![\"\"](\"http:\/\/kim.lv\/wp-content\/uploads\/2020\/08\/2_Voldemars-Matvejs-1-204x300.jpg\")
<\/p>\n<\/p>\n
Voldem\u0101rs Matvejs, Kapa vietas stabs. Nanajie\u0161i (goldi), Am\u016bras re\u0123ions. Krievija. No \u013beva \u0160ternberga 1910.gada eksped\u012bcijas. Fotograf\u0113ts Antropolo\u0123ijas un etnogr\u0101fijas muzej\u0101 Santkp\u0113terburg\u0101. Iesken\u0113ta fotogr\u0101fija, 2020. <\/i><\/p>\n
<\/p>\n
NERVOZ\u0100 GARA FAKT\u016aRA<\/strong><\/p>\n <\/p>\n Norises vieta:\u00a0<\/b>Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga <\/p>\n Piedal\u0101s: <\/b>0.0.01.0.0., D\u017eeims Bridls, Merlins K\u0101rpenters, Vanesa Gravenora, L\u012b Ledars, Voldem\u0101rs Matvejs, Viktorija Modesta, Ieva Rubeze, Aleksandra Samu\u013cenkova, Elza S\u012ble<\/p>\n <\/p>\n Kuratore:\u00a0<\/b>Zane Onckule<\/p>\n <\/p>\n \u201cNervoz\u0101 gara fakt\u016bra\u201d ir velt\u012bjums nemiera garam t\u0101 d\u0113v\u0113taj\u0101 \u201cpost-optisk\u0101\u201d laikmet\u0101. \u0160is gars, lai ar\u012b liel\u0101 m\u0113r\u0101 ietver nostal\u0123iju p\u0113c pirms-tehnolo\u0123iju \u0113ras ar taj\u0101 valdo\u0161ajiem reiviem un deju gr\u012bd\u0101m, pieaugo\u0161i izpau\u017eas k\u0101 noteiktas uzved\u012bbas modelis, k\u0101du indiv\u012bds izsp\u0113l\u0113 uz \u0161odienas realit\u0101tes fona. Visuzskat\u0101m\u0101k tas par\u0101d\u0101s moment\u0101, kad tas s\u0101k \u201cm\u0101t atpaka\u013c ma\u0161\u012bnai\u201d. Br\u012bvu analo\u0123iju un sakar\u012bbu mekl\u0113jumu vad\u012bta, izst\u0101de piev\u0113r\u0161as ar mediju r\u012bku starpniec\u012bbu uzrun\u0101tai garu pasaulei, nov\u0113ro\u0161anas un monitoringa strat\u0113\u0123ij\u0101m un pils\u0113t\u0101 iesl\u0113gt\u0101s sabiedr\u012bbas fizisk\u0101s un gar\u012bg\u0101s vesel\u012bbas kvalit\u0101tes apcerei. Aiz\u0146emoties no latvie\u0161u izcelsmes krievu m\u0101kslinieka un teor\u0113ti\u0137a Voldem\u0101ra Matveja (1877-1914) darb\u0101 \u201cFakt\u016bra\u201d (1914) ietvert\u0101s noj\u0113gas, kas apz\u012bm\u0113 virsmas kvalit\u0101tes objektiem, kuriem cit\u0101di \u0161\u012bs kvalit\u0101tes ir neiesp\u0113jams noteikt taust\u0101mi, ekspoz\u012bcij\u0101 ietvert\u0101s arh\u012bva fotogr\u0101fijas un video, audekli un grafiti, ar rok\u0101m , k\u0101 ar\u012b burtveidolu un kol\u0101\u017eas tehnik\u0101 veidoti jauni un iepriek\u0161 rad\u012bti dz\u012bvu un miru\u0161u autoru darbi, katrs atsevi\u0161\u0137i novada tiem \u012bpa\u0161i piem\u012bto\u0161u virsmas autonomijas un satura \u201ctroksni\u201d jeb fakt\u016bru. P\u0101reja uz virsmas un tekst\u016bras lomu apl\u016bko\u0161anu \u0161odienas m\u0101ksl\u0101 ir cie\u0161i saist\u012bta ar pieaugo\u0161o neuztic\u012bbu redzes ma\u0146ai un t\u0101s pies\u0101r\u0146ojumu jeb, sekojot Matvejam, \u201ctrok\u0161\u0146a\u201d kl\u0101tb\u016btne\u201d sl\u0113pjas darba atsevi\u0161\u0137o materi\u0101lo elementu autonomij\u0101 \u2013 fakt\u016bra ir nevis to vienot\u012bb\u0101, bet gan to kakofonij\u0101.