{"id":1985,"date":"2018-04-13T08:11:47","date_gmt":"2018-04-13T05:11:47","guid":{"rendered":"http:\/\/dev.kim.lv\/?p=1985"},"modified":"2019-01-10T17:17:11","modified_gmt":"2019-01-10T15:17:11","slug":"le-fragole-del-baltico","status":"publish","type":"post","link":"https:\/\/kim.lv\/lv\/le-fragole-del-baltico\/","title":{"rendered":"Grupas izst\u0101de &#8220;Le fragole del Baltico&#8221;"},"content":{"rendered":"<p style=\"padding-left: 90px;\">Kuratori: Simone Menegoi un Zane Onckule<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 90px;\">Piedal\u0101s: \u0112riks Apa\u013cais, J\u0101nis Avoti\u0146\u0161, Ieva Epnere, Kaspars Gro\u0161evs, Ieva Kraule, Inga Meldere, Darja Me\u013c\u0146ikova, Ieva Rubeze, Kri\u0161s Salmanis, O\u013ca Vasi\u013cjeva<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 90px;\">Izst\u0101de noris:<i> <\/i><i>Careof<\/i>,\u00a0 Fabbrica del Vapore, \u00a0via Procaccini 4, Mil\u0101na<\/p>\n<p>&nbsp;<\/p>\n<p><i>Le fragole del Baltico <\/i>(\u201eBaltijas zemenes\u201d) pied\u0101v\u0101 ieskatu Latvijas laikmet\u012bgaj\u0101 m\u0101ksl\u0101. S\u0101kotn\u0113ji iecer\u0113ta k\u0101 papildin\u0101jums Latvijas paviljona programmai izst\u0101d\u0113 EXPO 2015, \u0161\u012b izst\u0101de ir veiksm\u012bgi p\u0101rdz\u012bvojusi min\u0113t\u0101 projekta skumjo atcel\u0161anas galu.<\/p>\n<span class=\"indent\"><\/span><i>Le fragole del Baltico<\/i> ir izst\u0101de \u2013 skate, kur\u0101 var apl\u016bkot darbus, ko rad\u012bju\u0161i desmit m\u0101kslinieki: \u0112riks Apa\u013cais, J\u0101nis Avoti\u0146\u0161, Ieva Epnere, Kaspars Gro\u0161evs, Ieva Kraule, Inga Meldere, Darja Me\u013c\u0146ikova, Ieva Rubeze, Kri\u0161s Salmanis un O\u013ca Vasi\u013cjeva. Izst\u0101des vienojo\u0161ais elements nav mekl\u0113jams ne konkr\u0113t\u0101 medij\u0101, ne koncept\u0101, dr\u012bz\u0101k \u2013 izv\u0113l\u0113to m\u0101kslinieku pieej\u0101, kam pal\u012bdz \u0161\u0101di biogr\u0101fijas dati: liel\u0101k\u0101 da\u013ca no autoriem ir dzimu\u0161i ap 1980. gadu un It\u0101lij\u0101 izst\u0101d\u0101s pirmo reizi. Ar iepriek\u0161 rad\u012btiem un \u012bpa\u0161i \u0161im notikumam veidotiem darbiem izst\u0101d\u0113 skat\u0101mi at\u0161\u0137ir\u012bgu m\u0101ksliniecisko person\u012bbu da\u017e\u0101die rokraksti un darbs k\u0101 materi\u0101l\u0101, t\u0101 medij\u0101, tostarp glezniec\u012bb\u0101, t\u0113lniec\u012bb\u0101, lieti\u0161\u0137aj\u0101 m\u0101ksl\u0101, video, fotogr\u0101fij\u0101 un ska\u0146u m\u0101ksl\u0101.<\/p>\n<span class=\"indent\"><\/span>Izst\u0101des nosaukums apzin\u0101ti iecer\u0113ts gan po\u0113tisks, gan vienlaikus skan\u012bgi ironisks: to iedvesmojis izpl\u016bdu\u0161ais dienvideiropie\u0161u priek\u0161stats par Baltiju k\u0101 aukstu, teju eksotisku vietu, zem kuras pel\u0113kaj\u0101m debes\u012bm t\u0101das ogas k\u0101 zemenes nez vai visp\u0101r izaug. Paties\u012bb\u0101, k\u0101 zin\u0101ms, zeme\u0146u lauki pie mums ir pla\u0161i un ogas gald\u0101 par\u0101d\u0101s regul\u0101ri. L\u012bdz\u012bgi ir ar\u012b ar Latvijas laikmet\u012bgo m\u0101kslu, kas, lai gan It\u0101lij\u0101 maz paz\u012bstama, ja neskaita vienu divus v\u0101rdus, kuri bie\u017ei vien pat netiek saist\u012bti ar izcelsmes valsti, tom\u0113r ir visnota\u013c dz\u012bva un kl\u0101teso\u0161a.