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P\u0113c person\u0101lizst\u0101des galerij\u0101 \u201cLeto\u201d (\u201cMe, Myself and I\u201d, 25. j\u016bnijs – 31. j\u016blijs, 2011), kur m\u0101kslinieka personisk\u0101 kosmolo\u0123ija tika izv\u0113rsta milz\u012bg\u0101s kompleks\u0101s instal\u0101cij\u0101s, un \u012bsi pirms izst\u0101des, kas norisin\u0101sies \u201cSpojrzenia\u201d konkursa ietvaros Za\u010det\u0101 (Zach\u0119ta National Gallery of Art), Honza Zamojskis Kim? veidos kaut ko citu at\u0161\u0137ir\u012bg\u0101 manier\u0113. M\u0113s vienoj\u0101mies, ka \u0161\u012b izst\u0101de b\u016bs viegl\u0101ka un ironisk\u0101ka un vair\u0101k l\u012bdzin\u0101sies singlam, kas izn\u0101k pirms ofici\u0101l\u0101 ieraksta izdo\u0161anas.<\/p>\n
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Izst\u0101des v\u0113st\u012bjums aicina m\u0101kslinieku izm\u0113\u0123in\u0101t jaunas lietas un maz\u0101k piev\u0113rsties st\u0101stiem, taj\u0101 pa\u0161\u0101 laik\u0101 apejot ja ne to, ko form\u0101li k\u013c\u016bd\u012bdamies saucam par “form\u0101lismu”, tad vismaz ar \u0161o saist\u012bto noska\u0146u tuk\u0161i nevain\u012bgas pretenzijas virzien\u0101. Viss redzamais b\u016bs veidots no pieejamajiem ikdienas priek\u0161metiem, izmantojot skaidu plati, z\u012bmuli un citas lietas, kas ieg\u0101d\u0101tas no kaimi\u0146iem Centr\u0101ltirg\u016b.<\/p>\n
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Izst\u0101de cels pieminekli t\u0101l\u0101kiem monumentu projektiem, jo \u0161oreiz tie paliks tikai k\u0101 uzmetumi, veidoti no pap\u012bra un citiem maziem priek\u0161metiem. Monument\u0101lisms, ko \u0161eit var\u0113s redz\u0113t, b\u016bs tas, ko skat\u012bt\u0101js uztvers apl\u016bkojot uz gr\u012bdas eso\u0161o skulpt\u016bru k\u0101rt\u012bbu un novietojumu. T\u0113lu izm\u0113ri b\u016bs atkar\u012bgi no gravit\u0101cijas – da\u017ei iecer\u0113ti lieli, bet da\u017eiem b\u016bs j\u0101b\u016bt maziem, lai ar\u012b uz tiem visiem skat\u012bsimies no aug\u0161as.<\/p>\n
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Atk\u0101rto\u0161an\u0101s, atra\u017eo\u0161ana, reproduc\u0113\u0161ana un cilv\u0113ka m\u0113rogs pretstat\u0101 objekta m\u0113rogam vienosies maz\u0101k j\u0113dz\u012bgas domas un vizu\u0101las utopijas sasp\u0113l\u0113. Dienas beig\u0101s \u0161ie partiz\u0101ni nesniegs risin\u0101jumus, tie pat neb\u016bs tik skaidri noteikti un gal\u012bgi, lai izrais\u012btu atbildes reakciju uz gaid\u0101majiem how’s made jaut\u0101jumiem. Un t\u0101p\u0113c iecer\u0113ts, ka, izst\u0101dei nosl\u0113dzoties, skulpt\u016bras piedz\u012bvos r\u0101mu likvid\u0101ciju.<\/p>\n
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Honza Zamojskis (Zamojski, 1981) ir m\u0101kslinieks, kurators un grafiskais dizaineris, kur\u0161 dz\u012bvo un str\u0101d\u0101 Pozna\u0146\u0101, Polij\u0101, nododoties sev interes\u0113jo\u0161\u0101m liet\u0101m, kas nereti papildina viena otru (gad\u012bjums, k\u0101rt\u012bba, atk\u0101rto\u0161an\u0101s un \u012bslaic\u012bgums).<\/p>\n
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2010. gad\u0101 Zamojskis kop\u0101 ar Miku Mitr\u0113vicu veidoja izst\u0101di \u201cNot There\u201d galerij\u0101 \u201cLeto\u201d, Var\u0161av\u0101. Honza Zamojskis bija \u201cStarter Gallery\u201d Pozna\u0146\u0101 l\u012bdzdibin\u0101t\u0101js (galerija turpina darb\u012bbu Var\u0161av\u0101). M\u0101kslinieks vada izdevniec\u012bbu \u201cMorava\u201d (p\u0113d\u0113jais projekts \u2013 j\u016blij\u0101, \u017eurn\u0101la \u201cPiktogram\u201d jaunaj\u0101 m\u012btn\u0113 Var\u0161av\u0101, izst\u0101des form\u0101t\u0101 tika organiz\u0113ts tempor\u0101ls gr\u0101matu veikals \u201cBookie\u201d, kas ietv\u0113ra t\u0101dus izdevumus k\u0101 \u201cArchive Books\u201d, \u201cDexter Siniter\u201d, \u201cInstitute of Social Hypocrisy\u201d, \u201cMotto Distribution\u201d, \u201cParaguay Press\u201d, \u201cSlavs and Tatars\u201d u.c.). Honzas Zamojska veidot\u0101s gr\u0101matas izst\u0101des laik\u0101 b\u016bs apskat\u0101mas Kim? las\u012btav\u0101.<\/p>\n
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Zane Onckule<\/p>\n
Atbalsta: Kult\u016bras ministrija, Valsts Kult\u016brkapit\u0101la fonds, R\u012bgas Dome, Polijas Republikas v\u0113stniec\u012bba R\u012bg\u0101, \u0100dama Mickevi\u010da Instit\u016bts, Hanza Hotel, Dirty Deal Caf\u00e9, Radio Naba, TVNET, Valmiermui\u017eas alus, Restaurant Kitchen","protected":false},"excerpt":{"rendered":"
Vair\u0101kas skulpt\u016bras un to nosaukumi kop\u0101 veido abstraktu po\u0113mu (uzskaitot: “Shadow”, “Mathematics”, “Leftovers”, “Camping”, “Excitement”, “Post Office”, ” The Clan”, “Sugar”, “Reflection”, “Stairs”), ko papildina vienkr\u0101sas zains ar topo\u0161\u0101s izst\u0101des telpai piem\u012bto\u0161\u0101m form\u0101m. Pirms non\u0101c\u0101m pie nosaukuma \u201cMonumenti\u201d jeb \u201cMonumental Statues\u201d, t\u0101 variants bija \u201cJaunie z\u012bm\u0113jumi\u201d \u2013 monumentu projekti, kas atsedz autora saikni ar pap\u012bru […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[30,4,26],"tags":[],"class_list":["post-3717","post","type-post","status-publish","format-standard","hentry","category-30","category-kim-exhibitions","category-past-exhibitions"],"acf":[],"yoast_head":"\n