{"id":6244,"date":"2021-06-28T16:52:13","date_gmt":"2021-06-28T13:52:13","guid":{"rendered":"http:\/\/kim.lv\/?p=6244"},"modified":"2021-09-16T17:15:04","modified_gmt":"2021-09-16T14:15:04","slug":"dont-remember-thing-entering-elusive-estate-zdz","status":"publish","type":"post","link":"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/","title":{"rendered":"Sofija Tuna “Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101”"},"content":{"rendered":"
\nM\u0101ksliniece-laborante:\u00a0Sofija Tuna (Sophie Thun<\/i>)<\/b>
\nKuratore:\u00a0Zane Onckule<\/b>
\n<\/span>Izst\u0101des producente:\u00a0El\u012bna Dr\u0101ke<\/b><\/p>\n

Arhiv\u0101re:\u00a0L\u012bga Goldberga<\/b><\/p>\n

\n
Kolekcijas<\/b>: Zentas Dzividzinskas arh\u012bvs, Zentas Dzividzinskas fotogr\u0101fijas no Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja kr\u0101juma un Topo\u0161\u0101 Latvijas Laikmet\u012bg\u0101s m\u0101kslas muzeja kr\u0101juma, Sofijas Tunas fotogr\u0101fijas no priv\u0101tkolekcij\u0101m<\/div>\n<\/div>\n

 <\/p>\n

\u201c<\/span>Man nav dzim\u0161anas datuma. <\/span><\/i><\/p>\n

Nav zin\u0101ms. Es esmu dzimusi kara laik\u0101, un mani re\u0123istr\u0113ja p\u0113c k\u0101da gada, kad neviens neatcer\u0113j\u0101s, kur\u0101 laik\u0101 es biju dzimusi. Datums ir pie\u0146emts – apm\u0113ram<\/span><\/i>.\u201d<\/span><\/p>\n

ZDZ<\/span><\/p>\n

 <\/p>\n

\u201c<\/i><\/b>Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\u201d* vienlaikus ir izst\u0101de un performance \u2013 radniec\u012bbas z\u012bme, kas izgaismo apsl\u0113pto, nezin\u0101mo un neapzin\u0101to. Koncentr\u0113joties uz Zentas Dzividzinskas, bezbail\u012bgas, marginaliz\u0113tas un sist\u0113mai nepak\u013c\u0101v\u012bgas m\u0101kslinieces darbu, kuras dai\u013crade dz\u012bves laik\u0101 nav tikusi pien\u0101c\u012bgi nov\u0113rt\u0113ta, izst\u0101de piev\u0113r\u0161as vi\u0146as maz izp\u0113t\u012bto darbu atkl\u0101\u0161anai. <\/b>Izst\u0101de vienlaic\u012bgi ir m\u016bsdienu m\u0101kslinieces Sofijas Tunas cie\u0146as apliecin\u0101jums iepriek\u0161\u0113jo paaud\u017eu autorei\/\u0113m, uzr\u0101dot tie\u0161u p\u0113ctec\u012bbu un kopsakar\u012bbas centienos turpin\u0101t rad\u012bt, r\u0101d\u012bt un tikt respekt\u0113t\u0101m main\u012bgo, bet joproj\u0101m iegro\u017eojo\u0161o hierarhiju ietvaros.\u00a0<\/b><\/p>\n