<\/p>\n <\/p>\n Izst\u0101des fakt\u016bra veidojas caur:\u00a0Voldem\u0101ra Matveja<\/b>\u00a0uz\u0146emtaj\u0101m Zieme\u013c\u0101zijas tautu ritu\u0101lo gara fig\u016bru \u2013\u201cprimit\u012bvu\u201d un vienlaikus tik izteiksm\u012bgu \u2013 fotogr\u0101fij\u0101m (1913) no Latvijas Nacion\u0101l\u0101s Bibliot\u0113kas kr\u0101juma;\u00a0Ievas Rubezes<\/b>\u00a0(dz. 1977) video-terapeitisk\u0101 kino seansa \u201cZ\u0101les\u201d (2000) ar da\u017e\u0101du Latvijas burvju-dziednieku, \u201cprobl\u0113mu konsultantu\u201d un \u201ckaktu dakteru\u201d performanc\u0113m balt\u0101 trok\u0161\u0146a pavad\u012bb\u0101;\u00a0Merlina K\u0101rpentera<\/b>\u00a0(dz. 1967) \u201cPaint-It-Yourself\u201d otro \u2013 R\u012bgas versiju, kas ierosina, ka glezno\u0161anas spriedze ir j\u016btama jau tad, kad viss, kas redzams, ir vien asto\u0146i grunt\u0113ti audekli un telpas vid\u016b izvietota kaste, pilna ar lieto\u0161anai nepieejam\u0101m e\u013c\u013cas kr\u0101su t\u016bb\u0101m;\u00a0L\u012b Ledara<\/b>\u00a0(dz. 1976) gandr\u012bz 60 min\u016b\u0161u garu ciplveida filmu \u201cVokzal\u201d (2016), kas veic apsl\u0113ptas soci\u0101l\u0101s dinamikas kart\u0113\u0161anu, fiks\u0113jot ban\u0101lu, tom\u0113r reiz\u0113 sare\u017e\u0123\u012btu tr\u012bs Maskavas vilcienu staciju tranz\u012bta horeogr\u0101fiju;\u00a00.0.01.0.0<\/b>\u00a0(dz. 1999) veidoto vietai piesaist\u012bto, nep\u0101rtrauktas rokas \/ \u0137erme\u0146a kust\u012bbas jeb\u00a0graffitti fitness<\/i>\u00a0rezult\u0101t\u0101 rad\u012bto \u017eestu pret cenz\u016bru, to t\u0101l\u0101k cenz\u0113jot;\u00a0Elzas S\u012bles<\/b>\u00a0(1989) ar kr\u0101su nokl\u0101t\u0101m met\u0101liskas sienas un gr\u012bdas vien\u012bb\u0101m, kas darbojas k\u0101 psiho-telpisko tipolo\u0123iju pl\u016bsmas kart\u0113jums; uz traumatiskas personiskas pieredzes Par\u012bzes teroristu uzbrukumos 2015. gad\u0101 balst\u012btu\u00a0Vanesas Gravenoras<\/b>\u00a0(dz. 1992) video \u201cEs\/Mana lode\u201d (2016), kas dziesmas \u201cThe Sound of Silence\u201d garum\u0101 un caur absurdi-v\u0113sturisku skatpunku izseko uzbrukuma ilgumam, k\u0101 ar\u012b lodei, kas tr\u0101p\u012bja; ar multidisciplin\u0101ru pieeju future-pop identit\u0101tei un performances m\u0101kslai ar post-cilv\u0113ka \u0161\u0137autni zin\u0101m\u0101s bionisk\u0101s pop-m\u0101kslinieces\u00a0Viktorijas Modestas<\/b>\u00a0(dz. 1988) fotogr\u0101fiju no \u201cCounterflow\u201d (2016) kampa\u0146as, kuru pavada autores uzsaukums atbr\u012bvoties no pag\u0101tnes aizspriedumiem piln\u012bb\u0101 main\u012bgas identit\u0101tes virziena;\u00a0Aleksandras Samu\u013cenkovas<\/b>\u00a0(dz.1986) tipogr\u0101fiska