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Ma\u0304ksliniece Katri\u0304na Neiburga vaira\u0304ku me\u0304ne\u0161u garuma\u0304 viesoja\u0304s pie da\u017ea\u0304diem \u0161i\u0304 aroda meistariem. Vin\u0327i veidoja Katri\u0304nai frizu\u0304ras pe\u0304c sejas konstrukcijas, pe\u0304c auras, zvaig\u017en\u0327u sta\u0304vokl\u0327a un noskan\u0327ojuma. Ponijus, \u0161injonus, viji\u0304gas cirtas, bizes un astes. Sta\u0304stot ta\u0304du ka\u0304 matu folkloru par sevi un klientiem, Neiburgas videodarba\u0304 \u0161ie frizieri li\u0304dzina\u0304s terapeitiem vai dziedniekiem. Ikviens, kur\u0161 atliektu galvu gaidi\u0304jis, kame\u0304r u\u0304dens caur friziera roka\u0304s satvertiem matiem ieplu\u0304st izlietnes noteka\u0304, piekriti\u0304s, ka \u0161aja\u0304s attieci\u0304ba\u0304s pasta\u0304v nenoliedzama intimita\u0304te.<\/p>\n
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Cik lielu dal\u0327u sava mu\u0304\u017ea pavada\u0304m ru\u0304pe\u0304s par matiem, cik lielu dal\u0327u a\u0304re\u0304ja\u0304 te\u0304la tie veido, tulko mu\u0304su saju\u0304tas un alkas, un ka\u0304das spe\u0304jas tiem tiek pie\u0161k\u0327irtas. Austrumu kultu\u0304ra\u0304s mati aizsarga\u0304 no l\u0327aunas acs un neve\u0304lamiem gariem. Ari\u0304 tepat matus nereti nemet a\u0304ra\u0304, bet gan aizskalo vai sadedzina \u2013 lai putni ligzda\u0304 neievij. Tad galva sa\u0304pot.<\/p>\n
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Sekojot tradi\u0304cija\u0304m, tici\u0304gaja\u0304m, mu\u0304k\u0327ene\u0304m un prece\u0304ta\u0304m sieva\u0304m piena\u0304kas matus sle\u0304pt. Ka\u0304 pavedina\u0304\u0161anas ri\u0304ku, ka\u0304 eroge\u0304no zonu. Nodzi\u0304tiem matiem staiga\u0304 ari\u0304 mu\u0304ki un zalda\u0304ti, pacienti un cietumnieki.<\/p>\n
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Pe\u0304c laika turot roka\u0304s be\u0304rni\u0304ba\u0304 nogriezta\u0304s bizes, neizskaidrojama\u0304 ka\u0304rta\u0304 var just, ka taja\u0304s reiz bijusi dzi\u0304vi\u0304ba. Ka\u0304 ta\u0304di atrauti locekl\u0327i \u2013 mazas pi\u0304ni\u0304tes un astes. Tas viss ievi\u0304ts izsta\u0304de\u0304 \u201cMati\u201d, kur dzi\u0304vi un miru\u0161i mati runa\u0304 par saviem eso\u0161ajiem un biju\u0161ajiem i\u0304pa\u0161niekiem. Kur matu maskai no v\u012bra matiem sevis aizsardz\u012bbai l\u012bdzst\u0101d\u012btas matu apak\u0161biks\u012btes kaunuma apmatojuma aizst\u0101\u0161anai. Kur lieti\u0161k\u0327a\u0304 ma\u0304ksla materialize\u0304jas no matiem veidota\u0304s cepure\u0304s un rota\u0304s. Kur frizieri sta\u0304sta par sievieti, kurai katra\u0304 mata\u0304 biju\u0161i nervu gali un grie\u017eot tie asin\u0327oju\u0161i, un pat to, ka jebkuram vi\u0304rietim ir sapnis ka\u0304du bri\u0304di pabu\u0304t blakus blondi\u0304nei. Kur tirpino\u0161i c\u030cuksti pa\u0304rn\u0327em pakausi. Sku\u0304tu, sarkanmatainu un ari\u0304 sirmu. Un gar to nobrauc friziera pirksti…<\/p>\n