<\/p>\n<span class=\"indent\"><\/span>Visai kompakt\u0101 izst\u0101de atspogu\u013co noteiktu gaumi: ne vien kuratoru, bet ar\u012b to gr\u016bt\u0101k notveramo un defin\u0113jamo est\u0113tisko izpratni, kas kop\u012bga \u0161\u012bs nosac\u012bt\u0101s vienas paaudzes m\u0101ksliniekiem. Da\u017ei elementi \u0161e atk\u0101rtojas, kaut ar\u012b pavisam at\u0161\u0137ir\u012bg\u0101 form\u0101: nosliece uz atgrie\u0161anos personiskaj\u0101, kop\u012bgaj\u0101 vai v\u0113sturiskaj\u0101 pag\u0101tn\u0113, k\u0101 Ingas Melderes glezn\u0101s un \u0123ip\u0161a miniat\u016br\u0101s, kas l\u012bdzin\u0101s izteiksm\u012bgiem \u012bsst\u0101stiem, vai Ievas Epneres fotogr\u0101fiju s\u0113rij\u0101 ar svin\u012bgi \u0123\u0113rbtiem Latvijas skol\u0113niem, kas 1.septembr\u012b pasniedz ziedus skolot\u0101jiem, t\u0101 turpinot padomju laikos aizs\u0101kto trad\u012bciju; ainaviskuma, laikapst\u0101k\u013cu, gadalaiku mai\u0146as izj\u016bta, kas rodama aspr\u0101t\u012bgajos un po\u0113tiskajos Kri\u0161a Salma\u0146a video; visp\u0101r\u0113ja melanholija, kas teju vaj\u0101 \u0112rika Apa\u013c\u0101 ask\u0113tisk\u0101s, meditat\u012bv\u0101s gleznas, k\u0101 ar\u012b J\u0101\u0146a Avoti\u0146a z\u012bm\u0113jumu s\u0113rija \u2013 anon\u012bmas pastkartes no nosl\u0113pumain\u0101m viet\u0101m dialog\u0101 ar r\u0113gainu galvu p\u0101ra gleznojumu; visai savdab\u012bgs <i>nonsensa<\/i> humors, kas nolas\u0101ms Ievas Rubezes video par Latvijas \u201eTV dziedniekiem\u201d (90. gadu ierakstam fon\u0101 skan baltais troksnis, lai manipul\u0113tu ar skat\u012bt\u0101jiem un \u201euzlabotu vi\u0146u gar\u012bgo ener\u0123\u0113tiku\u201d); simp\u0101tijas pret dekorat\u012bvismu un dai\u013camatniec\u012bbu \u2013 t\u0101s izpau\u017eas, piem\u0113ram, Kaspara Gro\u0161eva pa\u0161ad\u012btaj\u0101 treni\u0146t\u0113rp\u0101, kas m\u0101kslinieka izpild\u012bjum\u0101 tiek prezent\u0113ts izst\u0101des atkl\u0101\u0161an\u0101, Ievas Kraules veidotaj\u0101s dekor\u0101cij\u0101s pasaku t\u0113lu mielastam ar karikat\u016briski att\u0113lot\u0101m \u0113d\u0101ju sej\u0101m uz keramikas \u0161\u0137\u012bvjiem un smalkmaiz\u012b\u0161u mot\u012bviem apgleznotu audumu un Darjas Me\u013c\u0146ikovas pavisam tie\u0161aj\u0101 pieej\u0101 m\u0113r\u012b\u0161anai un (de)kompoz\u012bcijai, kas atkl\u0101jas caur sadegu\u0161iem att\u0113liem, sasistu porcel\u0101na trauku, ar roku z\u012bm\u0113tu milimetrpap\u012bru, un visbeidzot, bet ne maz\u0101k svar\u012bgi \u2013\u00a0 ne\u0161aub\u012bga, reiz\u0113 gr\u016bti tverama m\u0101j\u012bguma ideja apdz\u012bvo O\u013cas Vasi\u013cjevas kalamb\u016brisko objektu konstal\u0101ciju ar vilnas pakl\u0101ju, divpus\u0113ji skat\u0101m\u0101m durv\u012bm ar t\u0101feli vien\u0101 un zi\u0146ojumu d\u0113li \u2013 otr\u0101 pus\u0113, ko bag\u0101tina divas dadaistiskas stikla kurpju mont\u0101\u017eas.