6. maij\u0101 plkst. 12.00 (EEST) \u2013 \u012aans Rozens<\/a><\/b> <\/p>\n <\/p>\n <\/p>\n Ja pand\u0113mijas l\u0113n\u0101s, bet noteikt\u0101s atk\u0101p\u0161an\u0101s prognozes Eiropas ietvaros atbilst paties\u012bbai, plauksto\u0161ais maija m\u0113nesis uzr\u0101d\u012bs p\u0101reju jaun\u0101s normalit\u0101tes virzien\u0101: atpaka\u013c darba telp\u0101, studij\u0101 vai jebkur\u0101 cit\u0101 rado\u0161\u0101s un ne-rado\u0161\u0101s ra\u017eo\u0161anas zon\u0101. Nol\u016bk\u0101 atz\u012bm\u0113t \u0161o laiku\u00a0pirms<\/i>\u00a0(v\u0113l liel\u0101 m\u0113r\u0101 eksist\u0113jot paral\u0113l\u0101s realit\u0101tes re\u017e\u012bm\u0101 ekr\u0101na tuvum\u0101), Kim? pied\u0101v\u0101 sarunu s\u0113riju ar instit\u016bcijas sadarb\u012bbas partneriem, kas laipni atsauku\u0161ies \u0161im aicin\u0101jumam.<\/p>\n <\/p>\n Aiz\u0146emoties no v\u0101rda \u201cnoklaus\u012bties\u201d jeb \u201cnejau\u0161i dzird\u0113t\u201d (proti, t\u0101s soci\u0101l\u0101s situ\u0101cijas, kur\u0101s k\u0101ds uz\u0137er runu vai run\u0101t\u0101ju bez \/ ar iepriek\u0161\u0113ja nol\u016bka vai run\u0101t\u0101ja nojausmas par to), \u0161\u012bs sarunas \u2013 ne lekcijas vai prezent\u0101cijas \u2013 ir veidotas nol\u016bk\u0101 sniegt iesp\u0113ju kult\u016bras nozares p\u0101rst\u0101vjiem tie\u0161saist\u0113 t\u0101m pievienoties un (jau\u0161i) noklaus\u012bties. Ar sarunas partneri R\u012bg\u0101 (un cer\u012bb\u0101 uz atbilsto\u0161iem interneta sakariem), sarunas tiks transl\u0113tas no Tokijas, C\u012brihes, Hamburgas un Losand\u017eelosas un apskat\u012bs pla\u0161u t\u0113mu loku, to vid\u016b: galerijas darb\u012bba un t\u0101s funkcijas (Misako & Rosen<\/i>), m\u0101kslinieka studijas prakse \u0161odien\u0101 (Tobiass Kaspars), virtu\u0101l\u0101s m\u0101kslas plaformas politika (Contemporary Art Daily<\/i>), k\u0101 ar\u012b jaunas un inovat\u012bvas pieejas kult\u016bras un pils\u0113tas att\u012bst\u012bbas procesu sinhroniz\u0113\u0161an\u0101 (Imagine The City<\/i>).<\/p>\n <\/p>\n Nol\u016bk\u0101 imit\u0113t noklaus\u012b\u0161an\u0101s aktu, auditorija tiek aicin\u0101ta iesniegt savus jaut\u0101jumus (latvie\u0161u, krievu un ang\u013cu valod\u0101s) un citas ar sarunas t\u0113mu saist\u012btas piebildes k\u0101du br\u012bdi \u2013 dienu vai divas \u2013 pirms katras no gaid\u0101maj\u0101m sarun\u0101m (jaut\u0101jumu un atbil\u017eu sada\u013ca sarunu nosl\u0113gum\u0101 nav paredz\u0113ta), rakstot uz kim@kim.lv. Sarunu garums ir nepilna stunda. T\u0101s tiks ierakst\u012btas un v\u0113l\u0101k aug\u0161upiel\u0101d\u0113tas www.kim.lv<\/b><\/p>\n <\/p>\n Sagaidot m\u016bsu run\u0101t\u0101jus, aicin\u0101m iepaz\u012bties ar zem\u0101k iek\u013caut\u0101m izv\u0113rst\u0101m biogr\u0101fij\u0101m:<\/p>\n <\/p>\n <\/p>\n Ellena Blumen\u0161teina\u00a0<\/b>(dz. 1976) Hamburg\u0101 un Berl\u012bn\u0113 b\u0101z\u0113ta kuratore. Kop\u0161 2017 gada jaun\u0101s un eksperiment\u0101las kult\u016bras programmas \u201cIzt\u0113lojies pils\u0113tu\u201d (ImagineTthe City<\/i>) ietvaros