 <\/p>\n

 <\/p>\n

Zenta Dzividzinska (1944\u20132011) jeb \u201cZDZ\u201d bija viena no interesant\u0101kaj\u0101m un rado\u0161\u0101kaj\u0101m jaunaj\u0101m m\u0101ksliniec\u0113m 60. gados R\u012bg\u0101, bet l\u012bdz pirmajai person\u0101lizst\u0101dei vi\u0146ai n\u0101c\u0101s gaid\u012bt vair\u0101k nek\u0101 30 gadu. Fotogr\u0101fija autorei bija svar\u012bgs pa\u0161izpausmes un pa\u0161izteiksmes l\u012bdzeklis, un vi\u0146a to izmantoja eksperiment\u0101liem nol\u016bkiem darb\u0101 ar kadr\u0113jumu un form\u0101lajiem izteiksmes l\u012bdzek\u013ciem, k\u0101 ar\u012b dokument\u0113jot savu ikdienas dz\u012bvi. Lai ar\u012b\u00a0 Dzividzinskas darbiem ir rakstur\u012bga izteikta grafiska nosac\u012bt\u012bba, kompozicion\u0101li un ton\u0101li eksperimenti, autortehniku lietojums un nereti ar\u012b \u0161\u012b laikposma Latvijas fotom\u0101kslai netradicion\u0101la t\u0113mu un mot\u012bvu izv\u0113le, atzin\u012bbas un cie\u0146as viet\u0101 Dzividzinskas savam laikam radik\u0101l\u0101 darb\u012bba sastap\u0101s ar profesion\u0101li niev\u0101jo\u0161u attieksmi. Kol\u0113\u0123i, liel\u0101koties cisv\u012brie\u0161i vi\u0146as darbus uzskat\u012bja par neprofesion\u0101liem. \u0145emot v\u0113r\u0101 t\u0101laika uzskatus par to, k\u0101 j\u0101ataino sieviete m\u0101ksl\u0101, vi\u0146as<\/span> \u201cnormu kori\u0123\u0113jo\u0161ais\u201d (\u0160teimane, 1999) sievietes portret\u0113jums, tostarp subvers\u012bvie protoselfiji<\/span>,<\/span><\/i> liku\u0161ies \u201cnegl\u012bti\u201d. <\/span>Ar\u012b \u0123imenes lok\u0101 Dzividzinskas darb\u012bba netika nov\u0113rt\u0113ta, d\u0113v\u0113jot vi\u0146u par \u201cneizdevu\u0161os\u201d m\u0101kslinieci. Vairums fotogr\u0101fiju m\u0101kslinieces dz\u012bves laik\u0101 nav biju\u0161as uzkop\u0113tas, un 60. gadu muzeju vai fotoklubu narat\u012bvu un est\u0113tisko krit\u0113riju programmas kontek<\/span>st\u0101 to \u0113tisk\u0101 pieeja bija \u201cdiametr\u0101li pret\u0113ja\u201d (\u0160v\u0113de, 2004) padomju sist\u0113mas principiem, v\u0113l vair\u0101k mazinot izst\u0101d\u012b<\/span>\u0161anas izredzes. Lai gan p\u0113d\u0113jo gadu laik\u0101 nelielas Dzividzinskas fotogr\u0101fiju kolekcijas ir ieg\u0101d\u0101ju\u0161ies muzeji un priv\u0101tkolekcijas Latvij\u0101 un \u0101rpus t\u0101s, liel\u0101k\u0101 da\u013ca m\u0101kslinieces darb\u012bbas rezult\u0101tu \u2013 fotogr\u0101fijas, negat\u012bvi, kontaktkopijas, piez\u012bmes un dokumenti \u2013 l\u012bdz izst\u0101des s\u0101kumam nesistematiz\u0113ti un nep\u0101rskat\u012bti atrad\u0101s pagaidu noliktav\u0101 R\u012bgas industri\u0101laj\u0101 zon\u0101.\u00a0<\/span><\/p>\n

 <\/p>\n

Uz \u0161\u012b fona<\/b> \u201cEs neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\u201d<\/b> tiek veidota k\u0101 eksperiment\u0101ls ieguld\u012bjums Dzividzinskas <\/b>para-feministisk\u0101s m\u0101kslas <\/b>prakses aktualiz\u0113\u0161an\u0101. Izst\u0101des centr\u0101 ir pieredz\u0113ju\u0161as fotolaborantes, intelektu\u0101li un emocion\u0101li l\u012bdz\u012bg\u0101 re\u0123istr\u0101 str\u0101d\u0101jo\u0161as austrie\u0161u m\u0101kslinieces Sofijas Tunas (<\/b>Sophie Thun<\/i><\/b>, dz. 1985) dialogs ar Dzividzinsku t\u0101 vien\u012bgaj\u0101 iesp\u0113jamaj\u0101 veid\u0101 \u2013 ar arh\u012bva starpniec\u012bbu. Divu m\u0113ne\u0161u period\u0101 Tuna dz\u012bvos R\u012bg\u0101 un str\u0101d\u0101s vien\u0101 no izst\u0101des telp\u0101m iek\u0101rtotaj\u0101 melnbalt\u0101s fotogr\u0101fijas laboratorij\u0101, lai kop\u0101 ar projektam \u012bpa\u0161i piesaist\u012bto arhiv\u0101ri caurskat\u012btu un kop\u0113tu l\u012bdz \u0161im vien selekt\u012bvi apg\u016bto Dzividzinskas darba materi\u0101lu.\u00a0<\/b><\/p>\n

