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Pirms Katr\u012bna Bigelova (Kathryn Bigelow) k\u013cuva paz\u012bstama k\u0101 Holivudas re\u017eisore, 1970. gados vi\u0146a bija \u0145ujorkas m\u0101kslas dz\u012bves akt\u012bva dal\u012bbniece. Bigelova sadarboj\u0101s ar konceptu\u0101l\u0101s m\u0101kslas grupu Art & Language un m\u0101ksliniekiem Lorensu Veineru (Lawrence Weiner), Vito Akon\u010di (Vito Acconci), Ri\u010dardu Serru (Richard Serra), un citiem. V\u0113l\u0101k, veidojot slaven\u0101s asu si\u017eetu pies\u0101tin\u0101t\u0101s Holivudas filmas \u201cBlue Steel\u201d (\u201cZilais t\u0113rauds\u201d, 1990), \u201cPoint Brake\u201d (\u201cL\u016bzuma punkts\u201d, 1991) vai \u201cStrange Days\u201d (\u201cSav\u0101d\u0101s dienas\u201d, 1995), Bigelova sevi pozicion\u0113ja k\u0101 vienu no retaj\u0101m sievie\u0161u re\u017eisor\u0113m, kas, piev\u0113r\u0161oties popul\u0101ram filmu \u017eanram, atrada veidu k\u0101 tematiz\u0113t t\u0101das soci\u0101li kritiskas t\u0113mas k\u0101, piem\u0113ram, dzimumu attiec\u012bbas. \u0160is aspekts Bigelovai piev\u0113rsa uzman\u012bbu gan no filmu kriti\u0137u, gan feminisma p\u0113tnieku puses.<\/p>\n
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Da\u017ei saka, ka Bigelovas k\u0101 konceptu\u0101las m\u0101kslinieces pag\u0101tne neb\u016btu j\u0101uztver tikai k\u0101 biogr\u0101fiska atsauce vai d\u012bvaina anekdote. Citi teiktu, ka izpild\u012bt Art & Language dziesmu tekstus ar\u012b nesan\u0101k nejau\u0161i. Bet tie\u0161i cik format\u012bvi re\u017eisorei bija \u0161ie format\u012bvie gadi? Un k\u0101 var noteikt, vai k\u0101da \u201cagrie gadi\u201d b\u016btu j\u0101uzskata par nelielu aiz\u0137er\u0161anos pirms visa t\u0101, kas notiek v\u0113l\u0101k, vai tom\u0113r tie b\u016btu j\u0101v\u0113rt\u0113 cit\u0101d\u0101k? Vai \u0161is ir jaut\u0101jums, kur\u0101 tiek skartas pretrunas un sevis nolieg\u0161ana, vai vair\u0101k izaugsme un pan\u0101kumi?<\/p>\n
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Izst\u0101de \u201cL\u016bzuma punkts\u201d seko Katr\u012bnas Bigelovas aktivit\u0101t\u0113m m\u0101kslas pasaul\u0113 un vi\u0146as darbam popul\u0101raj\u0101 kino, kas aizs\u0101k\u0101s 1980. gados. L\u012bdz\u0101s Lorensa Veinera, Art & Language un Ri\u010darda Serras videodarbiem, taj\u0101 b\u016bs skat\u0101mi dokumenti un arh\u012bva materi\u0101li, kas kontekstualiz\u0113 Katr\u012bnas Bigelovas sadarb\u012bbu ar noz\u012bm\u012bg\u0101kajiem konceptu\u0101l\u0101s m\u0101kslas pasaules p\u0101rst\u0101vjiem laik\u0101, kad vi\u0146i bija piev\u0113rsu\u0161ies darbam ar video un kino. Ne tikai p\u0101rdom\u0101jot \u0161o mediju b\u016bt\u012bbu, bet izmantojot tos k\u0101 est\u0113tiskus instrumentus domu un ideju izstr\u0101d\u0101\u0161anai.<\/p>\n
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Izst\u0101di ievada Lorensa Veinera videodarbs AFFECTED AND\/OR EFFECTED (1974), kur\u0101 jaun\u0101 Bigelova redzama, ska\u013ci lasot k\u0101du tekstu uz romantiskai post-fran\u010du jaun\u0101 vi\u013c\u0146a filmai l\u012bdz\u012bgu kadru fona. T\u0101l\u0101k re\u017eisores gaitas ataino vi\u0146as raksti \u017eurn\u0101l\u0101 The Fox, k\u0101 ar\u012b agr\u012bnajos Semiotext(e), Cin\u00e9matographe un L\u2019Ecran Fantastique izdevumos; sadarb\u012bba ar