<\/p>\n<span class=\"indent\"><\/span>Lai \u012bpa\u0161i izv\u0113rstu priv\u0101t\u0101s telpas aspektu un att\u012bst\u012btu izst\u0101di k\u0101 sava veida iek\u0161telpu \u2013 interjeru, kuratori iek\u0101rtoju\u0161i to est\u0113tik\u0101, kas tuv\u0101ka nevis ierastajam 20. gadsimta anglosak\u0161u baltajam kubam, bet 19. gadsimta salonam vai m\u0101kslinieka studijai, m\u0101j\u0101m, kuras p\u0101rv\u0113rstas par muzejiem (zin\u0101mu iedvesmu sniedzis piem\u0113ram, R\u012bgas modernistu p\u0101ra Romana Sutas un Aleksandras Be\u013ccovas dz\u012bvoklis). Pieverot acis uz izst\u0101\u017eu z\u0101les r\u016bpnieciskajiem vaibstiem, te ir kr\u0101sotas sienas un aizkari, d\u012bv\u0101ns un atzveltnes kr\u0113sls, istabas augi \u2013 viss iesp\u0113jami rakstur\u012bgais dz\u012bvojamo m\u0101ju iek\u0161telp\u0101m, m\u0101kslinieku studij\u0101m un pat k\u0101dai izst\u0101\u017eu z\u0101lei. \u0160\u0101ds iek\u0101rtojums pal\u012bdz fiks\u0113t attiec\u012bbas starp da\u017e\u0101diem m\u0101kslinieciskajiem elementiem \u2013 \u0161\u012bm grozi\u0146\u0101 saliktaj\u0101m og\u0101m, ko saista \u012bpa\u0161a vide, kur\u0101 m\u0101kslas darbi atg\u0101dina, aizst\u0101j un apmain\u0101s ar veselu virkni taust\u0101mu p\u0101rejo\u0161u objektu \u2013 m\u0113bel\u0113m un cit\u0101m ikdieni\u0161\u0137\u0101m liet\u0101m.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">\u0112riks Apa\u013cais<\/span> (1981) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101. Str\u0101d\u0101 liel\u0101koties glezniec\u012bb\u0101, att\u0113lojot objektus, simbolus un kult\u016brz\u012bmes, kas noenkuroju\u0161\u0101s gan vi\u0146a personiskaj\u0101, gan kolekt\u012bvaj\u0101 atmi\u0146\u0101. Jaun\u0101k\u0101s person\u0101lizst\u0101des: \u201eZari\u201d(2014)<em>, <\/em>LNMM izst\u0101\u017eu z\u0101le \u201eArsen\u0101ls\u201d, R\u012bga; <em>Inscribed Silhouettes<\/em> (2014), <em>Galerie Vera Munro<\/em>, Hamburga; \u201eV\u0101rdi\u201d(2013), Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga; <em>New Positions<\/em> (2012), <em>Art Cologne<\/em>, \u0136elne; <em>Confessions<\/em> (2011),<em>Galerie Vera Munro<\/em>, Hamburga; grupu izst\u0101des \u2013 <em>The Forgotten Pioneer Movement<\/em>(2014), <em>District Berlin, <\/em>Berl\u012bne; <em>Contexts of Painting<\/em> (2013), <em>CAC<\/em>, Vi\u013c\u0146a. M\u0101kslinieks sa\u0146\u0113mis Karla H. Dices balvu par gada lab\u0101ko diplomdarbu Hamburgas Vizu\u0101l\u0101s m\u0101kslas augstskol\u0101 (2011) un <em>DAAD<\/em> (V\u0101cijas Akad\u0113misk\u0101s Apmai\u0146as Dienesta) balvu par izciliem sasniegumiem. 2011. gad\u0101 nomin\u0113ts balvai <em>Ars Viva 11\/12<\/em>. M\u0101kslinieku p\u0101rst\u0101v <em>Galerie Vera Munro<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">J\u0101nis Avoti\u0146\u0161<\/span> (1981) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101. Rada monohromas gleznas, z\u012bm\u0113jumus un da\u017ek\u0101rt ar\u012b objektus. Vi\u0146a darbu t\u0113ma ir vientul\u012bba un atsve\u0161in\u0101t\u012bba, tajos izmantotas r\u0113gainas sejas un t\u0113li, kas atg\u0101dina padomju laika fotogr\u0101fijas. Jaun\u0101k\u0101s person\u0101lizst\u0101des: \u201eJ\u0101nis Avoti\u0146\u0161\u201d(2013), <em>Johnen Galerie, <\/em>Berl\u012bne; <em>Galerie R\u00fcdiger Sch\u00f6ttle<\/em>, Minhene; <em>Ibid.<\/em> (2013), Londona; <em>Galerie Vera Munro<\/em> (2013), Hamburga; <em>Ludwig Forum <\/em>(2008), \u0100hene. Jaun\u0101k\u0101s grupu izst\u0101des: <em>Fobofilia<\/em> (2015), <em>Fondazione Sandretto Re Rebaudengo<\/em>, Tur\u012bna; <em>Ostw\u00e4rts <\/em>(2014\/2015), <em>Ludwig Forum<\/em>, \u0100hene; <em>Only here <\/em>(2013), V\u0101cijas Feder\u0101l\u0101s republikas Laikmet\u012bg\u0101s m\u0101kslas kolekcija, Bonna; <em>Gaiety is the most outstanding feature of the Soviet Union <\/em>(2012), <em>Saatchi Gallery<\/em>, Londona; \u201eVi\u0146\u0161 nemekl\u0113 paties\u012bbu, vi\u0146\u0161 grib iespaidot<em>?