<\/p>\n
Kurators: Mihals Novotnijs<\/p>\n
<\/p>\n
M\u0101kslinieki: Darja Bajagi\u010da, Voj\u010dehs Bakovskis, Ivana Ba\u0161i\u010da, Matejs Bejenaru, Pjotrs Bosackis, Pavels Braila, Veronika Bromova, Jans Bro\u017es, Jirijs \u010cernickijs, Romana Drdova, Habima Fuhsa, Matija\u0161s Hohola, Ane\u017eka Ho\u0161kova, Atis J\u0101kobsons, \u017dofija Kereste\u0161a, Aurora Kiralija, Andrians Kiss, Adams Koke\u0161s, Jirijs Kovanda, Pjotrs Lakomijs, Vaclavs Litvans, Pavla Malinova, Davids Malkovics, Jimena Mendoza, Gizela Mikjevica, Marge Monko, Vlads Nanka, Ioana Neme\u0161a, Alise Nikitinova, Rihards Nikls, Pakui Hardware, Jasanskis & Polaks, Juliuss Reihels, Dragana Sapanjo\u0161a, Jirijs Skala, Adela Sou\u010dkova, Petrs \u0160tembera, Avdejs Ters-Oga\u0146jans, Marks Ters, Viktors Timofejevs, Jerzijs Tru\u017ekovskis, Aneta Mona \u010cisa & Lucia Tka\u010dova, Emoke Vargova, Martins Vongrejs, Jana \u017delibska<\/p>\n
<\/p>\n
\u201cSniegotu pakalnu un negl\u012btu ce\u013cu izloc\u012bjums… nav neviena, kas to redz\u0113tu\u201d(0)<\/p>\n
<\/p>\n
Izst\u0101de \u201cOrient\u201d ir p\u0101rdomas par Austrumeiropas identit\u0101ti, kuras veido\u0161an\u0101s neveiksme tiek apl\u016bkota k\u0101 \u0161\u012b neskaidr\u0101 re\u0123iona vienojo\u0161ais aspekts.\u00a0Vienlaic\u012bgi izst\u0101de ir par pretrunu starp ilgo\u0161anos p\u0113c lepnuma un patriotisma un kaunu par to, no kurienes n\u0101kam1, kas noved pie \u0161\u012bs pieder\u012bbas apspie\u0161anas un nolieguma. Kauns un apkauno- jums, kas aug no apk\u0101rt\u0113j\u0101 konteksta, kas b\u016bv\u0113ts uz soci\u0101l\u0101s un politisk\u0101s utopijas, sabrukuma internaliz\u0101cijas. T\u0101 ir par cer\u012bb\u0101m pietuvoties rietumu kapit\u0101listu standartiem, kuriem integr\u0101cija Eirop\u0101, dom\u0101jot Rietumeiropu, tik bie\u017ei tiek pal\u0113nin\u0101ta no ab\u0101m pus\u0113m. Par izzu\u0161anu no Otr\u0101s Pasaules kopainas(2),un t\u0101d\u0113j\u0101di nepiederot nedz pie Eiropas, nedz pie rietumiem, nedz pie \u201cne-rietumiem\u201d.<\/p>\n<\/span>\u0160\u012b izst\u0101de izv\u0113l\u0113jusies ac\u012bmredzami problem\u0101tiska no- saukuma(3) projic\u0113\u0161anu, lai rad\u012btu pa\u0161ironisko \u201cAustrumeiropas br\u0101\u013ca ((br)Other)\u201d(4) identit\u0101ti. T\u0101 ierosina \u0161\u012bs pretrun\u012bg\u0101s \u201cEdipisk\u0101s attiec\u012bbas\u201d(5), vienlaikus atsakoties un alkstot, k\u0101 Austrum- (bloka, centr\u0101l-, postkomunisma, jaun\u0101s, utt.) (6) Eiropas starp-esam\u012bbas galveno sast\u0101vda\u013cu.<\/p>\n<\/span>Atz\u012bstot apsl\u0101p\u0113to mazv\u0113rt\u012bbas kompleksu k\u0101 iesp\u0113jamo iemeslu nesenaj\u0101m nacion\u0101lisma un pretdemokr\u0101tisko tenden\u010du par\u0101d\u012bb\u0101m Austrumeirop\u0101, izst\u0101de p\u0113ta, vai samierin\u0101\u0161an\u0101s ar nesp\u0113ju rad\u012bt un par\u0101d\u012bt austrumeiropie\u0161u identit\u0101ti nevar\u0113tu tikt uzskat\u012bta par t\u0101s v\u0113rt\u012bbu.