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Kuratore: El\u012bna Spro\u0123e<\/p>\n
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Katr\u012bnai\u00a0<\/span>Neiburgai<\/span>\u00a0m\u0101ksla pak\u013cauta v\u0113lmei p\u0113c emocij\u0101m, autentiskuma un atmi\u0146as saglab\u0101\u0161anas. T\u0101 ir dzeja, kas iedarbojas uztveres un j\u016btu l\u012bmen\u012b \u2013 atsl\u0101\u0146ota l\u012bdz kaulam, pies\u0101tin\u0101ta ar paties\u012bbu, dz\u0113l\u012bga un skaista. Viens no\u00a0<\/span>Neiburgas<\/span>\u00a0galvenajiem izteiksmes veidiem ir vi\u0146as dzi\u013ci person\u012bg\u0101 ikonogr\u0101fija, kas par\u0101d\u0101s video instal\u0101cij\u0101s gan izst\u0101d\u0113s, gan scenogr\u0101fij\u0101. Vi\u0146u interes\u0113 sociolo\u0123ija un vi\u0146a p\u0113ta iepriek\u0161 izveidoju\u0161os uzskatus par lietu dabu.<\/span>\u00a0<\/span><\/p>\n <\/p>\n Neiburga<\/span>\u00a0ieguvusi ma\u0123istra gr\u0101du Latvijas M\u0101kslas akad\u0113mijas vizu\u0101l\u0101s komunik\u0101cijas\u00a0<\/span>apak\u0161nozar\u0113<\/span>; vi\u0146a ar\u012b stud\u0113jusi Zviedrijas Karaliskaj\u0101 m\u0101kslas instit\u016bt\u0101 Stokholm\u0101. Kop\u0161 2000. gada\u00a0<\/span>Neiburga<\/span>\u00a0piedal\u012bjusies izst\u0101d\u0113s, tai skait\u0101 Sidnejas (2006), Maskavas (2007), Ven\u0113cijas (2015),\u00a0<\/span>Ko\u010di-Muziris<\/span>\u00a0(2016) un R\u012bgas (2018) bienn\u0101l\u0113. 2008. gad\u0101 vi\u0146a bija Ars\u00a0<\/span>Fennica<\/span>\u00a0balvas fin\u0101liste, k\u0101 ar\u012b sa\u0146\u0113ma pirmo Purv\u012b\u0161a balvu.\u00a0<\/span>Neiburga<\/span>\u00a0veidojusi scenogr\u0101fiju Latvijas Nacion\u0101laj\u0101 oper\u0101, Sta\u0146islavska te\u0101tr\u012b, Permas oper\u0101,\u00a0<\/span>Bast\u012blijas<\/span>\u00a0oper\u0101,\u00a0<\/span>Mariinska<\/span>\u00a0te\u0101tr\u012b ,\u202f\u202fKopenh\u0101genas GROB te\u0101tr\u012b \u202fu.c.<\/span>\u00a0<\/span><\/p>\n \u00a0<\/span><\/p>\n \u00a0<\/span>","protected":false},"excerpt":{"rendered":" Virgin hair, mi\u0304las lokas, matu virves, jaundzimu\u0161o mati, miru\u0161o \u0161k\u0327ipsnas, matu tirgus, plikpauri, izkritu\u0161ie mati, matu sa\u0304pes, bad hair days, mati e\u0304diena\u0304, paru\u0304kas, matu feti\u0161s, miru\u0161i mati, matu ilgvil\u0327n\u0327i. San\u0327emti, sapi\u0304ti, atglauzti, sak\u0327emme\u0304ti, aplu\u0304zu\u0161i, saslauci\u0304ti, izpu\u0304ru\u0161i mati. Sausi, kra\u0304soti, taukaini, mirdzo\u0161i. Blondi mati, melni mati. Un tad ir frizieri. Frizieri trendi\u0304gos salonos, frizieri dzi\u0304vokl\u0327os, frizieri […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-4876","post","type-post","status-publish","format-standard","hentry","category-kim-exhibitions"],"acf":[],"yoast_head":"\n