 <\/p>\n

Analog\u0101 fotogr\u0101fija ir medijs, kam ir lielas izgatavo\u0161anas izmaksas, tom\u0113r sal\u012bdzin\u0101jum\u0101 ar citiem medijiem daudz maz\u0101ka \u201ctirgus v\u0113rt\u012bba\u201d. Turkl\u0101t, ja ar analogo fotogr\u0101fiju nodarbojas sievietes, tad \u0161\u0101da veida m\u0101ksla maks\u0101 v\u0113l maz\u0101k, tai ir v\u0113l maz\u0101ka galeriju p\u0101rst\u0101vniec\u012bba un iesp\u0113jas tikt iek\u013cautai muzeju un priv\u0101tkolekcij\u0101s. Lai var\u0113tu atbalst\u012bt un finans\u0113t savas bezkompromisu m\u0101kslas rad\u012b\u0161anu, Dzividzinskai n\u0101c\u0101s un Tunai n\u0101kas dar\u012bt visda\u017e\u0101d\u0101kos naudas darbus (Dzividzinska no 70. gadu s\u0101kuma l\u012bdz 90. gadu s\u0101kumam str\u0101d\u0101ja par grafisko dizaineri kombin\u0101t\u0101 \u201cM\u0101ksla,\u201d savuk\u0101rt Tuna nodarbojas ar izst\u0101\u017eu dokument\u0101ciju, pasnieg\u0161anu, k\u0101 ar\u012b asist\u0113\u0161anu atz\u012btiem vec\u0101k\u0101s paaudzes m\u0101ksliniekiem). K\u0101 Dzividzinskas, t\u0101 Tunas m\u0101kslas rad\u012b\u0161ana liel\u0101 m\u0113r\u0101 notiek papildus \u2013 t.s. \u201cbr\u012bvaj\u0101 laik\u0101\u201d, \u0123imenes virtuv\u0113 (Dzividzinska) vai \u201cerotisk\u0101s fant\u0101zij\u0101s\u201d\u00a0 (M. Vukovi\u0107, 2019), ko iez\u012bm\u0113 Tunas regul\u0101r\u0101 uztur\u0113\u0161an\u0101s viesn\u012bcu istab\u0101s l\u012bgumdarbu ietvaros. Tunas interese par \u0161o \u201cstarptelpu\u201d, kur\u0101 vi\u0146a ir reiz\u0113 m\u0101ksliniece un laborante, m\u0101ksliniece un asistente, ir uzskat\u0101ma par apzin\u0101tiem p\u0101rl\u0113cieniem k\u0101 m\u0101kslas pasaules, t\u0101 <\/span>\u012bst\u0101s <\/span><\/i>pasaules hierarhij\u0101s. Tie\u0161i fiziskais un ment\u0101lais darbs, k\u0101 ar\u012b kontrole vai t\u0101s tr\u016bkums virza un virz\u012bja t\u0101du autoru k\u0101 Tunas un Dzividzinskas darb\u012bbu uz priek\u0161u.\u00a0<\/span><\/p>\n

