<\/p>\n
\u201cM\u0101ja pie \u016bdenskrituma jeb kr\u0101sojam\u0101s gr\u0101matas pieaugu\u0161ajiem\u201d<\/p>\n
<\/p>\n
Kr\u0101so\u0161ana, kas vair\u0101kus gadsimtus tikusi uzskat\u012bta par b\u0113rniem piem\u0113rotu nodarbi, p\u0113d\u0113j\u0101 desmitgad\u0113 atkal k\u013cuvusi popul\u0101ra pieaugu\u0161o vid\u016b (pirmais aktivit\u0101tes vilnis tika nov\u0113rots p\u0113c Otr\u0101 pasaules kara). T\u0101 k\u0101 ik dienas tiekam pak\u013cauti arvien liel\u0101kam att\u0113lu skaitam, m\u0101ksliniecei \u012bpa\u0161i interesanti \u0161\u0137iet, ka kr\u0101so\u0161anas popularit\u0101te augusi tie\u0161i t\u0101du cilv\u0113ku vid\u016b, kas nav saist\u012bti ar rado\u0161u darbu.<\/p>\n<\/span>Kr\u0101so\u0161ana tiek raksturota k\u0101 relaks\u0113jo\u0161a un terapeitiska, \u0161im laika kav\u0113klim tiek pied\u0113v\u0113ta ar\u012b sp\u0113ja veicin\u0101t rado\u0161umu un izt\u0113li gan darb\u0101, gan ikdienas dz\u012bv\u0113. Tom\u0113r Meldere ar\u012b nor\u0101da, ka kr\u0101so\u0161anas process sal\u012bdzin\u0101jum\u0101 ar z\u012bm\u0113jumu, kas tiek rad\u012bts \u201cno nulles\u201d, jau p\u0113c defin\u012bcijas ir krietni ierobe\u017eot\u0101ks. \u0160\u012bs sp\u0113les dal\u012bbniekiem tiek nolikts priek\u0161\u0101 gatavs vizu\u0101lais narat\u012bvs. Ienirstot visda\u017e\u0101d\u0101kajos tematos, s\u0101kot ar homoerotiskiem t\u0113liem un beidzot ar t\u0113m\u0101m, kas skar filozofiju un ietver atsauces uz m\u0101kslas v\u0113sturi, skat\u012bt\u0101jam tiek dota iesp\u0113ja sastapties ar jau gatavu att\u0113lu vai notikumu un tas nav j\u0101izt\u0113lojas. Meldere uzdod jaut\u0101jumus, kas cie\u0161i saist\u012bti ar vi\u0146as m\u0101ksliniecisko darb\u012bbu, \u2013 k\u0101 m\u0113s uztveram ieraudz\u012btos att\u0113lus? Vai kr\u0101so\u0161ana sniedz iesp\u0113ju rekontekstualiz\u0113t att\u0113lu, personiski iesaistoties, vai ar\u012b tikai vedina pas\u012bvi sekot l\u012bnij\u0101m?<\/p>\n <\/p>\n \u0160ie jaut\u0101jumi izriet no Melderes intereses par m\u0101kslas v\u0113sturi un t\u0101s saist\u012bbu ar \u201cpersonisko arh\u012bvu\u201d, to, k\u0101 visp\u0101rzin\u0101mi t\u0113li eksist\u0113 vienlaikus ar priv\u0101t\u0101m atmi\u0146\u0101m un pieredzi. Izst\u0101d\u0113 Meldere piev\u0113r\u0161as idejai par kompleksu att\u0113lu, deta\u013c\u0101m bag\u0101tos darbus b\u016bv\u0113jot no at\u0161\u0137ir\u012bgu, bet reiz\u0113 savstarp\u0113ji saist\u012btu kol\u0101\u017eu sl\u0101\u0146iem. Vi\u0146as darbos ilustr\u0101cijas no bro\u0161\u016br\u0101m, priv\u0101tu arh\u012bvu fotogr\u0101 j\u0101m un da\u017e\u0101d\u0101m gadagr\u0101mat\u0101m top gan par kont\u016br\u0101m, gan kr\u0101sas sl\u0101\u0146iem. \u0160aj\u0101 izst\u0101d\u0113 kr\u0101so\u0161ana var pal\u012bdz\u0113t saprast, k\u0101da var\u0113tu b\u016bt laikmet\u012bga attieksme pret ikdien\u0101 sastopamajiem t\u0113liem un ko t\u0101d\u0101 veid\u0101 iesp\u0113jams uzzin\u0101t par glezniec\u012bbu.