<\/p>\n<\/span>B\u016bv\u0113ta uz gaid\u0101m, v\u0113lm\u0113m, st\u0101stiem, pieredzes un stereotipiem, t\u0101 b\u016bv\u0113 dr\u0101mu, kas skat\u012bt\u0101ju ved cauri piec\u0101m \u017ean- risk\u0101m da\u013c\u0101m, sekojot re\u0123iona att\u012bst\u012bbas v\u0113sturiskajai dialektikai kop\u0161 80-to gadu beig\u0101m.\u00a0Visironisk\u0101ko un viskaisl\u012bg\u0101ko nodomu j\u016bklis ar nodomu rad\u012bt jaunu muzeju (b\u0113d\u012bgi) slaven\u0101m nacion\u0101l\u0101m v\u0113stur\u0113m. Izst\u0101de piec\u0101s da\u013c\u0101s k\u0101 m\u016bsu p\u0101rsteigumu, uzvaru, traumu un pazemojumu terapeitisks izt\u0113lojums. Tum\u0161i sat\u012briska kom\u0113dija par Krietn\u0101 kareivja d\u0113k\u0101m(7) neeksist\u0113jo\u0161\u0101 re\u0123ion\u0101 p\u0113c V\u0113stures beig\u0101m(8).<\/p>\n<\/span>Neskatoties uz skarbo ironiju(9), \u0161\u012b izst\u0101de tic, ka t\u0101 pal\u012bdz\u0113s \u201cEiropas ietiep\u012bgajiem b\u0113rniem\u201d(10) beidzot pieaugt un no jauna atgriezties Eiropas m\u0101j\u0101s, tom\u0113r t\u0101 ar\u012b uzskata m\u0101jas dr\u012bz\u0101k \u201csvin\u012bgas\u201d nek\u0101 \u201cpa\u0161lepnas\u201d un dr\u012bz\u0101k \u201cbr\u0101l\u012bgas\u201d nek\u0101 \u201cdraudz\u012bgi noniecino\u0161as\u201d.(11)\u00a0\u0160\u012b izst\u0101de nav nedz kart\u0113\u0161ana, nedz aptauja, bet gan subjekt\u012bvs ce\u013cojums, kas redzams no punkta telp\u0101 un laik\u0101, un to\u00a0veido m\u0101kslinieki, kas izv\u0113l\u0113ti nevis p\u0113c nacionalit\u0101tes vai valodas(12), bet gan caur attiec\u012bb\u0101m. T\u0101 necer uz vienl\u012bdz\u012bbu, bet gan dr\u012bz\u0101k uz iek\u013cau\u0161anu.<\/p>\n <\/p>\n 0\u2014Laura McLean Ferris. New Artist Focus: Laura McLean Ferris on Deimantas Narkevi\u010dius. LUX. \u201cVi\u0146u valsts ainava \u2013 sniegotu pakalnu un negl\u012btu ce\u013cu izlo- c\u012bjums \u2013 iez\u012bm\u0113 vientul\u012bgu ainu un liek dom\u0101t, ka nav neviena, kas to redz\u0113tu.\u201d<\/p>\n <\/p>\n 1\u2014\u201cArdievas, Polija, ardievas, aizlaist\u0101 zeme, alla\u017e nosegta ar sniegu un ledu (…) Barbariski cilv\u0113ki, iedom\u012bgi un sv\u0101rst\u012bgi, liel\u012bbnieki, Balamutes, kam nek\u0101 bez valodas, kas dienu un nakti aizveras sakarsu\u0161\u0101 istab\u0101, izklaid\u0113jot sevi ar gl\u0101zi ikviena baudai, smok pie galda un gu\u013c uz zemes.\u201d Philippe Desportes. \u201cAdieu \u00e0 la Pologne\u201d, 1574, tulkojums no fran\u010du valodas atrodams Philippe Desportes. \u201cAdieu \u00e0 la Pologne\u201d un Jan Kochanowski. \u201cGallo Crocitanti\u201d \/\/ Rory Finnin. \u201cComparative literature studies\u201d. Vol. 44, No.4, 2007.<\/p>\n <\/p>\n 2\u2014Lucy Steeds tranzit.sk konferenc\u0113 \u201cHow We Talk About East-European Art?