 <\/p>\n

Izst\u0101des \u201c<\/span>Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\u201d pamat\u0101 nav jaunu, k\u0101d\u0101 idej\u0101 balst\u012btu darbu veido\u0161ana<\/span>, bet <\/span>gan Dzividzinskas materi\u0101la izmanto\u0161ana, lai rad\u012btu jaunus att\u0113lus. Izst\u0101des laik\u0101 Tuna atteiksies no savas prakses pamatnoteikuma \u2013 mediju vai realit\u0101ti atainot to dabiskaj\u0101 izm\u0113r\u0101. (Parasti, ja Tunas praks\u0113 fotogr\u0101fija tiek palielin\u0101ta, tad tikai att\u0113l\u0101 redzam\u0101 objekta vai subjekta dabiskaj\u0101 izm\u0113r\u0101, savuk\u0101rt m\u0113rogu neskaidr\u012bbas gad\u012bjum\u0101 tiek veidotas kontaktizdrukas.) \u0160oreiz Tuna p\u0101r\u0146ems Dzividzinskas foto-veido\u0161anas tehniku, kur m\u0113rogs un proporcijas bija atkar\u012bgas tikai no tolaik pieejam\u0101 pap\u012bra izm\u0113riem vai br\u012bv\u0101 laika. Rezult\u0101ts b\u016bs sava veida portrets, Tunai p\u0101rradot Dzividzinskas tehniku ar saviem \u201cnospiedumiem\u201d, t.i., z\u012bm\u0113m, kuras atst\u0101j gredzeni m\u0101kslinieces-tehni\u0137es pirkstos.\u00a0<\/span><\/p>\n

 <\/p>\n

\u201cEs neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\u201d ekspoz\u012bciju veido Tunas un Dzividzinskas darbu izlase no muzeju un priv\u0101tkolekcij\u0101m Latvij\u0101 un \u0101rvalst\u012bs, jaunrad\u012bti Tunas darbi \u2013 to vid\u016b, <\/b>trompe-l’oeil<\/i><\/b> tehnik\u0101 veidota lielizm\u0113ra izst\u0101des iek\u0161telpu fotogr\u0101fija, fotogramma ar depon\u0113to Dzividzinskas darbu sarakstu, funkcion\u0113jo\u0161a melnbalt\u0101s fotogr\u0101fijas laboratorija, improviz\u0113ta arhiv\u0101res darba zona, k\u0101 ar\u012b augo\u0161a, divu m\u0113ne\u0161u period\u0101 laboratorij\u0101 rad\u012btu darbu ekspoz\u012bcija no Dzividzinskas negat\u012bviem.<\/b><\/p>\n

 <\/p>\n

Izst\u0101des nosl\u0113gum\u0101 \u0161. g. 12. septembr\u012b, kas b\u016btu bijusi Dzividzinskas 77. dzim\u0161anas diena, arh\u012bvs jaun\u0101 gatav\u012bbas stadij\u0101 atgriez\u012bsies noliktav\u0101 cer\u012bb\u0101 sagaid\u012bt ieinteres\u0113tu p\u0113tnieku interesi un ap\u0146em\u0161anos izv\u0113rst \u201cEs neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\u201d norises laik\u0101 paveikto. Savuk\u0101rt Tuna, kura ar Dzividzinsku dala realit\u0101ti par m\u0101ksliniecisk\u0101s darb\u012bbas \u201cfakultat\u012bvo\u201d raksturu, neizsl\u0113dz iesp\u0113ju izst\u0101des darba p\u0113c\/starplaikos att\u012bst\u012bt un str\u0101d\u0101t pie saviem darbiem, lai ar tiem atgrieztos studij\u0101 un izst\u0101d\u012btu citviet.\u00a0<\/b><\/p>\n

 <\/p>\n

*<\/span><\/i>\u201cEs neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\u201d izst\u0101des nosaukums apvieno Dzividzinskas otr\u0101s person\u0101lizst\u0101des nosaukumu \u201cEs neko neatceros\u201d (Latvijas M\u0101kslinieku savien\u012bbas galerija, R\u012bga, 2005) ar autores darb\u012bbu un t\u0101s atst\u0101t\u0101 mantojuma problem\u0101tiku apskato\u0161\u0101 m\u0101kslas zin\u0101tnieces Alises T\u012bfent\u0101les raksta nosaukumu (<\/span>Entering the Elusive Estate of Photographer Zenta Dzividzinska<\/span><\/i>, <\/span>MoMA Post<\/span><\/i>, 2021. gada marts), savuk\u0101rt abreviat\u016bra \u201cZDZ\u201d izst\u0101des nosaukum\u0101 ir nor\u0101de uz to, k\u0101, pagurusi no sve\u0161iniekiem pagr\u016bti izrun\u0101jam\u0101 polisk\u0101 uzv\u0101rda loc\u012b\u0161anas epizod\u0113m, m\u0101ksliniece parakst\u012bj\u0101s.\u00a0<\/span><\/p>\n

