<\/p>\n
Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs ar prieku pazi\u0146o par<\/b> Kim? Open Call 2023<\/i><\/b> konkursa nosl\u0113gumu un laure\u0101tu pazi\u0146o\u0161anu. Sa\u0146emot l\u012bdz \u0161im visliel\u0101ko pieteikuma skaitu ar saisto\u0161u, aktu\u0101lu un izstr\u0101d\u0101tu saturu, esam nol\u0113mu\u0161i pirmo reizi par <\/b>Kim? Open Call<\/i><\/b> ieguv\u0113j\u0101m pazi\u0146ot tr\u012bs atsevi\u0161\u0137as izst\u0101\u017eu ieceres \u2013 Annemarijas Gulbes \u201cGribi Tici, Gribi Netici\u201d, <\/b>Karl\u012bnas Me\u017eeckas \u201cTrausluma arh\u012bvs\u201d (kuratore \u017danete Liek\u012bte) un <\/b>Ievas Jaku\u0161as un Gundegas Straubergas \u201cMazcenas R\u012bga\u201d. Izst\u0101des tiks atkl\u0101tas Kim? \u0161\u012b gada nosl\u0113gum\u0101.\u00a0<\/b><\/p>\n
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\u201cGribi Tici, Gribi Netici\u201d<\/b><\/p>\n
Annemarija Gulbe<\/b><\/p>\n
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K\u0101 uzl\u016bkot kolekt\u012bvo tic\u012bbu vai netic\u012bbu reli\u0123ijai p\u0113c perioda, kur\u0101 t\u0101 ofici\u0101li neeksist\u0113ja, ta\u010du vienlaikus vienoja sabiedr\u012bbu, dodot patv\u0113rumu un gl\u0101bi\u0146u? K\u0101 apl\u016bkot to, k\u0101 vizu\u0101lie, telpiskie un ska\u0146u (vai klusuma) elementi var izrais\u012bt sv\u0113tlaim\u012bgu saj\u016bsmu, tieksmi apbr\u012bnot iespaid\u012bgo telpu vai alt\u0101ri? Vai elpa aizraujas no est\u0113tiska p\u0101rdz\u012bvojuma vai t\u0101d\u0113\u013c, ka sastapts dievi\u0161\u0137ais? Gulbes jauktu mediju instal\u0101cija tiks veidota ap video, kas tapis apvienojot kolekt\u012bvo un person\u012bgo atmi\u0146u fragmentus, 1971. gad\u0101 it k\u0101 p\u0113c zibens sp\u0113riena nodegu\u0161\u0101s V\u0101rmes bazn\u012bcas barok\u0101l\u0101 interjera arh\u012bva fotodokument\u0101ciju, TV Skrunda si\u017eetus, kuros Gulbe redzama dziedot skolas kor\u012b-ansambl\u012b atjaunot\u0101s V\u0101rmes bazn\u012bcas alt\u0101ra priek\u0161\u0101, k\u0101 ar\u012b tekstus no gr\u0101matas “Esmu ateists. 25 atbildes uz jaut\u0101jumu: K\u0101p\u0113c J\u016bs esat ateists” (1982). Gulbes izst\u0101de-p\u0113t\u012bjums uzman\u012bgi p\u0101rjaut\u0101 reli\u0123ijas un est\u0113tikas attiec\u012bbas, vienlaikus analiz\u0113jot autores neitr\u0101lo (neizl\u0113m\u012bgo \u2013 ne j\u0101, ne n\u0113) nost\u0101ju attiec\u012bb\u0101 uz k\u0101das reli\u0123ijas praktiz\u0113\u0161anu.<\/span><\/p>\n <\/p>\n Annemarija Gulbe<\/b> (1997) str\u0101da ar fotogr\u0101fiju, video un instal\u0101ciju. Absolv\u0113jusi Latvijas M\u0101kslas akad\u0113mijas Vizu\u0101l\u0101s komunik\u0101cijas noda\u013cu (2021). Pa\u0161laik vi\u0146a atgriezusies no prakses kuratoru kolekt\u012bv\u0101 <\/span>Komplot<\/span><\/i> (Brisele, BE) un turpina studijas Latvijas M\u0101kslas akad\u0113mijas ma\u0123istrant\u016br\u0101. M\u0101ksliniece apguvusi fotogr\u0101fiju ISSP Skol\u0101 un Andreja