\u201d<\/em>(2011), R\u012bgas M\u0101kslas telpa, R\u012bga; 14. Vi\u013c\u0146as glezniec\u012bbas trienn\u0101le, <em>False Recognition <\/em>(2010), <em>CAC<\/em>, Vi\u013c\u0146a. M\u0101kslinieku p\u0101rst\u0101v <em>Galerie R\u00fcdiger Sch\u00f6ttle <\/em>un<em>Galerie Vera Munro.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Ieva Epnere<\/span> (1977) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101. Rada fotogr\u0101fijas, video un filmas, kur\u0101s personiski, priv\u0101ti st\u0101sti ir s\u0101kumpunkts m\u0101ksliniecisk\u0101m refleksij\u0101m par identit\u0101ti, trad\u012bcij\u0101m un ritu\u0101liem. Jaun\u0101k\u0101s person\u0101lizst\u0101des: <em>Waiting Room <\/em>(2015), <em>Contretype<\/em>, Brisele; <em>Galerie des Hospices <\/em>(2014), Kan\u0113anrusijona (2014); \u201eTelpas atmi\u0146a\/Mindscapes\u201d(2013), Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga; \u201eZa\u013c\u0101 zeme\u201d(2010), Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga; \u201eDarbi\u201d (2009),<em>Kulturforum Alte Post<\/em>, Neisa; \u201eMikrorajons\u201d(2007), LNMM izst\u0101\u017eu z\u0101le \u201eArsen\u0101ls\u201d, R\u012bga; <em>Encounters<\/em> (2006), <em>Atelier<\/em> <em>Hoeherweg<\/em>, Diseldorfa. Grupu izst\u0101des: <em>Ornamentalism. The Purv\u012btis Prize <\/em>(2015), <em>Arsenale<\/em>, Ven\u0113cija; 61. starptautiskais \u012bsfilmu festiv\u0101ls (2015), starptautiskais konkurss, Oberhauzene; <em>Bad Feminism <\/em>(2015), <em>RPL Film Theatre<\/em>, Rid\u017eaina; 60. starptautiskais \u012bsfilmu festiv\u0101ls (2014), starptautiskais konkurss, Oberhauzene.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Kaspars Gro\u0161evs<\/span> (1983) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101. Str\u0101d\u0101 da\u017e\u0101dos medijos un ar da\u017e\u0101diem materi\u0101liem, radot z\u012bm\u0113jumus, tekstu, tekstilijas, audio, objektus un instal\u0101cijas un nemit\u012bgi mekl\u0113jot form\u0101lus risin\u0101jumus, kas pal\u012bdz izveidot lo\u0123isku un intri\u0123\u0113jo\u0161u v\u0113st\u012bjumu. Jaun\u0101k\u0101s person\u0101lizst\u0101des\/kopizst\u0101des: <em>Qu&#8217;est-ce que \u00e7a peut faire tout \u00e7a <\/em>(2015, sadarb\u012bb\u0101 ar Ievu Krauli), <em>Shanaynay<\/em>, Par\u012bze; \u201eOAOA (J\u016bras griesti)\u201d\u00a0(2014, sadarb\u012bb\u0101 ar O\u013cu Vasi\u013cjevu), <em>J\u016bras V\u0101rti<\/em>, Ventspils; \u201e00:10:00:00\u201d\u00a0(2013), Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga; \u201e\u00a0I\/O. Bez ienaidniekiem\u201d(2011), Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga; \u201eH\u201d(2012), Ka\u0146epes kult\u016bras centrs, R\u012bga. Grupu izst\u0101des: <em>Lily&#8217;s Pool<\/em> (2015), <em>Art In General<\/em>, \u0145ujorka;\u00a0<em>Vortex<\/em>\u00a0(2014), <em>Project Space<\/em> <em>Garage<\/em>, Maskava;\u00a0<em>Aspen-Kemmern<\/em>\u00a0(2014), Kim?