Sadarb\u012bb\u0101 ar Rupert<\/p>\n
Kuratore: Juste Jonut\u012bte<\/p>\n
Arhitekti: Ona Lozuraityt\u0117 un Petras I\u0161ora<\/p>\n
Asist\u0113jo\u0161ais kurators: Yates Norton<\/p>\n
Kuratora asistente: Kotryna Markevi\u010di\u016bt\u0117<\/p>\n
<\/p>\n
\u201cZemdziesma\u201d ir lietuvie\u0161u m\u0101kslinie\u010du Linas Lapel\u012btes un Indres \u0160erp\u012bt\u012btes izst\u0101de, ko organiz\u0113 Rupert. Sekojot Lietuvas M\u0101kslas centra l\u0113mumam atbalst\u012bt lietuvie\u0161u m\u0101kslinieku jaun\u0101s paaudzes centienus sasniegt starptautisko auditoriju, Rupert izst\u0101da divas atz\u012btas Lietuvas m\u0101kslinieces vi\u0146u pirmaj\u0101 noz\u012bm\u012bgaj\u0101 darbu prezent\u0101cij\u0101 Latvij\u0101.<\/p>\n
<\/p>\n
Lai ar\u012b Lapel\u012btes un \u0160erp\u012bt\u012btes l\u012bdz\u0161in\u0113j\u0101 darb\u012bba ir at\u0161\u0137ir\u012bga un savstarp\u0113ji neatkar\u012bga, abas no jauna izv\u0113rt\u0113 pie\u0146\u0113mumus par kultur\u0101lo un person\u012bgo identit\u0101ti, kolekt\u012bvo un individu\u0101lo atmi\u0146u un p\u0113ta da\u017e\u0101dus komunik\u0101cijas un sadarb\u012bbas veidus. \u201cZemdziesma\u201d par\u0101da, k\u0101 m\u0101kslinieces \u0161\u012bs idejas p\u0101rv\u0113r\u0161 m\u0101kslas darbos, kuros svar\u012bgs ir ritu\u0101ls, ritms un atk\u0101rto\u0161an\u0101s. Lapel\u012bte sav\u0101 performanc\u0113 piev\u0113r\u0161as discipl\u012bnai \u2013 vienlaikus sp\u0113cino\u0161ai un nogurdino\u0161ai -, kas nepiecie\u0161ama, lai atk\u0101rtoti izpild\u012btu kust\u012bbas, un rado\u0161aj\u0101m iesp\u0113j\u0101m un gr\u016bt\u012bb\u0101m, kas par\u0101d\u0101s, izaicinot ritu\u0101lus un stereotipus. \u0160erp\u012bt\u012bte p\u0113ta to, k\u0101 austu jostu, kas atrodamas viscaur Baltijas valst\u012bs, rad\u012b\u0161ana, apmai\u0146a un ritu\u0101lais pielietojums vienlaikus ietekm\u0113 un tiek ietekm\u0113ts no main\u012bgaj\u0101m kultur\u0101laj\u0101m un politiskaj\u0101m dinamik\u0101m, vienlaic\u012bgi p\u0113tot folkloras trad\u012bciju centr\u0101lo lomu viet\u0113j\u0101s identit\u0101tes veido\u0161an\u0101 un visu Baltijas valstu identit\u0101tes veido\u0161an\u0101. Abas m\u0101kslinieces izzina atk\u0101rto\u0161anos k\u0101 rakstur\u012bgu performat\u012bvu pa\u0146\u0113mienu, k\u0101 rezult\u0101t\u0101 identit\u0101tes tiek nostiprin\u0101tas, par\u0101d\u0101s kopienas un tiek ieviesta discipl\u012bna. Vi\u0146u darba centr\u0101 ir piev\u0113r\u0161an\u0101s deta\u013c\u0101m \u2013 performances dal\u012bbnieka \u0137erme\u0146a smalkaj\u0101m modul\u0101cij\u0101m, austo jostu ornamenta sare\u017e\u0123\u012bt\u012bbai \u2013 k\u0101 daudzsl\u0101\u0146ainu laukumu est\u0113tisk\u0101m un politisk\u0101m sakar\u012bb\u0101m.<\/p>\n<\/span>Lapel\u012btes, kurai ir profesion\u0101la pieredze m\u016bzik\u0101, performances bie\u017ei tiek b\u016bv\u0113tas k\u0101 dziesmas vai, prec\u012bz\u0101k, k\u0101 sutartin\u0117s (tradicion\u0101las lietuvie\u0161u polifonisk\u0101s dziesmas), kur\u0101s melodijas ir simetriskas un da\u013cas ir vien\u0101da garuma, un visa atsl\u0113ga ir atk\u0101rtojum\u0101. Tas tiek izmantots peformanc\u0113s \u201cPiruete\u201d un \u201cMikija aste\u201d, kas pirmizr\u0101di piedz\u012bvoja Lapel\u012btes person\u0101lizst\u0101d\u0113 Rupert (2017. gada novembr\u012b un decembr\u012b), k\u0101 ar\u012b