<\/p>\n
Esther<\/i><\/b>\u00a0<\/b><\/p>\n
Estonian House in New York<\/span><\/p>\n 243 East 34th Street, Manhattan, New York<\/span><\/p>\n Atkl\u0101\u0161ana<\/b>: 30. apr\u012bl\u012b<\/span><\/p>\n Norise: <\/b>1.\u2013 4. maijs<\/span><\/p>\n <\/p>\n Bezmaksas ieejas bi\u013ceti iesp\u0113jams rezerv\u0113t <\/span>\u0161eit<\/span><\/a><\/span>. Ja v\u0113laties apmekl\u0113t atkl\u0101\u0161anu 30. apr\u012bl\u012b, sazinieties ar mums.<\/span><\/p>\n <\/p>\n Esther<\/span><\/i>, alternat\u012bvu galeriju sadarb\u012bbas projektu, kas veidots \u0101rpus tradicion\u0101l\u0101s m\u0101kslas meses form\u0101ta, dibin\u0101jusi <\/span>Temnikova & Kasela Gallery<\/span><\/i> vad\u012bt\u0101ja Olga Temnikova un <\/span>Margot Samel<\/span><\/i> Gallery vad\u012bt\u0101ja M\u0101rgota Samela. Notikums v\u0113sturiskaj\u0101 Igau\u0146u nam\u0101 \u0145ujork\u0101 apvieno 26 starptautiskas galerijas un pied\u0101v\u0101 alternat\u012bvus veidus, k\u0101 izst\u0101d\u012bt un pieredz\u0113t m\u0101kslu, izaicinot tradicion\u0101lo m\u0101kslas meses modeli.<\/span> <\/p>\n Esther<\/i><\/b> dal\u012bbnieki:<\/b><\/p>\n APALAZZOGALLERY, Brescia<\/span> <\/p>\n <\/p>\n Esther<\/i><\/b> publik\u0101cijas medijos:<\/b><\/p>\n Artsy<\/span><\/a>,<\/span> ARTnews<\/span><\/a>,<\/span> Artnet<\/span><\/a>,<\/span> The Art Newspaper<\/span><\/a>,<\/span> Ocula<\/span><\/a>,<\/span> Financial Times<\/span><\/a>,<\/span> Surface Mag<\/span><\/a>.<\/span><\/span><\/p>\n <\/p>\n Atbalsta:<\/b> Latvijas Kult\u016bras ministrija<\/span>","protected":false},"excerpt":{"rendered":" Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs ar prieku izzi\u0146o dal\u012bbu alternat\u012bv\u0101 galeriju sadarb\u012bbas projekt\u0101 Esther, kas notiks \u0145ujorkas Igau\u0146u nam\u0101 (Estonian house), p\u0101rst\u0101vot latvie\u0161u m\u0101kslinieku Indri\u0137i \u0122elzi.\u00a0 Esther\u00a0 Estonian House in New York 243 East 34th Street, Manhattan, New York Atkl\u0101\u0161ana: 30. apr\u012bl\u012b Norise: 1.\u2013 4. maijs Bezmaksas ieejas bi\u013ceti iesp\u0113jams rezerv\u0113t \u0161eit. Ja v\u0113laties […]<\/p>\n","protected":false},"author":2,"featured_media":8219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[5,38],"tags":[],"class_list":["post-8218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kim-events","category-news"],"acf":[],"yoast_head":"\n
\n<\/span>
\n<\/span>Iedvesmojoties no l\u012bdz\u012bgiem galeriju sadarb\u012bbu eksperimentiem k\u0101 <\/span>Basel Social Club<\/span><\/i> un <\/span>Condo<\/span><\/i>, Samela un Temnikova v\u0113l\u0113j\u0101s rad\u012bt l\u012bdz\u012bgu pieredzi \u0145ujork\u0101. 1899. gad\u0101 projekt\u0113t\u0101 \u010detrst\u0101vu historisma stila \u0113ka Igau\u0146u nams (<\/span>The Estonian House<\/span><\/i>) izr\u0101d\u012bj\u0101s ide\u0101la norises vieta. Igau\u0146u biedr\u012bba \u0113ku, kura s\u0101kotn\u0113ji bija pl\u0101nota k\u0101 str\u0101dnieku klases sabiedriskais klubs Manhetenas centr\u0101, ieg\u0101d\u0101j\u0101s 1943. gad\u0101, un t\u0101 k\u013cuva par noz\u012bm\u012bgu \u0145ujorkas igau\u0146u kopienas pulc\u0113\u0161an\u0101s vietu. Izst\u0101des dal\u012bbnieki tika aicin\u0101ti iesniegt projektus, kas saist\u012bti ar \u0113kas unik\u0101lo arhitekt\u016bru un v\u0113sturi.<\/span>