\u201d: \u201cTikai viens Austrumeiropas m\u0101k- slinieks bija iek\u013cauts \u201cLes Magiciens de la Terre\u201d (…) Tagad m\u0113s virz\u012bsimies uz Havannu, lai apsv\u0113rtu 1989. gada\u00a03. M\u0101kslas bienn\u0101li, kas, k\u0101 redzat, bija pirmo divu pieturpunktu t\u0113ma zem \u201cPadarot m\u0101kslu glob\u0101lu\u201d nosaukuma. Un es varu uzreiz pateikt, ka taj\u0101 netika iek\u013cauts neviens Austrumeiropas m\u0101k- slinieks, bet, ja j\u016bs apl\u016bkotu katalogu, stingri \u0146emot, ar\u012b neviens rietumu m\u0101k- slinieks netika iek\u013cauts.\u201d<\/p>\n <\/p>\n 3\u2014Edward Said. \u201cOrientalism\u201d, sal\u012bdzinot Larry Wolff. \u201cInventing Eastern Europe\u201d: \u201cV\u0113l tikai Pirm\u0101 pasaules kara priek\u0161vakar\u0101 fran\u010du valoda sv\u0101rst\u012bj\u0101s starp diviem \u0161\u0137ietami l\u012bdz\u012bgiem terminiem \u2013 l\u2019Europe orientale (Austrumeiropa) un l\u2019Orient europ\u00e9en (Eiropas austrumzemes). (…) Austrumeiropas ideja bija iep\u012bta ori- ent\u0101listikas att\u012bst\u012bb\u0101, jo, lai ar\u012b filozofisk\u0101 \u0123eogr\u0101fija nev\u0113r\u012bgi no Eiropas izsl\u0113dza Austrumeiropu, netie\u0161i virzoties \u0100zijas virzien\u0101, zin\u0101tnisk\u0101 kartogr\u0101fija bija pretrun\u0101 ar \u0161\u0101du untumainu pretrunu. (…) \u0160\u0101da neskaidr\u012bba deva va\u013cu Austrumeiro- pas iez\u012bm\u0113\u0161anai k\u0101 paradoksam, kas vienlaic\u012bgi iek\u013c\u0101va un izsl\u0113dza, – Eiropa, bet ne Eiropa.\u201d<\/p>\n <\/p>\n 4\u2014Sav\u0101 \u201cThird Text: Welcome to Slaka\u201d Katarzyna Murawska-Muthesius raksta: \u201cideolo\u0123isk\u0101 rasisiti koloni\u0101l\u0101 Cit\u0101d\u0101 (Other) un \u201cnepeln\u012bti balt\u0101\u201d Austrumeiropas br\u0101\u013ca ((br)Other) kon- strukcij\u0101 domin\u0113jo\u0161i rietumnieciskajos diskursos atkl\u0101jas p\u0101r\u0101k daudz kop\u012bgu iez\u012bmju, lai t\u0101s ignor\u0113tu.<\/p>\n <\/p>\n 5\u2014Pa\u0161am nezinot, sava t\u0113va nogalin\u0101\u0161an\u0101 un savas m\u0101tes appre- c\u0113\u0161an\u0101 jaut\u0101jums par to, kas ir kas, joproj\u0101m paliek.<\/p>\n Katarzyna Murawska Mathesius. \u201cMapping Eastern Europe: Cartography and Art History\u201d. Tekst\u0101 tiek pied\u0101v\u0101ti daudz da\u017e\u0101di v\u0101rdi \u0161im re\u0123ionam: star- probe\u017ea, lausku zona, politisko p\u0101rmai\u0146u josta, cita Eiropa, Jaun\u0101 Eiropa, Mitteleu- ropa, Zwischeneuropa un daudzi citi.<\/p>\n <\/p>\n 7\u2014Jaroslavs Ha\u0161eks. \u201cKrietn\u0101 kareivja \u0160veika d\u0113kas pasaules kar\u0101\u201d.<\/p>\n <\/p>\n 8\u2014Francis Fukuyama. \u201cThe End of History and The Last Man\u201d.<\/p>\n <\/p>\n 9\u2014\u201c1956. gada novembr\u012b Ung\u0101rijas Zi\u0146u a\u0123ent\u016bras direktors \u012bsu mirkli, pirms artil\u0113rijas uguns nol\u012bdzin\u0101ja vi\u0146a biroju l\u012bdz ar zemi, visai pasaulei izs\u016bt\u012bja telex zi\u0146u, kur\u0101 bija izmis\u012bgs zi\u0146ojums par to, ka s\u0101cies krievu iebrukums Budape\u0161t\u0101. V\u0113st\u012bjums nosl\u0113dz\u0101s ar v\u0101rdiem: M\u0113s mirsim par Ung\u0101riju un par Eiropu.