\u00a0Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga. Nereti uzst\u0101jas, atska\u0146ojot savu rad\u012bto m\u016bziku, public\u0113jas Latvijas kult\u016bras izdevumos un izst\u0101\u017eu katalogos. Gro\u0161evs ir R\u012bgas galerijas <em>Four To Seven (427) <\/em>l\u012bdzdibin\u0101t\u0101js un kurators.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Ieva Kraule<\/span> (1987) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101. Izmantojot da\u017e\u0101dus medijus, tostarp fotogr\u0101fiju, video, keramiku un glezniec\u012bbu, ietver darbos atsauces uz padomju laika lieti\u0161\u0137o m\u0101kslu un arhitekt\u016bru, vienlaikus cen\u0161oties at\u0161ifr\u0113t personisk\u0101 un kolekt\u012bv\u0101 est\u0113tisk\u0101 koda izcelsmi. Jaun\u0101k\u0101s person\u0101lizst\u0101des: \u201eTagad neviens vairs t\u0101 nedejo\u201d (2014), <em>427<\/em>, R\u012bga; <em>\u2026if all you told was turned to gold <\/em>(2014), <em>Vita Kuben, <\/em>\u016ameo; \u201eVientul\u012bba b\u016bs mans liel\u0101kais d\u0101rgums\u201d (2014), Kalnciema kvart\u0101la galerija, R\u012bga;\u201e11 no 10\u201d (2013), Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga; \u201eSengaid\u012btas br\u012bvdienas pie fikt\u012bvu atmi\u0146u bezdibe\u0146a\u201d (2012), Galerija <em>Bastejs<\/em>, R\u012bga. Grupu izst\u0101des: <em>Lily&#8217;s Pool<\/em> (2015), <em>Art In General<\/em>, \u0145ujorka;<em>Vortex<\/em>\u00a0(2014), <em>Project Space<\/em> <em>Garage<\/em>, Maskava;\u00a0<em>Aspen-Kemmern<\/em>\u00a0(2014), Kim?\u00a0Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga. Kraule ir R\u012bgas galerijas <em>Four To Seven (427) <\/em>l\u012bdzdibin\u0101t\u0101ja un kuratore.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Inga Meldere<\/span> (1979) dz\u012bvo un str\u0101d\u0101 Helsinkos un R\u012bg\u0101. Darbojas galvenok\u0101rt glezniec\u012bb\u0101. Vi\u0146as maigi apgleznotie audekli, kurus raksturo gaisma un paste\u013cto\u0146i, gaisto\u0161as materi\u0101lu un tehniku kombin\u0101cijas, bie\u017ei vien att\u0113lo \u0161\u0137ietami naivus narat\u012bvus, ko iedvesmoju\u0161as personiskas atmi\u0146as un \u0123imenes v\u0113sture. Jaun\u0101k\u0101s person\u0101lizst\u0101des\/kopizst\u0101des: \u201eBerzkalni\u201d (2015), <em>G12<\/em>, Helsinki; <em>Magic Mountain<\/em> (2014), galerija <em>M\u0101ksla XO<\/em>, R\u012bga; <em>Untitled<\/em> (2013; kop\u0101 ar Oskaru Santillanu), <em>Temnikova &amp; Kasela<\/em>, Tallina; <em>Enough is enough<\/em> (2011, kop\u0101 ar Miko Hincu), <em>Temnikova &amp; Kasela<\/em>, Tallina; <em>Offset <\/em>(2011), galerija <em>M\u0101ksla XO<\/em>, R\u012bga. Grupu izst\u0101des: <em>Tides of Change. Balticum<\/em> (2011), <em>HangART-7<\/em>, Zalcburga; <em>FAX<\/em> (2011), <em>South London Gallery<\/em>, Londona; <em>Mother of Wind <\/em>(2010), <em>HFBK Gallery<\/em>, Hamburga. Melderes darbs iek\u013cauts ar\u012b 2010. gada Vi\u013c\u0146as glezniec\u012bbas trienn\u0101l\u0113.