ska\u0146as instal\u0101cij\u0101 \u201cNepatik\u0161anas ar laiku\u201d kur\u0101 apvienoti sare\u017e\u0123\u012bti dziesmu sl\u0101\u0146i, kas sacer\u0113ti no tekstiem, kas tika pierakst\u012bti kop\u0101 ar Rodriju Deiv\u012bsu Francijas paviljon\u0101 Ven\u0113cijas bienn\u0101l\u0113 2017. gad\u0101 un nos\u016bt\u012bti Lapel\u012btei. \u0160ie darbi apskata m\u016bsu attiec\u012bbas ar noveco\u0161anu un fizisko, psiholo\u0123isko un profesion\u0101lo iztur\u012bbu. M\u0101ksliniece izzina to, k\u0101 m\u0113s caur sadarb\u012bbu un performanci varam no jauna p\u0101rskat\u012bt soci\u0101l\u0101s un kult\u016bras normas.<\/p>\n<\/span>\u0160erp\u012bt\u012btes instal\u0101cija \u201cNo.Starp.Uz\u201d izmanto tradicion\u0101l\u0101s aust\u0101s jostas no Baltijas valst\u012bm, lai p\u0113t\u012btu, k\u0101 lok\u0101l\u0101s kult\u016bras un kopienas krustojas ar pla\u0161\u0101kiem politiskiem narat\u012bviem, piem\u0113ram, nacion\u0101lismu un pat\u0113r\u0113-t\u0101jsabiedr\u012bbu. Vi\u0146as darbi jaut\u0101, ko atk\u0101rtojumi jostu ornamen-t\u0101lajos rakstos noz\u012bm\u0113 un k\u0101du funkciju tie veic. \u0160erp\u012bt\u012bte apl\u016bko veidus, k\u0101dos \u0161o rakstu rad\u012b\u0161anas atk\u0101rto\u0161an\u0101s nostiprina j\u0113gas valodu un sapratnes kopienu, vienlaikus esot da\u013cai no rado\u0161iem l\u012bdzek\u013ciem, tehnikas un materi\u0101lu procesu izp\u0113tes. \u201cNo.Starp.Uz\u201d \u0161\u012bs ritu\u0101l\u0101s jostas apskata k\u0101 atmi\u0146as vietas, identit\u0101tes veidojumus un nor\u0101des uz main\u012bgajiem pielietojuma un pat\u0113r\u0113\u0161anas mode\u013ciem.<\/p>\n<\/span>\u201cZemdziesma\u201d \u0161\u012bs instal\u0101cijas un performances vieno, lai apdom\u0101tu, k\u0101 ritmi, kas veido m\u016bsu ikdienas dz\u012bves var b\u016bt vienlaic\u012bgi k\u0101 ierobe\u017eojo\u0161i, t\u0101 ar\u012b veidi, caur kuriem atkl\u0101t rado\u0161us preto\u0161an\u0101s veidus. Rupert ir m\u0101kslas un izgl\u012bt\u012bbas centrs, kas velt\u012bts, lai nodibin\u0101tu cie\u0161u sadarb\u012bbu starp m\u0101ksliniekiem, dom\u0101t\u0101jiem, p\u0113tniekiem un citiem kult\u016bras dal\u012bbniekiem, pied\u0101v\u0101jot starpdisciplin\u0101ras programmas un rezidences. Rupert, kas ir uz zin\u0101\u0161an\u0101m b\u0101z\u0113ta platforma inovat\u012bvam rado\u0161am darbam, integr\u0113 sev\u012b Vi\u013c\u0146as soci\u0101lo un kultur\u0101lo strukt\u016bru, vienlaikus p\u0101rliecino\u0161i v\u0113r\u0161ot ar\u012b starptautisku skatienu. Rupert misija koncentr\u0113jas ap tr\u012bs at\u0161\u0137ir\u012bgiem, bet savstarp\u0113ji cie\u0161i savienotiem kan\u0101liem: izgl\u012bt\u012bbu, rezidenc\u0113m un izst\u0101\u017eu programmu. Ar \u0161\u012bm uz att\u012bst\u012bbu un izp\u0113ti orient\u0113t\u0101m programm\u0101m Rupert atbalsta starptautiskos dom\u0101t\u0101jus, lai tie var\u0113tu \u012bstenot savus projektus un pilnveidot savu rado\u0161o darb\u012bbu starptautisk\u0101 m\u0113rog\u0101. Rupert fokus\u0113jas uz laikmet\u012bg\u0101m m\u0101kslinieku un kuratoru praks\u0113m, taj\u0101 pat laik\u0101 saglab\u0101jot tuv\u012bbu ar pla\u0161u rado\u0161o discipl\u012bnu loku un iedro\u0161inot starpnozaru darb\u012bbu.