{"id":5050,"date":"2019-07-15T14:28:08","date_gmt":"2019-07-15T11:28:08","guid":{"rendered":"http:\/\/kim.lv\/?p=5050"},"modified":"2020-04-19T15:03:27","modified_gmt":"2020-04-19T12:03:27","slug":"stumbling-uncanny-valley-sculpture-self-age-computer-generated-imagery-israel-tel-aviv","status":"publish","type":"post","link":"https:\/\/kim.lv\/lv\/stumbling-uncanny-valley-sculpture-self-age-computer-generated-imagery-israel-tel-aviv\/","title":{"rendered":"Baismu ielejas l\u012bklo\u010dos: skulpt\u016bra un cilv\u0113ks dator\u0123ener\u0113t\u0101s t\u0113lain\u012bbas laikmet\u0101 (Izra\u0113la, Telaviva)"},"content":{"rendered":"Att\u0113ls: R\u016bta Patira, <\/span>Marry Fuck Kill<\/span><\/i>, 2019.<\/span><\/p>\n

 <\/p>\n

Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs sadarb\u012bb\u0101 ar CCA – Telavivas Laikmet\u012bg\u0101s m\u0101kslas centru ir pagodin\u0101ts<\/span>\u00a0pazi\u0146ot par grupas izst\u0101des <\/span>\u201cBaismu ielejas l\u012bklo\u010dos: skulpt\u016bra un cilv\u0113ks dator\u0123ener\u0113t\u0101s t\u0113lain\u012bbas laikmet\u0101\u201d (<\/span>\u201cStumbling Through the Uncanny Valley: Sculpture and Self in the Age of Computer Generated Imagery\u201d<\/span><\/i>) atkl\u0101\u0161anu Telavivas Laikmet\u012bg\u0101s m\u0101kslas centra telp\u0101s. Izst\u0101de Latvij\u0101 ar nosaukumu \u201cNervozajam garam uz deju gr\u012bdas (Fakt\u016bra p\u0113coptiskaj\u0101 laikmet\u0101)\u201d tiks atkl\u0101ta 2020.gad\u0101 Kim? Laikmet\u012bg\u0101s m\u0101kslas centr\u0101, un t\u0101s kuratore b\u016bs Zane Onckule.<\/span><\/p>\n

 <\/p>\n

Izst\u0101d\u0113 iek\u013cautie m\u0101kslinieki – \u00a0Korija \u0100rkend\u017eela (<\/span>Cory Arcangel<\/span><\/i>), Aleksandra Domanovi\u010da (<\/span>Aleksandra Domanovi\u0107<\/span><\/i>), Karmi Drora (<\/span>Carmi Dror<\/span><\/i>), Adi Fl\u016bmans (<\/span>Adi Fluman<\/span><\/i>), Santa France, Nimroda Ger\u0161uni (<\/span>Nimrod Gershuni<\/span><\/i>), Nirs Harels (<\/span>Nir Harel<\/span><\/i>), Jakubs Jansa (<\/span>Jakub Jansa<\/span><\/i>) un Karol\u012bna Jurikova (<\/span>Karol\u00edna Ju\u0159\u00edkov\u00e1<\/span><\/i>), Havivs Kapcons (<\/span>Haviv Kaptzon<\/span><\/i>), Ronija Karfiola (<\/span>Ronnie Karfiol<\/span><\/i>), Kristofers Kulendrans Tomass (<\/span>Christopher Kulendran Thomas<\/span><\/i>), Daniela Landau (<\/span>Daniel Landau<\/span><\/i>) darbus, kas veidoti sadarb\u012bb\u0101 ar Maju Magnatu (<\/span>Maya Magnat<\/span><\/i>), Olivers Lari\u010ds (<\/span>Oliver Laric<\/span><\/i>), Al\u012bsija Mersija (<\/span>Alicia Mersy<\/span><\/i>), nabbteeri, Katja Novickova (<\/span>Katja Novitskova<\/span><\/i>), \u201cPakui Hardware\u201d, Eva Papamargariti (<\/span>Eva Papamargariti<\/span><\/i>), R\u016bta Patira (<\/span>Ruth Patir<\/span><\/i>), Andrea Pekarkova (<\/span>Andrea Pek\u00e1rkov\u00e1<\/span><\/i>), Hetere Filipsone (<\/span>Heather Phillipson<\/span><\/i>), Sets Praiss (<\/span>Seth Price<\/span><\/i>), D\u017eons Rafmans (<\/span>Jon Rafman<\/span><\/i>), Elinora Salomona (<\/span>Elinor Salomon<\/span><\/i>), Jakolbijs Setervaits (<\/span>Jacolby Satterwhite<\/span><\/i>), Miri Segala (<\/span>Miri Segal<\/span><\/i>), Timurs Sikvins (<\/span>Timur Si-Qin<\/span><\/i>), Jasm\u012bna Vardi (<\/span>Jasmin Vardi<\/span><\/i>), Endr\u016b Normans Vilsons (<\/span>Andrew Norman Wilson<\/span><\/i>) un L\u016b Jangs (Lu Yang).<\/span><\/p>\n