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Darja Me\u013c\u0146ikova<\/span> (1984) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101. Izmantojot t\u0113lniec\u012bbu, dizainu, grafiku un jauktas tehnikas, vi\u0146a rada telpiskas un da\u017ek\u0101rt m\u012bklainas instal\u0101cijas, kur\u0101s skaistums un intriga, roku darbs un masu produkcija ir l\u012bdzsvar\u0101. Jaun\u0101k\u0101s person\u0101lizst\u0101des: <em>Brewing Harmony<\/em> (2014), <em>Gallery Vita Kuben<\/em>, \u016ameo; <em>A Green Silhouette of Grey<\/em>(2014), Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga; \u201eJaucot l\u012bnijas, k\u0101rtojot kaudzes\u201d (2011), Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga. Grupu izst\u0101des: <em>Lily&#8217;s Pool<\/em> (2015), <em>Art In General<\/em>, \u0145ujorka; <em>Literacy-Illiteracy<\/em>(2014), 16. Tallinas grafikas trienn\u0101l\u0113, <em>KUMU<\/em>, Tallina; <em>Present Tense <\/em>(2014), <em>Kalmar konstmuseum<\/em>, Kalmara; <em>Aspen-Kemmern<\/em>\u00a0(2014), Kim?\u00a0Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga; <em>Vortex<\/em>\u00a0(2014), <em>Project Space<\/em> <em>Garage<\/em>, Maskava; <em>Sculpture Is Space <\/em>(2013), <em>Hobusepea<\/em>, Tallina; <em>24 Spaces \u2013 Cacophony<\/em>(2013), <em>Malm\u00f6 Konsthall<\/em>, Malme. Me\u013c\u0146ikova ir sa\u0146\u0113musi pirmo \u201eKim? Rezidences Balvu\u201d un no maija l\u012bdz j\u016blijam uzturas <em>KW<\/em> Laikmet\u012bg\u0101s m\u0101kslas instit\u016bt\u0101 Berl\u012bn\u0113.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Kri\u0161s Salmanis<\/span> (1977) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101. Str\u0101d\u0101 t\u0101dos medijos k\u0101 foto, video, instal\u0101cija, anim\u0101cija, grafika, radot konceptu\u0101li uzl\u0101d\u0113tas kopas-vien\u012bbas, kuras raksturo piev\u0113r\u0161an\u0101s deta\u013c\u0101m un intelektu\u0101la aspr\u0101t\u012bba. Kop\u0101 ar Kasparu Podnieku piedal\u012bj\u0101s Latvijas ekspoz\u012bcij\u0101 55. Ven\u0113cijas bienn\u0101l\u0113. Jaun\u0101k\u0101s person\u0101lizst\u0101des: \u201e100 gr\u0101matas, ko nevajag pasp\u0113t izlas\u012bt<em>\u201d<\/em> (2015), Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga; <em>Light<\/em> (2012), <em>CAC<\/em>, Vi\u013c\u0146a, Lietuva; \u201eUztic\u0113\u0161an\u0101s trauslums\u201d(2012), galerija <em>Alma<\/em>, R\u012bga; <em>The Earth may be spinning around the Sun, but the World is turning around me<\/em> (2011), <em>Raum linksrechts<\/em>, Hamburga; <em>Moving Landscape<\/em> (2011), <em>Galerie f\u0171r Gegenwartskunst<\/em>, Br\u0113mene. Salmanis regul\u0101ri raksta vizu\u0101lo m\u0101kslu \u017eurn\u0101lam <em>Studija <\/em>un citiem preses izdevumiem. M\u0101kslinieku p\u0101rst\u0101v galerija <em>Alma.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Ieva Rubeze<\/span> (1977) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101. Vi\u0146as darbus \u2013 po\u0113tiskus video un instal\u0101cijas \u2013 raksturo skaidrs konceptu\u0101lais kodols, dom\u0101\u0161anas paradoksu atkl\u0101sme, aspr\u0101t\u012bba un \u012bpa\u0161s, p\u0101rlaic\u012bgs starojums. K\u0101 m\u0101kslinieku grupas <em>Famous Five<\/em> dal\u012bbniece kop\u0101 ar L\u012bgu Marcinkevi\u010du un M\u0101rti\u0146u Ratniku p\u0101rst\u0101v\u0113jusi Latviju Sanpaulu bienn\u0101l\u0113 (2002) un Ven\u0113cijas bienn\u0101l\u0113 (2005), k\u0101 ar\u012b piedal\u012bjusies grupas izst\u0101d\u0113s, tostarp <em>Buket <\/em>(2008) Maskav\u0101, <em>Time Will Show <\/em>(2008) Flensburg\u0101 un \u201eR\u012bga dimd!\u201d (2010) Rostok\u0101. 