 <\/p>\n

Padzi\u013cin\u0101ta inform\u0101cija par Dzividzinsku un vi\u0146as arh\u012bvu: www.artdays.net\u00a0<\/a><\/span><\/p>\n

Sofija Tuna m\u0113nesi Latvij\u0101 pavad\u012bs, uzturoties laikmet\u012bg\u0101s fotogr\u0101fijas platformas ISSP rezidenc\u0113 R\u012bg\u0101 un sniegs meistarklasi ISSP Skolas studentiem.<\/b><\/p>\n

Izst\u0101de ir veidota ar atbalstu un sadarb\u012bb\u0101 ar Laikmet\u012bg\u0101s m\u0101kslas fondu \u201c<\/b>Phileas\u201d<\/i><\/b>, V\u012bne.<\/b><\/p>\n

 <\/p>\n

 <\/p>\n

Biogr\u0101fija<\/b><\/p>\n

 <\/p>\n

Sofija Tuna<\/b> (Sophie Thun, dz. 1985) ir m\u0101ksliniece, kura galvenok\u0101rt str\u0101d\u0101 ar analog\u0101s fotogr\u0101fijas tehnik\u0101m. Vi\u0146as <\/span>prakse bie\u017ei ir vietai piesaist\u012bta, un to raksturo attiec\u012bbu starp m\u0101kslinieka fizisko darbu un fotogr\u0101fiju prezent\u0113\u0161anu izp\u0113te un izsp\u0113le. Uzaugusi Var\u0161av\u0101, Polij\u0101, vi\u0146a dz\u012bvo un str\u0101d\u0101 V\u012bn\u0113, Austrij\u0101. Tuna stud\u0113jusi glezniec\u012bbu Krakovas M\u0101kslas akad\u0113mij\u0101 pirms V\u012bnes M\u0101kslas akad\u0113mijas absolv\u0113\u0161anas. Jaun\u0101k\u0101s person\u0101lizst\u0101des un duo izst\u0101des:<\/span> Stolberggasse, Secession <\/span><\/i>V\u012bn\u0113, 2020; <\/span>Extension<\/span><\/i>, <\/span>c\/o<\/span><\/i> Berl\u012bn\u0113, 2020; <\/span>Interiors of Photography<\/span><\/i>, kop\u0101 ar <\/span>Mladen Bizumic<\/span><\/i>, <\/span>Camera Austria<\/span><\/i>, Gr\u0101c\u0101, 2019; <\/span>After Hours<\/span><\/i>, <\/span>Galerie Sophie Tappeiner<\/span><\/i>, V\u012bn\u0113, 2019. 2020 m\u0101ksliniece beidza darbu pie filmas <\/span>This year\u2019s girl<\/span><\/i> kop\u0101 ar <\/span>\u0130pek Hamzao\u011flu<\/span><\/i> un <\/span>Laura Nitsch.<\/span><\/i> Tuna ir apbalvota ar Austrijas Feder\u0101l\u0101s m\u0101kslas ministrijas <\/span>Outstanding Artist Award <\/span><\/i>(2021) un darba stipendiju no <\/span>DZ Bank<\/span><\/i>, Frankfurte (2019\/2020). Tunu p\u0101rst\u0101v<\/span> Sophie Tappeiner<\/span><\/i> galerija V\u012bn\u0113, un vi\u0146as jaun\u0101ko darbu s\u0113rija tiks prezent\u0113ta <\/span>Liste Art Fair Basel<\/span><\/i> 2021. gada septembr\u012b, kam sekos person\u0101lizst\u0101de galerij\u0101 2021. gada decembr\u012b.<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

Atbalst\u012bt\u0101ji:<\/b> Latvijas Republikas Kult\u016bras ministrija, Valsts kult\u016brkapit\u0101la fonds, R\u012bgas dome, <\/span>Phileas,<\/span><\/i> \u00a0Sophie Tappeiner gallery, Berlin RecomArt, ISSP, KRASSKY, \u201cSatori\u201d, Arterritory.com, Green Print, \u201cKokmui\u017eas alus\u201d, \u201cGardu muti\u201d.<\/span><\/p>\n