m\u016bzikas grup\u0101m The Red Krayola un New Order; vi\u0146as atsauces uz filosofu Jirgenu H\u0101berm\u0101su un vadoni Mao Dzedunu, k\u0101 ar\u012b piedal\u012b\u0161an\u0101s 1976. gada Ven\u0113cijas m\u0101kslas bienn\u0101l\u0113. Izst\u0101d\u0113 izv\u0113rstais apskats tiek nosl\u0113gts ar Bigelovas 2010. gad\u0101 ieg\u016bto Oskara balvu par filmu \u201cHurt Locker\u201d (\u201cSapieris\u201d, 2008), ar ko vi\u0146a k\u013cuva par v\u0113stur\u0113 pirmo oskaroto sievieti re\u017eisori.<\/p>\n
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Izst\u0101des autors ir fran\u010du kurators Ben\u017eam\u0113ns Torels (Benjamin Thorel). Izst\u0101de tiek veidota sadarb\u012bb\u0101 ar izst\u0101\u017eu telpu castillo\/corrales Par\u012bz\u0113 un kuratori Egiju Inzuli.<\/p>\n
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Izst\u0101des R\u012bgas versija iesp\u0113jama pateicoties:
\nMarkam Fransisam, D\u017eenijai He, Dorotejai Jendrikei un Stef\u0101nijai Zaidelai (Neuer Aachener Kunstverein), Nikolasam Perd\u017eam, Ri\u010dardam Serram, Karlam Lindam un El\u0113nai Coci (signal), Maijo Tomsonam, Lorensam Veineram un Eimijai Jo.<\/p>\n
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Izst\u0101de pirmo reizi bija skat\u0101ma 2010. gada janv\u0101r\u012b izst\u0101\u017eu telp\u0101 castillo\/corrales Par\u012bz\u0113. 2010. gada apr\u012bl\u012b t\u0101 tika ekspon\u0113ta izst\u0101\u017eu telp\u0101 signal Malm\u0113, Zviedrij\u0101, k\u0101 ar\u012b 2011. gada janv\u0101r\u012b Neuer Aachener Kunstverein \u0100hen\u0113, V\u0101cij\u0101.<\/p>\n
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Sadarb\u012bb\u0101 ar Kino Galeriju izst\u0101des ietvaros filmu programma kinote\u0101tr\u012b K. Suns (Elizabetes iela 83\/85):<\/p>\n
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17.12. 19.00: Katr\u012bna Bigelova un Montijs Montgomerijs. “The Loveless” (“Nem\u012bl\u0113tie”, 1982)
\n13.01. 19.00: Lizija Bordena. “Born in Flames” (“Liesm\u0101s dzimu\u0161ie”, 1983)<\/p>\n
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Ieejas maksa: 2,60
\nSkol\u0113niem, studentiem un pension\u0101riem: 2,10<\/p>\n
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Atbalsta: Valsts Kult\u016brkapit\u0101la fonds, G\u0113tes instit\u016bts R\u012bg\u0101, Kino Galerija, K. Suns, LMA, VKN, RIXC, lcca.lv, \u017eurn\u0101ls Studija, Radio Naba, Valmiermui\u017eas alus, restor\u0101ns Kitchen","protected":false},"excerpt":{"rendered":"
No 17. decembra l\u012bdz 29. janv\u0101rim kim? 1. st\u0101v\u0101 bija apskat\u0101ma fran\u010du kuratora Ben\u017eam\u0113na Torela veidota izst\u0101de “L\u016bzuma punkts: Katr\u012bnas Bigelovas dz\u012bve m\u0101ksl\u0101”. Atkl\u0101\u0161anas vakars – 16. decembris, 19.00. Pirms Katr\u012bna Bigelova (Kathryn Bigelow) k\u013cuva paz\u012bstama k\u0101 Holivudas re\u017eisore, 1970. gados vi\u0146a bija \u0145ujorkas m\u0101kslas dz\u012bves akt\u012bva dal\u012bbniece. Bigelova sadarboj\u0101s ar konceptu\u0101l\u0101s m\u0101kslas grupu […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[30,29,4,26],"tags":[],"class_list":["post-3576","post","type-post","status-publish","format-standard","hentry","category-30","category-29","category-kim-exhibitions","category-past-exhibitions"],"acf":[],"yoast_head":"\n