2014. gad\u0101 uzvar\u0113ja konkurs\u0101 \u201eR\u012bga smaida atkal\u201d, ko programmas \u201eM\u0101ksla publiskaj\u0101 telp\u0101\u201d ietvaros organiz\u0113ja Borisa un In\u0101ras Teterevu fonds. Rubezes iesniegtais m\u0101kslas darbs \u201eSpoks\u201d R\u012bgas pils\u0113tvid\u0113 tiks realiz\u0113ts 2015. gad\u0101.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">O\u013ca Vasi\u013cjeva<\/span> (1981) ir Latvij\u0101 dzimusi m\u0101ksliniece, kas dz\u012bvo un str\u0101d\u0101 Amsterdam\u0101. Vasi\u013cjevas m\u0101ksliniecisk\u0101 prakse ietver video, t\u0113lniec\u012bbu, m\u016bziku un tekstus, da\u017ek\u0101rt \u0161ie mediji tiek jaukti. Vi\u0146as darbos ir atsauces uz dai\u013camatniec\u012bbu, m\u016bziku, subkult\u016br\u0101m un literat\u016bru. Jaun\u0101k\u0101s person\u0101lizst\u0101des: <em>University <\/em>(2015), <em>Galerie Antoine Levi<\/em>, Par\u012bze; <em>The Limp of A Letter <\/em>(2015), BOZAR, Brussels (2015);\u00a0<em>Jargot <\/em>(2014), <em>Art in General<\/em>, \u0145ujorka, ASV; <em>Cinq \u00e0 sept<\/em> (2013), Kim?\u00a0Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga. Grupu izst\u0101des: <em>Society Acts \u2013<\/em><em>The Moderna exhibition 2<\/em> (2014), <em>Moderna Museet<\/em>, Malme; <em>Last Seen Entering the Biltmore<\/em>(2014), <em>South London Gallery<\/em>, Londona;<em>What Were You Expecting, Mr. Milquetoast, a Plot?<\/em> (2014), <em>Badischer Kunstverein<\/em>, Karlsr\u016be; <em>Material Information <\/em>(2012), <em>Bergen Kunstmuseum<\/em>, Bergena, u.c. M\u0101kslinieku kolekt\u012bva <em>The Oceans Academy of Arts<\/em>\u00a0dibin\u0101t\u0101ja un \u017eurn\u0101la <em>OAOA<\/em>izdev\u0113ja. 2014. gad\u0101 nomin\u0113ta balvai<em>Prix de Rome<\/em>. O\u013cu Vasi\u013cjevu p\u0101rst\u0101v <em>Galerie Antoine Levi<\/em> Par\u012bz\u0113.<\/p>\n<p>&nbsp;<\/p>\n<p>Vieskuratora biogr\u0101fija:<\/p>\n<p><span style=\"text-decoration: underline;\">Simone Mened\u017eoi<\/span> (<i>Simone Menegoi<\/i>, 1970), Mil\u0101n\u0101 dz\u012bvojo\u0161s kurators un rakstnieks. Darbojas <i>artforum.com, Ermenegildo Zegnas<\/i> grupas laikmet\u012bg\u0101s m\u0101kslas programmas <i>ZegnArt \/Public<\/i> kurators. Starptautiski akt\u012bvs, veido izst\u0101des priv\u0101t\u0101s un valstij piedero\u0161\u0101s instit\u016bcij\u0101s. Nesen\u0101ko projektu vid\u016b: <i>The Warm Statues. Sculpture \u2013 Body \u2013 Action, 1945-2013<\/i> (2014),<i> Museo Marino Marini<\/i>, Florenc\u0113; <i>Michael E. Smith <\/i>(2014), Mil\u0101nas trien\u0101l\u0113;<i> The Camera\u2019s Blind Spot. Sculpture &#8211; Photography: Recent Examples <\/i>(2013), <i>Museo d\u2019Arte della Provincia di Nuoro<\/i>; <i>LE SILENCE Une fiction<\/i> (2012), <i>Nouveau Mus\u00e9e National de Monaco<\/i>; <i>Bouvard and Pecuchet\u2019s Compendious Quest for Beauty<\/i> (2012), <i>David Roberts Art Foundation<\/i>, London\u0101. Atz\u012bts m\u0101kslas kriti\u0137is un teor\u0113ti\u0137is, veido publik\u0101cijas it\u0101\u013cu un \u0101rvalstu organiz\u0101cij\u0101m, piem\u0113ram, <i>Tel Aviv Art Museum<\/i>, <i>Ludwig Museum<\/i> Budape\u0161t\u0101, <i>New Museum<\/i> \u0145ujork\u0101, <i>Fondazione Galleria Civica di Trento<\/i> <i>un Salzburger Kunstverein, Kunstforum Aachen, Camden Arts Centre<\/i> London\u0101, <i>Fondazione Prada<\/i>.