Kuratores pateic\u012bbas: <\/b>Zentas Dzividzinskas meitai m\u0101kslas v\u0113sturniecei Alisei T\u012bfent\u0101lei un Latvijas Nacion\u0101lajam m\u0101kslas muzejam un Elitai Ansonei, Ivetai Derkusovai, M\u0101rai L\u0101cei, llzei Putni\u0146ai un Astr\u012bdai Rogulei person\u012bgi. <\/span>","protected":false},"excerpt":{"rendered":"

M\u0101ksliniece-laborante:\u00a0Sofija Tuna (Sophie Thun) Kuratore:\u00a0Zane Onckule Izst\u0101des producente:\u00a0El\u012bna Dr\u0101ke Arhiv\u0101re:\u00a0L\u012bga Goldberga Kolekcijas: Zentas Dzividzinskas arh\u012bvs, Zentas Dzividzinskas fotogr\u0101fijas no Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja kr\u0101juma un Topo\u0161\u0101 Latvijas Laikmet\u012bg\u0101s m\u0101kslas muzeja kr\u0101juma, Sofijas Tunas fotogr\u0101fijas no priv\u0101tkolekcij\u0101m   \u201cMan nav dzim\u0161anas datuma. Nav zin\u0101ms. Es esmu dzimusi kara laik\u0101, un mani re\u0123istr\u0113ja p\u0113c k\u0101da gada, kad […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6244","post","type-post","status-publish","format-standard","hentry","category-kim-exhibitions"],"acf":[],"yoast_head":"\nSofija Tuna "Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101" - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/\" \/>\n<meta property=\"og:locale\" content=\"lv_LV\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:en]Sophie Thun "I Don't Remember a Thing: Entering the Elusive Estate of ZDZ"[:lv]Sofija Tuna "Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101"[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs\" \/>\n<meta property=\"og:description\" content=\"M\u0101ksliniece-laborante:\u00a0Sofija Tuna (Sophie Thun) Kuratore:\u00a0Zane Onckule Izst\u0101des producente:\u00a0El\u012bna Dr\u0101ke Arhiv\u0101re:\u00a0L\u012bga Goldberga Kolekcijas: Zentas Dzividzinskas arh\u012bvs, Zentas Dzividzinskas fotogr\u0101fijas no Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja kr\u0101juma un Topo\u0161\u0101 Latvijas Laikmet\u012bg\u0101s m\u0101kslas muzeja kr\u0101juma, Sofijas Tunas fotogr\u0101fijas no priv\u0101tkolekcij\u0101m   \u201cMan nav dzim\u0161anas datuma. Nav zin\u0101ms. Es esmu dzimusi kara laik\u0101, un mani re\u0123istr\u0113ja p\u0113c k\u0101da gada, kad […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/\" \/>\n<meta property=\"og:site_name\" content=\"Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs\" \/>\n<meta property=\"article:published_time\" content=\"2021-06-28T13:52:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-16T14:15:04+00:00\" \/>\n<meta name=\"author\" content=\"Kim?\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kim?\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"16 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/\",\"url\":\"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/\",\"name\":\"[:en]Sophie Thun \\\"I Don't Remember a Thing: Entering the Elusive Estate of ZDZ\\\"[:lv]Sofija Tuna \\\"Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\\\"[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs\",\"isPartOf\":{\"@id\":\"https:\/\/kim.lv\/en\/#website\"},\"datePublished\":\"2021-06-28T13:52:13+00:00\",\"dateModified\":\"2021-09-16T14:15:04+00:00\",\"author\":{\"@id\":\"https:\/\/kim.lv\/en\/#\/schema\/person\/56f07ec6715af61b0d0ed9835c282330\"},\"breadcrumb\":{\"@id\":\"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/#breadcrumb\"},\"inLanguage\":\"lv-LV\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/kim.lv\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sofija Tuna “Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101”\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/kim.lv\/en\/#website\",\"url\":\"https:\/\/kim.lv\/en\/\",\"name\":\"Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/kim.lv\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lv-LV\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/kim.lv\/en\/#\/schema\/person\/56f07ec6715af61b0d0ed9835c282330\",\"name\":\"Kim?\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"lv-LV\",\"@id\":\"https:\/\/kim.lv\/en\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/95e223367867817ed896bcfb04f433d88d871bfbb4f33c528e26ce5c2786508f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/95e223367867817ed896bcfb04f433d88d871bfbb4f33c528e26ce5c2786508f?s=96&d=mm&r=g\",\"caption\":\"Kim?