 <\/p>\n

Izst\u0101des pamat\u0101 ir fakts, ka m\u016bsdien\u0101s m\u0113s p\u0101r\u0101k daudz laika pavad\u0101m, skatoties ekr\u0101nos uz datoru, nevis \u012bstu kameru un cilv\u0113ku rad\u012btiem att\u0113liem. \u0160\u012b jaun\u0101 est\u0113tika filtr\u0113 m\u016bsu ikdienu un ir izveidojusi jaunu vizu\u0101l\u0101 att\u0113lojuma veidu. \u0145emot v\u0113r\u0101 min\u0113to, \u0161aj\u0101 izst\u0101d\u0113 30 jaunie m\u0101kslinieki no visas pasaules p\u0113ta \u0161\u012b fenomena robe\u017eas.\u00a0<\/span>Izst\u0101des nosaukum\u0101 izmantot\u0101 fr\u0101ze \u201c<\/span>baismu ieleja<\/span>\u201d ir atsauce uz 70. gadiem, kad \u0161o fr\u0101zi s\u0101ka izmantot, lai aprakst\u012btu nepat\u012bkam\u0101s saj\u016btas, andro\u012bdu (humano\u012bdo robotu) vai cilv\u0113ku audio\/video att\u0113lojumam \u0161\u0137ietami atg\u0101dinot \u012bstus cilv\u0113kus, bet kas tom\u0113r nav \u012bsti re\u0101listisks vai p\u0101rliecino\u0161s. M\u016bsdien\u0101s \u0161\u012b disonanse ir datoru rad\u012btie att\u0113li (<\/span>CGI jeb computer-generated imagery<\/span>), kas veido m\u016bsu vizu\u0101lo pasauli, un m\u016bsdienu m\u0101kslinieki rea\u0123\u0113 un prepar\u0113 attiec\u012bgo vizu\u0101lo ainavu.<\/span><\/p>\n

 <\/p>\n

Izst\u0101de izgaismo mediju mai\u0146u, iedvesmojot p\u0113cinterneta m\u0101kslas kust\u012bbu. Ar terminu \u201cp\u0113cinternets\u201d netiek saprasta pasaule p\u0113c interneta, bet g<\/span>an \u0101rk\u0101rt\u012bgi t\u012bklotaj\u0101 pasaul\u0113 rad\u012bti darbi par vizu\u0101lo kult\u016bru un t\u0101s blakusproduktiem; t\u0101 ir arvien glob\u0101l\u0101ka un cie\u0161\u0101k saist\u012bta vide, kas vieno m\u0101ksliniekus no da\u017e\u0101diem pasaules re\u0123ioniem \u2013 no \u0100zijas l\u012bdz Centr\u0101leiropai, no Vid\u0113jiem Austrumiem l\u012bdz Baltijas valst\u012bm.\u00a0<\/span>\u0160ie m\u0101kslinieki ne tikai rada m\u0101kslu ar jauniem instrumentiem, bet iel\u016bkojas dzi\u013c\u0101k jaun\u0101 pasaules k\u0101rt\u012bb\u0101, kur sint\u0113tiski att\u0113li veido lielu da\u013cu no t\u0101, ko pat\u0113r\u0113jam. \u0160aj\u0101 tehnolo\u0123iju starpniec\u012bbas pasaul\u0113 fiziskais un virtu\u0101lais sapl\u016bst, bet internets apgr\u016btina indiv\u012bda un visa p\u0101r\u0113j\u0101 satik\u0161anos.<\/span><\/p>\n