<\/p>\n<p>&nbsp;<\/p>\n<p>Izst\u0101des norises vieta:<\/p>\n<p><i>Careof <\/i>\u00a0ir 1987.gad\u0101 dibin\u0101ta bezpe\u013c\u0146as m\u0101kslas organiz\u0101cija Mil\u0101n\u0101, kuras m\u0113r\u0137is ir sekm\u0113t laikmet\u012bg\u0101s m\u0101kslas procesus un veicin\u0101t visu formu m\u0101kslas eksperimentus, liekot \u012bpa\u0161u uzsvaru uz jauno m\u0101kslinieku jaunradi. <i>Careof<\/i> darbojas k\u0101 mediators starp m\u0101ksliniekiem, kuratoriem, kriti\u0137iem un auditoriju, organiz\u0113jot intens\u012bvu izst\u0101\u017eu programmu un izgl\u012bt\u012bbas aktivit\u0101tes, k\u0101 ar\u012b reziden\u010du programmu. Organiz\u0101cijas ietvaros ir pieejams v\u0113rien\u012bgs da\u017e\u0101du m\u0101kslinieku darbu datu b\u0101ze (arh\u012bvs), dokument\u0113jot un arhiv\u0113jot m\u0101kslas procesus un izpausmes, padarot t\u0101s pieejamas jebkurai ieinteres\u0113tai auditorijai. CareOf izst\u0101\u017eu z\u0101l\u0113 tiek organiz\u0113tas it\u0101\u013cu un \u0101rvalstu m\u0101kslinieku person\u0101lizst\u0101des un grupu izst\u0101des, t\u0101dej\u0101di veicinot vi\u0146u profesion\u0101lo att\u012bst\u012bbu, k\u0101 ar\u012b tiek realiz\u0113tas publik\u0101ciju, katalogu un da\u017e\u0101du \u017eurn\u0101lu prezent\u0101cijas un citi laikmet\u012bg\u0101s m\u0101kslas notikumi.","protected":false},"excerpt":{"rendered":"<p>Kuratori: Simone Menegoi un Zane Onckule &nbsp; Piedal\u0101s: \u0112riks Apa\u013cais, J\u0101nis Avoti\u0146\u0161, Ieva Epnere, Kaspars Gro\u0161evs, Ieva Kraule, Inga Meldere, Darja Me\u013c\u0146ikova, Ieva Rubeze, Kri\u0161s Salmanis, O\u013ca Vasi\u013cjeva &nbsp; Izst\u0101de noris: Careof,\u00a0 Fabbrica del Vapore, \u00a0via Procaccini 4, Mil\u0101na &nbsp; Le fragole del Baltico (\u201eBaltijas zemenes\u201d) pied\u0101v\u0101 ieskatu Latvijas laikmet\u012bgaj\u0101 m\u0101ksl\u0101. S\u0101kotn\u0113ji iecer\u0113ta k\u0101 papildin\u0101jums [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[8,4,26],"tags":[],"class_list":["post-1985","post","type-post","status-publish","format-standard","hentry","category-2015-exhibitions","category-kim-exhibitions","category-past-exhibitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Grupas izst\u0101de &quot;Le fragole del Baltico&quot; - Kim? 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Laikmet\u012bg\u0101s m\u0101kslas centrs","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/kim.lv\/en\/le-fragole-del-baltico\/","og_locale":"lv_LV","og_type":"article","og_title":"[:en]Group Show \"Le fragole del Baltico\"[:lv] Grupas izst\u0101de \"Le fragole del Baltico\"[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","og_description":"Kuratori: Simone Menegoi un Zane Onckule &nbsp; Piedal\u0101s: \u0112riks Apa\u013cais, J\u0101nis Avoti\u0146\u0161, Ieva Epnere, Kaspars Gro\u0161evs, Ieva Kraule, Inga Meldere, Darja Me\u013c\u0146ikova, Ieva Rubeze, Kri\u0161s Salmanis, O\u013ca Vasi\u013cjeva &nbsp; Izst\u0101de noris: Careof,\u00a0 Fabbrica del Vapore, \u00a0via Procaccini 4, Mil\u0101na &nbsp; Le fragole del Baltico (\u201eBaltijas zemenes\u201d) pied\u0101v\u0101 ieskatu Latvijas laikmet\u012bgaj\u0101 m\u0101ksl\u0101. 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