veido jaunus paraugform\u0101tus, m\u0101kslai un pils\u0113tpl\u0101no\u0161anai satiekoties, veidojot jaunas ilgtermi\u0146a strat\u0113\u0123ijas Hamburgas H\u0101fensitijai. Programmas m\u0113r\u0137is ir agr\u012bni un ilgtermi\u0146\u0101 ieviest m\u0101kslas perspekt\u012bvas urb\u0101n\u0101s att\u012bst\u012bbas procesos un nostiprin\u0101t kult\u016bru k\u0101 neat\u0146emamu pilsonisk\u0101s sabiedr\u012bbas sast\u0101vda\u013cu. \u0160im nol\u016bkam kuratore Ellena Blumen\u0161teina kop\u0101 ar Hamburgas kult\u016bras profesion\u0101\u013ciem un starptautiskiem rado\u0161ajiem sp\u0113kiem str\u0101d\u0101, lai kop\u0101 rad\u012btu fikt\u012bvus pas\u0101kumus, ar kuru pal\u012bdz\u012bbu da\u017e\u0101das lietot\u0101ju grupas var\u0113tu non\u0101kt savstarp\u0113j\u0101 saskar\u0113. Paral\u0113li \u201cIzt\u0113lojies pils\u0113tu\u201d programmai, Blumen\u0161teina \u0161obr\u012bd ir izst\u0101\u017eu darba teorijas un prakses viesprofesore Nirmbergas T\u0113lot\u0101jm\u0101kslas akad\u0113mij\u0101. No 2012. gada l\u012bdz 2016. gadam Ellena Blumen\u0161teina vad\u012bja KW Laikmet\u012bg\u0101s m\u0101kslas instit\u016bta programmu Berl\u012bn\u0113, reiz\u0113 produc\u0113jot m\u0101kslinieku Kaddera Attias (2013), Lizijas Fit\u010das, Raiena Trek\u0101rtina (2014) un Renzo M\u0101rtensa (2015) person\u0101lizst\u0101des un tematisk\u0101s izst\u0101des\u00a0Real Emotions. Thinking in Film<\/i>\u00a0(sadarb\u012bb\u0101 ar Fransu Rodenkirkenu un Danieu Tiradellisu, 2014),\u00a0Under Weapons. Fire & Forget\u00a0<\/i>(sadarb\u012bb\u0101 ar Danielu Tiradellisu, 2015) un\u00a0Secret Surface. Where Meaning Materializes<\/i>\u00a0(sadarb\u012bb\u0101 ar Ketr\u012bnu Vudu, 2016). Iepriek\u0161 vi\u0146a ir formul\u0113ja koncepciju projektiem “Dokumenta K\u0101sel\u0113” (2012), Islandes paviljonam Ven\u0113cijas bienn\u0101l\u0113 (2011) un ZKM M\u0101kslas un mediju centram Karlsr\u016b\u0113 (2006), k\u0101 ar\u012b muzejiem Sp\u0101nij\u0101, Portug\u0101l\u0113, Braz\u012blij\u0101 un ASV. Vi\u0146as kuratori\u0101lais darbs ir saist\u012bts ar jauna form\u0101ta kult\u016bras satura izveidi un t\u0101 medi\u0101ciju. Pla\u0161\u0101k: https:\/\/imaginethecity.de\/en.\u00a0Ellena Blumen\u0161teina ir viesojusies R\u012bg\u0101, Kim? Laikmet\u012bg\u0101s m\u0101kslas centr\u0101, piedaloties sarunu cikl\u0101 \u201cVakari\u0146as paties\u012bbas gaism\u0101\u201d(2011), k\u0101 ar\u012b sniegusi lekciju Latvijas M\u0101kslas akad\u0113mijas studentiem (2011).<\/i><\/p>\n <\/p>\n <\/p>\n \u012aans Rozens <\/b>(dz. 1977. g.) ir m\u0101kslinieks un galerists <\/span>Misako & Rosen galerij\u0101 <\/span><\/i>Tokij\u0101. Vi\u0146a darbi ir izst\u0101d\u012bti t\u0101d\u0101s viet\u0101s k\u0101 <\/span>Midway Contemporary Art<\/span><\/i> Mineapolis\u0101, <\/span>The Finley<\/span><\/i> galerij\u0101 Losand\u017eelos\u0101, <\/span>Kristina Kite<\/span><\/i> galerij\u0101 Losand\u017eelos\u0101, Kim? Laikmet\u012bg\u0101s m\u0101kslas centr\u0101 R\u012bg\u0101, <\/span>SUPER