\"},\"url\":\"https:\/\/kim.lv\/lv\/author\/kim\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[:en]Sophie Thun \"I Don't Remember a Thing: Entering the Elusive Estate of ZDZ\"[:lv]Sofija Tuna \"Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\"[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/","og_locale":"lv_LV","og_type":"article","og_title":"[:en]Sophie Thun \"I Don't Remember a Thing: Entering the Elusive Estate of ZDZ\"[:lv]Sofija Tuna \"Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\"[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","og_description":"M\u0101ksliniece-laborante:\u00a0Sofija Tuna (Sophie Thun) Kuratore:\u00a0Zane Onckule Izst\u0101des producente:\u00a0El\u012bna Dr\u0101ke Arhiv\u0101re:\u00a0L\u012bga Goldberga Kolekcijas: Zentas Dzividzinskas arh\u012bvs, Zentas Dzividzinskas fotogr\u0101fijas no Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja kr\u0101juma un Topo\u0161\u0101 Latvijas Laikmet\u012bg\u0101s m\u0101kslas muzeja kr\u0101juma, Sofijas Tunas fotogr\u0101fijas no priv\u0101tkolekcij\u0101m   \u201cMan nav dzim\u0161anas datuma. Nav zin\u0101ms. Es esmu dzimusi kara laik\u0101, un mani re\u0123istr\u0113ja p\u0113c k\u0101da gada, kad […]","og_url":"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/","og_site_name":"Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","article_published_time":"2021-06-28T13:52:13+00:00","article_modified_time":"2021-09-16T14:15:04+00:00","author":"Kim?","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Kim?","Est. reading time":"16 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/","url":"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/","name":"[:en]Sophie Thun \"I Don't Remember a Thing: Entering the Elusive Estate of ZDZ\"[:lv]Sofija Tuna \"Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101\"[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","isPartOf":{"@id":"https:\/\/kim.lv\/en\/#website"},"datePublished":"2021-06-28T13:52:13+00:00","dateModified":"2021-09-16T14:15:04+00:00","author":{"@id":"https:\/\/kim.lv\/en\/#\/schema\/person\/56f07ec6715af61b0d0ed9835c282330"},"breadcrumb":{"@id":"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/#breadcrumb"},"inLanguage":"lv-LV","potentialAction":[{"@type":"ReadAction","target":["https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/kim.lv\/lv\/dont-remember-thing-entering-elusive-estate-zdz\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/kim.lv\/"},{"@type":"ListItem","position":2,"name":"Sofija Tuna “Es neko neatceros: ien\u0101kot ZDZ izvair\u012bgaj\u0101 arh\u012bv\u0101”"}]},{"@type":"WebSite","@id":"https:\/\/kim.lv\/en\/#website","url":"https:\/\/kim.lv\/en\/","name":"Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/kim.lv\/en\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lv-LV"},{"@type":"Person","@id":"https:\/\/kim.lv\/en\/#\/schema\/person\/56f07ec6715af61b0d0ed9835c282330","name":"Kim?","image":{"@type":"ImageObject","inLanguage":"lv-LV","@id":"https:\/\/kim.lv\/en\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/95e223367867817ed896bcfb04f433d88d871bfbb4f33c528e26ce5c2786508f?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/95e223367867817ed896bcfb04f433d88d871bfbb4f33c528e26ce5c2786508f?s=96&d=mm&r=g","caption":"Kim?"},"url":"https:\/\/kim.lv\/lv\/author\/kim\/"}]}},"_links":{"self":[{"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/posts\/6244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/comments?post=6244"}],"version-history":[{"count":9,"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/posts\/6244\/revisions"}],"predecessor-version":[{"id":6260,"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/posts\/6244\/revisions\/6260"}],"wp:attachment":[{"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/media?parent=6244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/categories?post=6244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kim.lv\/lv\/wp-json\/wp\/v2\/tags?post=6244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}