<\/p>\n <\/p>\n Indre \u0160erp\u012bt\u012bte<\/u> (dz. 1983. gad\u0101 Lietuv\u0101) ir m\u0101ksliniece, kas dz\u012bvo un str\u0101d\u0101 London\u0101. Vi\u0146as darbi izst\u0101d\u012bti starptautiski; nesen\u0101k\u0101s person\u0101lizst\u0101des notiku\u0161as Laikmet\u012bg\u0101s m\u0101kslas centr\u0101 ( CAC ) Lietuv\u0101 (2017); Parafin Gallery London\u0101 (2016); Still House Group \u0145ujork\u0101 (2016) un Laikmet\u012bg\u0101s m\u0101kslas muzej\u0101 Krakov\u0101 (2015). Starp noz\u012bm\u012bg\u0101kaj\u0101m grupas izst\u0101d\u0113m nesen\u0101 pag\u0101tn\u0113 ir Age of Terror: Art Since 9\/11 Imperi\u0101l\u0101 kara muzej\u0101 London\u0101 (2017\/2018); The Image of War \u2013 Bonniers Konsthall Stokholm\u0101 (2017\/2018); Ocean of Images: New Photography 2015 Modern\u0101s m\u0101kslas muzej\u0101 \u0145ujork\u0101 (2015); Conflict, Time, Photography , kas norisin\u0101j\u0101s Tate Modern London\u0101 un Museum Folkwang Esen\u0113, V\u0101cij\u0101 (2014-15).<\/p>\n <\/p>\n Lina Lapel\u012bte<\/u> (dz. 1984. gad\u0101 Lietuv\u0101) ir m\u0101ksliniece, kas dz\u012bvo un str\u0101d\u0101 London\u0101 un Vi\u013c\u0146\u0101. Vi\u0146as nesen\u0101kie lielform\u0101ta darbi ir opera \u201cSaule un j\u016bra\u201d, kas notika Nacion\u0101laj\u0101 m\u0101kslas galerij\u0101 Vi\u013c\u0146\u0101 sadarb\u012bb\u0101 ar Rugili Barzd\u017eukaiti un Vaivu Grain\u012bti 2017. gad\u0101. Darba versija v\u0101cu valod\u0101 norisin\u0101sies Staatsschauspiel Dr\u0113zden\u0113 2018. gad\u0101. Lapel\u012btes performance Candy Shop \u2013 the Circus nesen tika izr\u0101d\u012bta FIAC Par\u012bz\u0113 un Barselonas Laikmet\u012bg\u0101s m\u0101kslas muzej\u0101 (2017). Citas izst\u0101des un performances p\u0113d\u0113j\u0101 laik\u0101 notiku\u0161as Rupert Vi\u013c\u0146\u0101 (2017); 1857 Oslo (2017); Kunstraum London\u0101 (2017); Ven\u0113cijas arhitekt\u016bras bienn\u0101l\u0113 (2016); CAC Vi\u013c\u0146\u0101 (2016); Focal Point Gallery Soutend\u0101 pie j\u016bras Lielbrit\u0101nij\u0101 (2016); Nylo Reikjav\u012bk\u0101 (2016); Hayward Gallery Turing\u0101 Lielbrit\u0101nij\u0101 (2015); Block Universe London\u0101 (2015); Serpentine Galleries London\u0101 (2014); Baltijas laikmet\u012bg\u0101s m\u0101kslas centr\u0101 \u0145\u016bk\u0101st\u0101 (2014); David Roberts Art Foundation London\u0101 (2014\/2017) un Karalienes Elizabetes hall\u0113 London\u0101 (2014). 2018. gad\u0101 vi\u0146as darbi tiks izr\u0101d\u012bti Baltijas trienn\u0101l\u0113, ko k\u016br\u0113s Vinsents Onor\u0113 (Vincent Honore<\/em>).","protected":false},"excerpt":{"rendered":" Sadarb\u012bb\u0101 ar Rupert Kuratore: Juste Jonut\u012bte Arhitekti: Ona Lozuraityt\u0117 un Petras I\u0161ora Asist\u0113jo\u0161ais kurators: Yates Norton Kuratora asistente: Kotryna Markevi\u010di\u016bt\u0117 \u201cZemdziesma\u201d ir lietuvie\u0161u m\u0101kslinie\u010du Linas Lapel\u012btes un Indres \u0160erp\u012bt\u012btes izst\u0101de, ko organiz\u0113 Rupert. Sekojot Lietuvas M\u0101kslas centra l\u0113mumam atbalst\u012bt lietuvie\u0161u m\u0101kslinieku jaun\u0101s paaudzes centienus sasniegt starptautisko auditoriju, Rupert izst\u0101da divas atz\u012btas Lietuvas m\u0101kslinieces vi\u0146u […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[28,4,26],"tags":[],"class_list":["post-2800","post","type-post","status-publish","format-standard","hentry","category-2018-exhibitions","category-kim-exhibitions","category-past-exhibitions"],"acf":[],"yoast_head":"\n