OPEN STUDIO<\/span><\/i> Sagamihar\u0101, Jap\u0101n\u0101 un <\/span>Ulrich Heimer<\/span><\/i> V\u012bn\u0113. P\u0113d\u0113jos 17 gadus str\u0101d\u0101jot laikmet\u012bg\u0101s m\u0101kslas jom\u0101 Tokij\u0101, s\u0101kotn\u0113ji k\u0101 jaun\u0101s un nu jau noz\u012bm\u012bg\u0101s <\/span>Taka Ishii Gallery<\/span><\/i> direktors (2002-2012), p\u0113c tam k\u0101 <\/span>Misako & Rosen<\/span><\/i> galerijas l\u012bdzdibin\u0101t\u0101js (2006 \u2013 \u0161obr\u012bd), Rozens ir cie\u0161i iesaist\u012bjies komerci\u0101li dz\u012bvotsp\u0113j\u012bga alternat\u012bva laikmet\u012bg\u0101s m\u0101kslas izplat\u012b\u0161anas mode\u013ca att\u012bst\u012bb\u0101 no relat\u012bvi perif\u0113ras \u0123eogr\u0101fisk\u0101s novietnes. Taj\u0101 pa\u0161\u0101 laik\u0101 k\u0101 praktiz\u0113jo\u0161s m\u0101kslinieks vi\u0146\u0161 ir sadarbojies ar viet\u0113j\u0101m un starptautisk\u0101m m\u0101kslinieku veidot\u0101m viet\u0101m un bezpe\u013c\u0146as organiz\u0101cij\u0101m. Rozens ir izveidojis neform\u0101lu jauno galeriju asoci\u0101ciju <\/span>New Tokyo Contemporaries <\/span><\/i>(kuru veido 6 otr\u0101s paaudzes Tokij\u0101 b\u0101z\u0113tas laikmet\u012bg\u0101s m\u0101kslas galerijas), k\u0101 ar\u012b str\u0101d\u0101jot ar \u0145ujork\u0101 b\u0101z\u0113to bezpe\u013c\u0146as organiz\u0101ciju <\/span>NADA<\/span><\/i> (<\/span>New Art Dealers Alliance<\/span><\/i>), kop\u0101 ar kol\u0113\u0123iem Rozens ir izdevies izstr\u0101d\u0101t alternat\u012bvas strat\u0113\u0123ijas, lai izveidotu starptautisku l\u012bdz\u012bgi dom\u0101jo\u0161u vietu, m\u0101kslinieku, kuratoru un rakstnieku kopienu, lai izveidotu kult\u016bras kontekstu m\u0101kslai, kas rad\u012bta m\u016bsu da\u017e\u0101daj\u0101s, gau\u017e\u0101m specifiskaj\u0101s, reiz\u0113 starptautiski labi zin\u0101maj\u0101s viet\u0101s. Pla\u0161\u0101ka inform\u0101cija: https:\/\/www.misakoandrosen.jp\/en\/. <\/span>Savulaik \u012bsu br\u012bdi Rozens ir dz\u012bvojis R\u012bg\u0101 un nesen\u0101k\u0101 pag\u0101tn\u0113 sadarbojies projektos ar kuratori Zani Onckuli un Kim?.<\/span><\/i><\/p>\n <\/p>\n Tobiass Kaspars<\/b>\u00a0(dz. 1984) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101 un C\u012brih\u0113. Tobiasa Kaspara prakse nav skeptiska, savrupa poz\u012bcija, t\u0101 dr\u012bz\u0101k atkl\u0101j neierobe\u017eotus resursus m\u0101kslas strukt\u016br\u0101s un st\u0101stos. Kasparu fascin\u0113 meh\u0101nismi, kas form\u0113 v\u0113rt\u012bbu rad\u012b\u0161anas un gaumes veido\u0161an\u0101s procesus \u2013 kad tiek pievienota simbolisk\u0101 v\u0113rt\u012bba un rad\u012bta v\u0113l\u0113\u0161an\u0101s. Vi\u0146a darbi demonstr\u0113 interesi stilu un modes kult\u016bras p\u0101rneses procesos. Modes meh\u0101nisms, t\u0101 p\u0101rsteidzo\u0161i pavedino\u0161ais sp\u0113ks, rad\u012bt v\u0113lmi b\u016bt k\u0101dam citam, un iesp\u0113jas, ko tas rada \u2013 iemiesot un stimul\u0113t citas identit\u0101tes ir viens no galvenajiem atskaites punktiem vi\u0146a praks\u0113. 