Granta studij\u0101 Annas iel\u0101, papildin\u0101jusi zin\u0101\u0161anas da\u017e\u0101d\u0101s meistarklas\u0113s, tostarp ISSP vasaras skol\u0101s. Sa\u0146\u0113musi <\/span>Grand Prix<\/span><\/i> balvu laikmet\u012bg\u0101s m\u0101kslas bienn\u0101l\u0113 <\/span>Jeune creation Europ\u00e9ene<\/span><\/i> Par\u012bz\u0113 (2019), ieguvusi FK Balvu k\u0101 lab\u0101k\u0101 jaun\u0101 latvie\u0161u fotogr\u0101fe (2018). Vi\u0146as darbi tiku\u0161i public\u0113ti gr\u0101mat\u0101s “Latvijas Fotogr\u0101fija” un <\/span>Did you notice me?<\/span><\/i>, Belgradas fotom\u0113ne\u0161a jauno talantu konkursa fin\u0101listu katalog\u0101, \u017eurn\u0101los “Jezga” un <\/span>Veto Magazine. <\/span><\/i>Annemarija piedal\u0101s grupu izst\u0101d\u0113s un sar\u012bkojusi divas person\u0101lizst\u0101des, ekspon\u0113jot darbus no fotos\u0113rijas <\/span>Love re-search<\/span><\/i> \u2013 fotofestiv\u0101l\u0101 <\/span>Organ Vida<\/span><\/i> Zagreb\u0101 (2019) un ISSP galerij\u0101 R\u012bg\u0101 (2020), kas izrais\u012bja cenz\u016bru, diskusiju par \u0137erme\u0146i un t\u0101 reprezent\u0101ciju m\u0101ksl\u0101. P\u0113d\u0113j\u0101 m\u0101kslinieces person\u0101lizst\u0101de norisin\u0101j\u0101s galerij\u0101 <\/span>Look!<\/span><\/i> R\u012bg\u0101 (2023).<\/span><\/p>\n <\/p>\n <\/p>\n \u201cTrausluma arh\u012bvs\u201d<\/b><\/p>\n Karl\u012bna Me\u017eecka (kuratore – \u017danete Liek\u012bte)<\/b><\/p>\n <\/p>\n \u201cTrausluma arh\u012bvs\u201d ir m\u0101kslinieces Karl\u012bnas Me\u017eeckas un kuratores \u017danetes Liek\u012btes kop-rad\u012bta laika kapsula, kas glab\u0101 re\u0123ion\u0101l\u0101s zemapzi\u0146as trauslos form\u0113\u0161an\u0101s apst\u0101k\u013cus un pie\u0137er\u0161anos laiktelpas cit\u0101d\u012bbai. Ar intuit\u012bvu ievirzi p\u0101rstr\u0101d\u0101jot pag\u0101ju\u0161o n\u0101kotnei, taj\u0101 ietvertas delik\u0101tas un emocion\u0101li pies\u0101tin\u0101tas materialit\u0101tes, kas p\u0101rtulkotas cit\u0101s. Int\u012bmi uzplaiksn\u012bjumi telp\u0101 ir sasaist\u012bti ar d\u016bmakas pl\u012bvuru, bez skaidri redzamiem savienojuma punktiem. Att\u0113lot\u0101 \u201cpag\u0101tnes p\u0113du dz\u012b\u0161ana\u201d br\u012b\u017eiem ir atst\u0101ta pusrat\u0101, ar pazaud\u0113tu t\u0101l\u0101ko pavedienu, citviet \u201cpiedom\u0101ta kl\u0101t\u201d, glu\u017ei k\u0101 atmi\u0146as meh\u0101nismiem aizpildot izdegu\u0161os, baltos plankumos. \u201cLaika sl\u0113pn\u012b\u201d atrodam\u0101s dekonstru\u0113tas sensor\u0101s atmi\u0146as un objekti\u00a0 kol\u0101\u017eveid\u012bg\u0101 manier\u0113 rota\u013c\u0101jas ar skat\u012bt\u0101ja materialit\u0101tes uztveri, it k\u0101 p\u0101rnesot priekste\u010du atzi\u0146as jaunos narat\u012bvos. Caur zin\u0101\u0161anu arheolo\u0123ijas l\u0113cu, draudz\u0113joties ar R. Smitsona atzi\u0146u par \u201cn\u0101kotni k\u0101 apv\u0113rstu pag\u0101tni\u201d, \u201cTrausluma arh\u012bvs\u201d tiecas atsegt izdegu\u0161os laukumus un uzrakst\u012bt po\u0113tiskas pa\u0161anal\u012bzes \u201ctagadnes v\u0113sturi\u201d.