<\/p>\n <\/p>\n Inga Meldere<\/span> (1979, Kuld\u012bga) dz\u012bvo un str\u0101d\u0101 Helsinkos un R\u012bg\u0101. Ieguvusi bakalaura gr\u0101du pedago\u0123ij\u0101 Latvijas Universit\u0101t\u0113 un stud\u0113jusi Latvijas M\u0101kslas akad\u0113mij\u0101. Gadu izgl\u012btojusies Jana van Eika akad\u0113mij\u0101 M\u0101striht\u0101. P\u0113d\u0113j\u0101s iespaid\u012bg\u0101k\u0101s person\u0101lizst\u0101des \u2013 \u201cM\u0101ja pie \u016bdenskrituma jeb kr\u0101sojam\u0101s gr\u0101matas pieaugu\u0161ajiem\u201d (Temnikova & Kasela<\/em>, Tallina, 2016); \u201cBlauma\u0146a istaba\u201d (Ja\u0146a Rozent\u0101la un R\u016bdolfa Blauma\u0146a muzejs, R\u012bga, 2015); \u201cB\u0113rzkalni\u201d (G12, Helsinki, 2015); \u201cBurvju kalns\u201d (M\u0101ksla XO, R\u012bga, 2014). Dal\u012bba kopizst\u0101d\u0113s Untitled<\/em> (2013); Enough is enough<\/em> (Temnikova & Kasela<\/em>, Tallin\u0101, 2011; Le fragole del Baltico<\/em>, CareOf<\/em>, Mil\u0101na, 2015); Survival K(n)it 7<\/em> (LLMC, R\u012bga, 2015); Important contemporary Latvian artists<\/em> (National Arts Club<\/em>, \u0145ujorka; Driehaus Museum<\/em>, \u010cik\u0101ga; LNMM, R\u012bga, 2012). Kim? Rezidences balvas 2016<\/em> fin\u0101liste, 2016. gad\u0101 nomin\u0113ta Purv\u012b\u0161a balvai.","protected":false},"excerpt":{"rendered":" Ingas Melderes person\u0101lizst\u0101de \u201cKr\u0101sojam\u0101s gr\u0101matas\u201d ir to domu un meto\u017eu turpin\u0101jums, kas pirmo reizi skarti \u0161\u012b gada maij\u0101 Tallin\u0101 notiku\u0161aj\u0101 izst\u0101d\u0113 ar pilno nosaukumu \u201cM\u0101ja pie \u016bdenskrituma jeb kr\u0101sojam\u0101s gr\u0101matas pieaugu\u0161ajiem\u201d. R\u012bgas izst\u0101\u017eu z\u0101les svaig\u0101 remonta noska\u0146\u0101s m\u0101ksliniece atbalsta savu individu\u0101lo un ar\u012b sabiedr\u012bb\u0101 popul\u0101ro kr\u0101so\u0161anas tieksmi, lai z\u0101les baltaj\u0101 fon\u0101 iejauktos ar sienu dal\u012bjumu […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[7,4,26],"tags":[],"class_list":["post-1495","post","type-post","status-publish","format-standard","hentry","category-2016-exhibitions","category-kim-exhibitions","category-past-exhibitions"],"acf":[],"yoast_head":"\n