risin\u0101juma gudri-ekstravagant\u0101 un \u201craganisk\u0101\u201d burtveidol\u0101\u00a0Zangezi<\/i>\u00a0sagatavotas kuratores esejas (latvie\u0161u, krievu un ang\u013cu valod\u0101s) p\u0101rnesi uz sienas; un\u00a0D\u017eeimsa Bridla<\/b>\u00a0(dz. 1980) video \u201cMans prieks zvaig\u017e\u0146otaj\u0101 nakt\u012b\u201d (2018), kas zag\u0161anas slavin\u0101\u0161anai velt\u012bta sena ang\u013cu meldi\u0146a un ierakstu no ciparu stacij\u0101m pavad\u012bb\u0101 uz\u0146emts Akriori – apvienot\u0101 Lielbrit\u0101nijas un ASV gaisa sp\u0113ku b\u0101z\u0113 \u0101rpus horizonta nov\u0113ro\u0161anai un glob\u0101l\u0101s izl\u016bko\u0161anas datu v\u0101k\u0161anai un vienlaic\u012bgi – lielo flamingo sezon\u0101l\u0101 m\u0101jviet\u0101. Izst\u0101d\u0113 ietverts ar\u012b semin\u0101lais izdevums \u201cDai\u013crades principi plastisk\u0101s m\u0101ksl\u0101s. Fakt\u016bra\u201d (1914) no Zuz\u0101nu kolekcijas.<\/p>\n <\/p>\n Biogr\u0101fijas:<\/p>\n <\/p>\n 0.0.01.0.0<\/b>\u00a0(dz. 1999. g, Latvija) Autors par sevi izsak\u0101s sekojo\u0161i: \u201cSp\u0113l\u0113jos (izn\u012bcinot) ar rota\u013clietu ma\u0161\u012bn\u012bt\u0113m un s\u0113rkoci\u0146iem. V\u0113l\u0101k jau ar benz\u012bnu un m\u0101jasdarbiem.”<\/p>\n <\/p>\n D\u017eeims Bridls<\/b>\u00a0(James Bridle<\/i>, dz. 1980.g., Lielbrit\u0101nija) ir rakstnieks un m\u0101kslinieks, kur\u0161 str\u0101d\u0101 ar da\u017e\u0101d\u0101m tehnolo\u0123ij\u0101m da\u017e\u0101d\u0101s discipl\u012bn\u0101s.<\/p>\n <\/p>\n Merlins K\u0101rpenters<\/b>\u00a0(Merlin Carpenter<\/i>, dz. 1967. g., Lielbrit\u0101nija) ir m\u0101kslinieks, kas ir vislab\u0101k paz\u012bstams ar konceptu\u0101laj\u0101m glezn\u0101m un instal\u0101cij\u0101m, kas darbojas k\u0101 skaudra, antagonistiska m\u0101kslas pasaules elit\u0101risma un pat\u0113rniec\u012bbas kritika.<\/p>\n <\/p>\n Vanesa Gravenora<\/b>\u00a0(Vanessa Gravenor<\/i>, dz. 1992. g., Kan\u0101da) ir m\u0101ksliniece un rakstniece, kura \u0161obr\u012bd dz\u012bvo Berl\u012bn\u0113 un p\u0113ta t\u0113mas par terorismu, karu pret terorismu un \u201cproxy\u201d karu.<\/p>\n <\/p>\n L\u012b Ledars<\/b>\u00a0(Leigh Ledare<\/i>, dz. 1976.g., ASV) izmanto fotogr\u0101fiju, arh\u012bva materi\u0101lus, tekstu un filmas, lai p\u0113t\u012btu cilv\u0113ku darb\u012bbas, soci\u0101l\u0101s attiec\u012bbas, tabu un t\u0101 atspogu\u013cojumu fotogr\u0101fij\u0101.<\/p>\n <\/p>\n Voldem\u0101rs Matvejs<\/b>\u00a0(dz. 1877\u2013m. 1914, Krievijas Imp\u0113rija) latvie\u0161u gleznot\u0101js, teor\u0113ti\u0137is un p\u0113tnieks devis unik\u0101lu ieguld\u012bjumu \u0101rpus Eiropas kult\u016bru p\u0113tniec\u012bb\u0101 20. gadsimta s\u0101kum\u0101.