\u201d Milan Kundera. \u201cThe Tragedy of Central Europe\u201d. The New York Reviews of Books, 1984.<\/p>\n <\/p>\n 10\u2014Izteikumu, ko Vaclavs Havels izmantoja sav\u0101 ASV Sen\u0101ta run\u0101 1990. gada 22. febru\u0101r\u012b, tulks kl\u0101tien\u0113 v\u0101rdu \u201czbloudil\u00e9\u201d, kas noz\u012bm\u0113 \u201cpamests\u201d, \u201cpazudis\u201d vai \u201cklejojo\u0161i b\u0113rni\u201d, no \u010dehu valodas iztulkoja k\u0101 \u201cietiep\u012bgie b\u0113rni\u201d.<\/p>\n <\/p>\n 11\u2014Sava “Political Critique: Eastern Europe according to British media: More likely to go to Italy for cappuccinos than join the ethnic fighting in Kosovo\u201d Anna Azarova raksta \u201cAustrumeiropas galven\u0101 pievilc\u012bba, protams, ir tas, ka t\u0101 ir l\u0113ta. (…) \u201cneticami zem\u0101s cenas, […] l\u0113to lidojumu vilin\u0101jums,\u201d \u201cl\u0113ts alus un v\u0113l l\u0113t\u0101kas sievietes,\u201d (…) \u0160o l\u0113to zemju iedz\u012bvot\u0101ji, kas izdz\u012bvoju\u0161i s\u0101p\u012bgu pag\u0101tni un t\u0101s sekas, kas t\u0101pat reti tiek piemin\u0113tas, ja nu vien\u012bgi, lai aprakst\u012btu saj\u016bsmu par rietumnieku pirktsp\u0113ju; vai k\u0101 me\u017eon\u012bgs, nev\u0113lams blakusefekts.\u201d<\/p>\n <\/p>\n 12\u2014T\u0101tad, d\u0101rgais draugs, vis- d\u0101rg\u0101kais Hikkitihoki, tas ir tavs v\u0101rds un tev tas ir j\u0101zina. M\u0113s visi \u0161aj\u0101 ce\u013co- jum\u0101 sev izgudroj\u0101m v\u0101rdus. Tie ir: es esmu Punkitititi. Mana sieva ir Schabla Pumfa. Hofer ir Rozkapumpa. Adlers ir Notschopikitischibi. Mans sulainis Jozefs Sagadarata. Mans suns Goukeri ir Schomanski. Kvalenbergas kundze ir Runzifunzi. Mlle. Krokss ir Rumborimuri. Freistelers ir Gaulimauli. Esi tik laipns un pasaki vi\u0146am vi\u0146a v\u0101rdu.\u201d \u0160os v\u0101rdus Gotfr\u012bdam fon \u017dakvinam 1797. gad\u0101 rakst\u012bja v\u0101ciski run\u0101jo\u0161ais Mocarts p\u0113c ce\u013cojuma no V\u012bnes uz Pr\u0101gu, \u0161\u0137\u0113rsojot \u010dehu valod\u0101 run\u0101jo\u0161o Boh\u0113miju.<\/p>\n <\/p>\n ","protected":false},"excerpt":{"rendered":" Tallinas iel\u0101 6 un Kim?, Sporta iel\u0101 2 k-1 Kurators: Mihals Novotnijs M\u0101kslinieki: Darja Bajagi\u010da, Voj\u010dehs Bakovskis, Ivana Ba\u0161i\u010da, Matejs Bejenaru, Pjotrs Bosackis, Pavels Braila, Veronika Bromova, Jans Bro\u017es, Jirijs \u010cernickijs, Romana Drdova, Habima Fuhsa, Matija\u0161s Hohola, Ane\u017eka Ho\u0161kova, Atis J\u0101kobsons, \u017dofija Kereste\u0161a, Aurora Kiralija, Andrians Kiss, Adams Koke\u0161s, Jirijs Kovanda, Pjotrs Lakomijs, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[28,4],"tags":[],"class_list":["post-2693","post","type-post","status-publish","format-standard","hentry","category-2018-exhibitions","category-kim-exhibitions"],"acf":[],"yoast_head":"\n