<\/span><\/p>\n <\/p>\n Karli\u0304na Me\u017eecka<\/b> (1995) pa\u0161laik dzi\u0304vo un stra\u0304da\u0304 Londona\u0304, Apvienotaja\u0304 Karaliste\u0304. Ieguvusi bakalaura gra\u0304du Latvjias Ma\u0304kslas akade\u0304mijas Keramikas nodal\u0327a\u0304 (2020) un mag\u0327istra gra\u0304du Londonas Karaliskaja\u0304 ma\u0304kslas koled\u017ea\u0304 Keramikas un stikla nodal\u0327a\u0304 (2022). Nesena\u0304ka\u0304s izsta\u0304des: <\/span>Black Market 3<\/span><\/i>, Kim? Skolas iela\u0304 18, Ri\u0304ga, LV (2022), <\/span>Sinhronita\u0304tes<\/span><\/i>, Vagonu iela, Ri\u0304ga, LV (2022), <\/span>My Empty Shell<\/span><\/i>, <\/span>Candid Gallery<\/span><\/i>, Londona, UK (2022), <\/span>Melting Pot<\/span><\/i>, Londona, UK (2022), <\/span>Security Patterns<\/span><\/i>, Galerija <\/span>Low<\/span><\/i>, Ri\u0304ga, LV (2022), <\/span>Surrender,<\/span><\/i> PILOT Galerija, Ri\u0304ga, LV (2021), <\/span>Demokra\u0304tijas Bri\u0304numi<\/span><\/i>, Te\u0304lnieci\u0304bas Kvadrienna\u0304le, Ri\u0304ga, LV (2020).\u00a0<\/span><\/p>\n <\/p>\n <\/p>\n \u201cMazcenas R\u012bga\u201d<\/b><\/p>\n Ieva Jaku\u0161a un Gundega Strauberga<\/b><\/p>\n <\/p>\n Starptautisk\u0101 lidosta \u201cR\u012bga\u201d ir tre\u0161\u0101 strauj\u0101k augo\u0161\u0101 lidosta Eirop\u0101. Lidostas vado\u0161\u0101 aviokomp\u0101nija ir <\/span>Air Baltic<\/span><\/i>, ta\u010du otra popul\u0101r\u0101k\u0101 aviokomp\u0101nija ir <\/span>Ryanair<\/span><\/i>, kas 2022. gad\u0101 R\u012bg\u0101 invest\u0113ja 165 miljonus eiro un atkl\u0101ja 16 jaunus mar\u0161rutus. <\/span>Ryanair<\/span><\/i> m\u0101rketinga strat\u0113\u0123ija \u0161im galam\u0113r\u0137im apst\u0101jas pie zem\u0101m cen\u0101m un naktsdz\u012bves apskata ce\u013cve\u017ea veid\u0101, atst\u0101jot latvie\u0161u bag\u0101to kult\u016bras mantojumu \u0101rpus uzman\u012bbas loka. Piem\u0113ram, at\u0161\u0137ir\u012bb\u0101 no vairuma citu Eiropas galam\u0113r\u0137u, suven\u012bri R\u012bg\u0101 joproj\u0101m ir viet\u0113jo amatnieku roku darbs. Lai gan \u0161ie objekti raksturo valsts folkloru un v\u0113sturi, tie nesaskan ar <\/span>Ryanair<\/span><\/i> z\u012bmola t\u016bl\u012bt\u0113j\u0101 pat\u0113ri\u0146a b\u016bt\u012bbu. Ar \u0161o projektu Gundega un Ieva v\u0113las p\u0101rtulkot <\/span>Ryanair<\/span><\/i> mentalit\u0101ti un vi\u0146u izp\u0113tes ieg\u016bto inform\u0101ciju ekspon\u0101tos, izmantojot t\u016brisma medijus, materi\u0101lus un objektus k\u0101 izejmateri\u0101lus. Str\u0101d\u0101jot kop\u0101 ar Kim?, dizaineru duo v\u0113las apsp\u0113l\u0113t v\u0101rda \u201cl\u0113ts\u201d noz\u012bmi, un prezent\u0113t to k\u0101 j\u0113dzienu, kas atspogu\u013co vair\u0101k nek\u0101 tikai cenu. \u201cL\u0113ts\u201d \u0161\u012b projekta ietvaros tiek skat\u012bts k\u0101 veids k\u0101 skat\u012bt<\/span>ies uz pasauli, s\u0101kot no starptautiskaj\u0101m robe\u017e\u0101m l\u012bdz m\u0101rketinga strat\u0113\u0123ij\u0101m un \u201cl\u0113tuma\u201d ietekmi uz vidi.