 kaut ko c\u0113lu un gr\u016bti sasniedzamu, citviet \u2013 to nelaim\u012bgo st\u0101vokli, kas saist\u012bts ar pubert\u0101ti un \u0101das probl\u0113m\u0101m.\u201d Turpinot aizs\u0101kto portretu [&hellip;]","og_url":"https:\/\/kim.lv\/en\/tobias-kaspar\/","og_site_name":"Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","article_published_time":"2018-03-13T21:47:26+00:00","article_modified_time":"2019-01-10T14:42:51+00:00","author":"Kim?","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Kim?","Est. reading time":"8 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/kim.lv\/en\/tobias-kaspar\/","url":"https:\/\/kim.lv\/en\/tobias-kaspar\/","name":"[:en]Solo Show by Tobias Kaspar[:lv]Tobias Kaspar person\u0101lizst\u0101de[:] - Kim? 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