 <\/p>\n

Izst\u0101des \u201cBaismu ielejas l\u012bklo\u010dos: skulpt\u016bra un cilv\u0113ks dator\u0123ener\u0113t\u0101s t\u0113lain\u012bbas laikmet\u0101\u201d kuratore ir Hena Tamira (Chen Tamir). Izst\u0101des publiskaj\u0101 programm\u0101 iek\u013cautas apa\u013c\u0101 galda diskusijas, performances un kuratoru vad\u012btas ekskursijas. Pla\u0161\u0101ku inform\u0101ciju par publisko programmu, varat ieg\u016bt \u0161eit.<\/a>\u00a0<\/span><\/p>\n

 <\/p>\n

Projektu atbalsta<\/u>: Mi\u0161ela Polaka (Michelle Pollak<\/i>), Ostrovsku \u0123imenes fonds (OFF), ifa \u2013 Institut f\u00fcr Auslandsbeziehungen and Taboola<\/i>; atbalstu nodro\u0161ina ar\u012b Latvijas Republikas Kult\u016bras ministrija, R\u012bgas Dome, Valsts kult\u016brkapit\u0101la fonds, \u017dils Brands (Gil Brandes<\/i>), fonds Nathan Cummings Foundation<\/i>, Lietuvas Kult\u016bras instit\u016bts, Austrijas Kancelejas M\u0101kslas un kult\u016bras noda\u013ca, Je\u0161ua Rabinovi\u010da M\u0101kslas fonds (Telaviva), \u010cehijas centrs Telaviv\u0101 un aviosabiedr\u012bba Smartwings<\/i>.","protected":false},"excerpt":{"rendered":"

Att\u0113ls: R\u016bta Patira, Marry Fuck Kill, 2019.   Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs sadarb\u012bb\u0101 ar CCA – Telavivas Laikmet\u012bg\u0101s m\u0101kslas centru ir pagodin\u0101ts\u00a0pazi\u0146ot par grupas izst\u0101des \u201cBaismu ielejas l\u012bklo\u010dos: skulpt\u016bra un cilv\u0113ks dator\u0123ener\u0113t\u0101s t\u0113lain\u012bbas laikmet\u0101\u201d (\u201cStumbling Through the Uncanny Valley: Sculpture and Self in the Age of Computer Generated Imagery\u201d) atkl\u0101\u0161anu Telavivas Laikmet\u012bg\u0101s m\u0101kslas centra telp\u0101s. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4,1],"tags":[],"class_list":["post-5050","post","type-post","status-publish","format-standard","hentry","category-kim-exhibitions","category-uncategorized"],"acf":[],"yoast_head":"\nBaismu ielejas l\u012bklo\u010dos: skulpt\u016bra un cilv\u0113ks dator\u0123ener\u0113t\u0101s t\u0113lain\u012bbas laikmet\u0101 (Izra\u0113la, Telaviva) - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kim.lv\/en\/stumbling-uncanny-valley-sculpture-self-age-computer-generated-imagery-israel-tel-aviv\/\" \/>\n<meta property=\"og:locale\" content=\"lv_LV\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:en]Stumbling Through the Uncanny Valley Sculpture and Self in the Age of Computer Generated Imagery (Israel, Tel Aviv)[:lv]Baismu ielejas l\u012bklo\u010dos: skulpt\u016bra un cilv\u0113ks dator\u0123ener\u0113t\u0101s t\u0113lain\u012bbas laikmet\u0101 (Izra\u0113la, Telaviva) [:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs\" \/>\n<meta property=\"og:description\" content=\"Att\u0113ls: R\u016bta Patira, Marry Fuck Kill, 2019.   Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs sadarb\u012bb\u0101 ar CCA – Telavivas Laikmet\u012bg\u0101s m\u0101kslas centru ir pagodin\u0101ts\u00a0pazi\u0146ot par grupas izst\u0101des \u201cBaismu ielejas l\u012bklo\u010dos: skulpt\u016bra un cilv\u0113ks dator\u0123ener\u0113t\u0101s t\u0113lain\u012bbas laikmet\u0101\u201d (\u201cStumbling Through the Uncanny Valley: Sculpture and Self in the Age of Computer Generated Imagery\u201d) atkl\u0101\u0161anu Telavivas Laikmet\u012bg\u0101s m\u0101kslas centra telp\u0101s. […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kim.lv\/en\/stumbling-uncanny-valley-sculpture-self-age-computer-generated-imagery-israel-tel-aviv\/\" \/>\n<meta property=\"og:site_name\" content=\"Kim? 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