<\/span><\/p>\n <\/p>\n Ieva Jaku\u0161a <\/b>(1996)<\/span>\u00a0 <\/b>un<\/span> Gundega Strauberga<\/b> (1996) absolv\u0113ju\u0161as Eindhovenas dizaina akad\u0113miju 2020. gad\u0101. Paral\u0113li att\u012bstot savu praksi, vi\u0146as ir apvienoju\u0161\u0101s vair\u0101ku projektu att\u012bst\u012bb\u0101, kur Gundegas vizu\u0101lo pieeju narat\u012bvu veido\u0161anai stirprina Ievas kritiskais skats, p\u0113tniecisk\u0101s prasmes, kas viena otru izaicina un papildina. Vi\u0146u darbi ir izst\u0101d\u012bti Eiropas iev\u0113rojam\u0101kajos dizaina pas\u0101kumos, k\u0101, piem\u0113ram, N\u012bderlandes un Mil\u0101nas dizaina ned\u0113\u013c\u0101s, k\u0101 ar\u012b vi\u0146as ir da\u017e\u0101du konkursu laure\u0101tes, tai skait\u0101, Talantu stimul\u0113\u0161anas fonda balvas ieguv\u0113jas N\u012bderland\u0113.<\/span><\/p>\n <\/p>\n <\/p>\n Par <\/b>Kim? Open Call\u00a0<\/i><\/b><\/p>\n <\/p>\n Kim? Open Call 2023 <\/span><\/i>m\u0113r\u0137is ir veicin\u0101t Latvijas laikmet\u012bg\u0101s m\u0101kslas un ar to saist\u012bto procesu att\u012bst\u012bbu un\u00a0 paman\u0101m\u012bbu, sniedzot fokus\u0113tu uzman\u012bbu un att\u012bstot dialogu starp m\u0101kslinieku\/kuratoru un\/vai m\u0101kslinieku\/kuratoru kolekt\u012bvu un m\u0101kslas instit\u016bciju. \u0160\u012b konkursa ietvaros par jaun\u0101s paaudzes m\u0101ksliniekiem, kuratoriem un citiem rado\u0161o prasmju p\u0101rst\u0101vjiem tika uzskat\u012btas personas vecum\u0101 no 18 l\u012bdz 30 gadiem. <\/span>Kim? Open Call <\/span><\/i>iniciat\u012bva rad\u0101s 2016. gad\u0101 ar m\u0113r\u0137i veicin\u0101t daudzsolo\u0161u un talant\u012bgu m\u0101kslinieku un\/vai kuratoru savlaic\u012bgu atkl\u0101\u0161anu, nodro\u0161inot p\u0113c iesp\u0113jas lab\u0101kus priek\u0161nosac\u012bjumus un ietvaru vi\u0146u rado\u0161\u0101s ieceres veiksm\u012bgai \u012bsteno\u0161anai. Iepriek\u0161\u0113jie <\/span>Kim? Open Call <\/span><\/i>laure\u0101ti ir m\u0101kslinieki J\u0101nis Dzirnieks, Toms Harjo, J\u0101nis Krauklis, Sab\u012bne \u0160n\u0113, k\u0101 ar\u012b kuratore Laura Brok\u0101ne.<\/span>","protected":false},"excerpt":{"rendered":" Kim? Open Call 2023 LAURE\u0100TES Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs ar prieku pazi\u0146o par Kim? Open Call 2023 konkursa nosl\u0113gumu un laure\u0101tu pazi\u0146o\u0161anu. Sa\u0146emot l\u012bdz \u0161im visliel\u0101ko pieteikuma skaitu ar saisto\u0161u, aktu\u0101lu un izstr\u0101d\u0101tu saturu, esam nol\u0113mu\u0161i pirmo reizi par Kim? Open Call ieguv\u0113j\u0101m pazi\u0146ot tr\u012bs atsevi\u0161\u0137as izst\u0101\u017eu ieceres \u2013 Annemarijas Gulbes \u201cGribi Tici, Gribi […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-7282","post","type-post","status-publish","format-standard","hentry","category-kim-events"],"acf":[],"yoast_head":"\n