<\/p>\n <\/p>\n Viktorija Modesta<\/b>\u00a0(dz. 1988, Latvija) ir Losand\u017eelos\u0101 dz\u012bvojo\u0161a bioniska pop m\u0101ksliniece un rado\u0161\u0101 direktore, kas ir zin\u0101ma ar savu multidisciplin\u0101ro pieeju future-pop<\/em> identit\u0101tei un performances m\u0101kslai ar post-cilv\u0113ka \u0161\u0137autni.<\/p>\n <\/p>\n Ieva Rubeze<\/b>\u00a0(dz. 1977, Latvija) ir po\u0113tisku video un instal\u0101ciju m\u0101ksliniece, kura veidojusi izt\u0113les pilnus m\u0101kslas darbus.<\/p>\n <\/p>\n Aleksandra Samu\u013cenkova<\/b>\u00a0(dz. 1986, Latvija) ir burtveidolu dizainere, kas veic daudzveid\u012bgus eksperimentus ar burtiem, k\u0101 ar\u012b p\u0113ta burtveidolu dizaina trad\u012bcijas un to saist\u012bbu ar v\u0113sturiskiem notikumiem.<\/p>\n <\/p>\n Elza S\u012ble<\/b>\u00a0(dz. 1989, Latvija). Da\u017e\u0101du tehniku ietvaros str\u0101d\u0101 ar iesp\u0113jam\u012bbu fiks\u0113\u0161anu un to \u012bsteno\u0161anas izsp\u0113l\u0113\u0161anu. Kombin\u0113jot pr\u0101ta rad\u012btus att\u0113lus ar anal\u012btiskiem iedal\u012bjumiem, vi\u0146a nodarbojas ar psiho-telpisko tipolo\u0123iju pl\u016bsmas leksikas rad\u012b\u0161anu.<\/p>\n <\/p>\n <\/p>\n <\/p>\n Atbalst\u012bt\u0101ji: Latvijas Republikas Kult\u016bras ministrija, Valsts kult\u016brkapit\u0101la fonds, R\u012bgas dome, Simon Lee gallery, Latvijas Nacion\u0101l\u0101 bibliot\u0113ka, Saubag, KRASSKY, Satori, Arterritory.com, Green Print, Kokmui\u017eas alus, Gardu muti<\/p>\n <\/p>\n Patroni: Vita Liberte, K\u0101rlis \u0136irsis<\/p>\n <\/p>\n Pateic\u012bbas: Ir\u0113na Bu\u017einska, Stella Hermanovska, Uldis M\u0101kulis, M\u0101rti\u0146\u0161 Mintaurs, Amanda Ziemele, J\u0101nis Zuz\u0101ns.<\/p>\n <\/p>\n <\/p>\n <\/p>\n Balstoties uz Kult\u016bras ministrijas muzeju darb\u012bbu reglament\u0113jo\u0161o sanit\u0101ro protokolu, Kim? ir paredz\u0113jis noteiktu fizisk\u0101s distanc\u0113\u0161an\u0101s un dezinfic\u0113\u0161anas normu iev\u0113ro\u0161anu galerijas apmekl\u0113juma laik\u0101.","protected":false},"excerpt":{"rendered":" Voldem\u0101rs Matvejs, Kapa vietas stabs. Nanajie\u0161i (goldi), Am\u016bras re\u0123ions. Krievija. No \u013beva \u0160ternberga 1910.gada eksped\u012bcijas. Fotograf\u0113ts Antropolo\u0123ijas un etnogr\u0101fijas muzej\u0101 Santkp\u0113terburg\u0101. Iesken\u0113ta fotogr\u0101fija, 2020. NERVOZ\u0100 GARA FAKT\u016aRA Norises vieta:\u00a0Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, R\u012bga Izst\u0101des norises laiks:\u00a04. septembris \u2013 1. novembris, 2020 Atkl\u0101\u0161ana:\u00a03. septembris, 18.00 \u2013 21.00 Piedal\u0101s: 0.0.01.0.0., D\u017eeims Bridls, Merlins […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-5883","post","type-post","status-publish","format-standard","hentry","category-kim-exhibitions"],"acf":[],"yoast_head":"\n
\nIzst\u0101des norises laiks:\u00a0<\/b>4. septembris \u2013 1. novembris, 2020
\nAtkl\u0101\u0161ana:<\/b>\u00a03. septembris, 18.00 \u2013 21.00<\/p>\n