2016. gada pavasar\u012b Tobiass Kaspars rad\u012bja 24 stundu izst\u0101di\u00a0The Street<\/i>\u00a0Romas filmu studij\u0101\u00a0Cinecitt\u00e0 Film Studios<\/i>. 2012. gad\u0101 Tobiass Kaspars aizs\u0101ka sav\u0101 v\u0101rd\u0101 nosauktu d\u017einsu l\u012bniju, un kop\u0161 2009. gada vi\u0146\u0161 ir viens no br\u012bv\u0101 laika pavad\u012b\u0161anai velt\u012bt\u0101 asto\u0146u numuru \u017eurn\u0101la\u00a0PROVENCE\u00a0<\/i>izdev\u0113jiem. Vi\u0146\u0161 ir ar\u012b Latvijas Instit\u016bta Rom\u0101 idejiskais autors un dibin\u0101t\u0101js. Tobiasa Kaspara darbi izst\u0101d\u012bti da\u017e\u0101d\u0101s m\u0101kslas instit\u016bcij\u0101s, tostarp Var\u0161avas Modern\u0101s m\u0101kslas muzej\u0101 (2016),\u00a0Istituto Svizzero di Roma<\/i>\u00a0(2015),\u00a0CCA Wattis Institute for Contemporary Art\u00a0<\/i>(2015), person\u0101lizst\u0101des\u00a0Sanpaulu\u00a0<\/i>(2015),\u00a0CAFAM\u00a0<\/i>bienn\u0101l\u0113 Pekin\u0101 (2014),\u00a0Kunsthalle Wien\u00a0<\/i>(2014),\u00a0Kunsthalle St. Gallen\u00a0<\/i>(2014),\u00a0Midway Contemporary Art\u00a0<\/i>Mineapolis\u0101 (2013),\u00a0Artists Space<\/i>\u00a0\u0145ujork\u0101 (2013),\u00a0Palais de Tokyo\u00a0<\/i>Par\u012bz\u0113 (2012),\u00a0Kunsthalle Z\u00fcrich\u00a0<\/i>(2011),\u00a0Kunsthalle Basel\u00a0<\/i>(2011),\u00a0Museum Hamburger Bahnhof\u00a0<\/i>Berl\u012bn\u0113 (2011),\u00a0Kunsthaus Bregenz\u00a0<\/i>(2011),\u00a0K\u00fcnstlerhaus Stuttgart\u00a0<\/i>(2010). Pla\u0161\u0101ka inform\u0101cija: https:\/\/www.tobiaskaspar.com\/,\u00a0https:\/\/www.peterkilchmann.com\/tobias-kaspar.<\/a>\u00a0Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs sadarbojies ar Tobiasu Kasparu organiz\u0113jot izst\u0101des \u201c\u012aPA\u0160UMS \/ Rudens\u201d un \u201c\u012aPA\u0160UMS \/ Vasara da\u013cas (2019), k\u0101 ar\u012b m\u0101kslinieka person\u0101lizst\u0101di (2017).<\/i><\/p>\n <\/p>\n <\/p>\n Forests Ne\u0161s<\/b>\u00a0ir\u00a0Contemporary Art Daily<\/i>\u00a0platformas dibin\u0101t\u0101js un izpilddirektors bezpe\u013c\u0146as organiz\u0101cij\u0101, kas to produc\u0113. Ne\u0161s turpina pild\u012bt redaktora pien\u0101kumus gan\u00a0Contemporary Art Daily<\/i>, gan ar\u012b\u00a0Contemporary Art Quarterly<\/i>\u00a0\u2013 individu\u0101lo m\u0101kslinieku prakses dzi\u013co arh\u012bvu dokument\u0101cijas s\u0113rijas.\u00a0Contemporary Art Daily<\/i>, viena no visvair\u0101k apmekl\u0113taj\u0101m sait\u0113m internet\u0101, kas velt\u012bta laikmet\u012bgajai m\u0101kslai, strauji nostriprin\u0101jusi sevi k\u0101 vienu no vado\u0161aj\u0101m m\u0101kslas mediju instit\u016bcij\u0101m, l\u012bdztekus t\u0101m, kuru saturam regul\u0101ri seko l\u012bdzi gan m\u0101kslas profesion\u0101\u013ci, gan m\u0101kslas cien\u012bt\u0101ji.\u00a0Contemporary Art Group\u2019s<\/i>\u00a0visredzam\u0101kais projekts – interneta vietne\u00a0Contemporary Art Daily<\/i>\u00a0kop\u0161 2008. gada rudens katru dienu public\u0113 vismaz vienas taj\u0101 br\u012bd\u012b notieko\u0161as izst\u0101des dokument\u0101ciju. T\u0101 \u0161obr\u012bd ir viena no popul\u0101r\u0101kaj\u0101m laikmet\u012bg\u0101s m\u0101kslas interneta vietn\u0113m, piesaistot aptuveni 1 miljonu apmekl\u0113t\u0101ju katru gadu.\u00a0Contemporary Art Daily<\/i>\u00a02012. gad\u0101 k\u013cuva par bezpe\u013c\u0146as organiz\u0101ciju, lai b\u016btu iesp\u0113jams s\u0101kt darbu pie sava otr\u0101 v\u0113rien\u012bg\u0101 projekta\u00a0Contemporary Art Quarterly,<\/i>\u00a0k\u0101 ietveros tiek public\u0113ti individu\u0101lo m\u0101kslinieku dzi\u013cie arh\u012bvi. Se\u0161padsmit arh\u012bvi, kas jau \u0161obr\u012bd ir izveidoti satur vair\u0101kus t\u016bksto\u0161us bil\u017eu un video dokument\u0101ciju no simtiem izst\u0101\u017eu un citu projektu. \u0160ie br\u012bvi pieejamie arh\u012bvi ir b\u016btiski iespaidoju\u0161i publikas zin\u0101\u0161anas par m\u0101ksliniekiem, ar kuriem\u00a0Contemporary Art Daily<\/i>\u00a0ir sadarboju\u0161ies, un pamudin\u0101ju\u0161i kuratorus un citus profesion\u0101\u013cus veikt izp\u0113ti. P\u0113d\u0113jo 11 gadu public\u0113\u0161anas laik\u0101,\u00a0Contemporary Art Daily<\/i>\u00a0ir sasniedzis apjom\u012bgu arh\u012bvu ar izst\u0101\u017eu dokument\u0101ciju, sa\u0146emot daudz atsaukmes, ka cilv\u0113ki to izmanto k\u0101 izp\u0113tes r\u012bku. Kad k\u0101ds v\u0113las iepaz\u012bties ar k\u0101da laikmet\u012bga m\u0101kslinieka praksi,\u00a0Contemporary Art Daily<\/i>\u00a0nereti ir vietne, ar ko vi\u0146i izv\u0113las s\u0101kt. J\u0101atz\u012bst, ka\u00a0Contemporary Art Daily<\/i>\u00a0netika \u0161im m\u0113r\u0137im izveidots, jo k\u0101 izdev\u0113jplatforma, uz katras public\u0113tas izst\u0101des dokument\u0101ciju, n\u0101kas atteikt simtiem iev\u0113r\u012bbas cien\u012bgu pieteikumu. Kop\u0161 2014. gada\u00a0Contemporary Art Daily<\/i>\u00a0vietn\u0113 ir public\u0113tas pieci Kim? organiz\u0113ti projekti. Pla\u0161\u0101k: https:\/\/contemporaryartdaily.com.","protected":false},"excerpt":{"rendered":" Sarunu s\u0113rija\u00a0Zoom:\u00a0\u012aans Rozens (Ian Rosen, Misako & Rosen,\u00a0Tokija), Tobiass Kaspars (Tobias Kaspar,\u00a0C\u012brihe), Ellena Blumen\u0161teina (Ellen Blumenstein, Imagine The City,\u00a0Hamburga), Forests Ne\u0161s (Forrest Nash, Contemporary Art Daily,\u00a0Losand\u017eelosa) sarun\u0101 ar Zani Onckuli (Kim?) Re\u0123istr\u0113ties sarun\u0101m iesp\u0113jams spie\u017eot uz linkiem: 17. j\u016bnij\u0101 plkst 18.00 (EEST)\u2013 Ellena Blumen\u0161teina 6. maij\u0101 plkst. 12.00 (EEST) \u2013 \u012aans Rozens 13. […]<\/p>\n","protected":false},"author":2,"featured_media":5745,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[5,1],"tags":[],"class_list":["post-5744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kim-events","category-uncategorized"],"acf":[],"yoast_head":"\n
\n13. maij\u0101 plkst. 19.00 (EEST) \u2013 Tobiass Kaspars<\/a><\/b><\/b>
\n27. maij\u0101 plkst. 20.00 (EEST) \u2013 Forests Ne\u0161s<\/a><\/b><\/p>\n![](\"https:\/\/admin.mailigen.com\/\/upload\/user\/5955\/images\/ellen.jpg\")
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