\n<\/span>
\n<\/span>Kim? piedal\u012bsies <\/span>Esther<\/span><\/i> ar latvie\u0161u m\u0101kslinieka Indri\u0137a \u0122el\u017ea jaun\u0101kajiem darbiem, kuros pieredzes un atmi\u0146u uzplaiksn\u012bjumi darbojas k\u0101 saistviela met\u0101la skulptur\u0101lajiem mede\u013ciem. <\/span>
\n<\/span>
\n<\/span>Indri\u0137is \u0122elzis<\/span><\/span> (1988) dz\u012bvo un str\u0101d\u0101 R\u012bg\u0101, Latvij\u0101. Savos darbos vi\u0146\u0161 analiz\u0113 person\u012bgo pieredzi un atmi\u0146as, k\u0101 ar\u012b m\u0101kslas v\u0113sturi, izmantojot tr\u012bsdimension\u0101lus mode\u013cus inform\u0101cijas apkopo\u0161anai un abstrah\u0113\u0161anai. \u0122el\u017ea p\u0113t\u012bjumi rezult\u0113jas sienas un br\u012bvi st\u0101vo\u0161u objektu un fig\u016bru form\u0101s, metinot, liecot un grie\u017eot m\u0101kslinieka darbn\u012bc\u0101.<\/span>
\n<\/span>
\n<\/span>\u0122elzis ir ieguvis ma\u0123istra gr\u0101du vizu\u0101laj\u0101 komunik\u0101cij\u0101 Latvijas M\u0101kslas Akad\u0113mij\u0101 (R\u012bga) un Post-Graduate gr\u0101du HISK \u2013 Higher Institute for Fine Arts (Gente). Nesen\u0101k\u0101s person\u0101lizst\u0101des un duo-izst\u0101des: <\/span>VAGABOND \/ A Place Hard to Place<\/span><\/i>, <\/span>Jenny\u2019s<\/span><\/i> (\u0145ujorka, 2022); <\/span>Yawn holding Fields, Tatjana Pieters<\/span><\/i> (Gente, 2022); <\/span>Figure of Everything, Castor<\/span><\/i> (Londona, 2020); <\/span>Pause for the Cause, CINNAMON<\/span><\/i> (Roterdama, 2019); <\/span>TABLEAU, ASHES\/ASHES<\/span><\/i> (\u0145ujorka, 2019); Nesen\u0101k\u0101s grupas izst\u0101des: <\/span>The 4 Gate Connection, Tatjana Pieters<\/span><\/i> (Gente, 2020); <\/span>Doors of Paradise, Union Pacific<\/span><\/i> (Londona, 2018); <\/span>Superposition, Joshua Liner Gallery<\/span><\/i> (\u0145ujorka, 2018). Darbi kolekcij\u0101s: Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101, <\/span>Museum of Recent Art <\/span><\/i>\/ Rum\u0101nija, <\/span>S.M.A.K. The Municipal Museum of Contemporary<\/span><\/i> \/ Be\u013c\u0123ija, <\/span>The Lewben Art Foundation<\/span><\/i> \/ Lietuva; \u201cCELINE\u201d ART PROJECT \/ Francija, <\/span>Paul Thiers<\/span><\/i> kolekcij\u0101 \/ Be\u013c\u0123ija, <\/span>Alain Servais<\/span><\/i> \u0123imenes kolekcij\u0101 \/ Be\u013c\u0123ija, <\/span>Antoine De Werd<\/span><\/i> kolekcij\u0101 \/ N\u012bderlande, <\/span>Tanguy Van De Weghe<\/span><\/i> kolekcij\u0101 \/ Be\u013c\u0123ija, Francis <\/span>Vanhoonacker <\/span><\/i>kolekcij\u0101 \/ Be\u013c\u0123ija, <\/span>Frederic de Goldschmidt<\/span><\/i> kolekcija \/ Be\u013c\u0123ija, BTA ART kolekcija \/ Latvija, <\/span>Colin Fernandes<\/span><\/i> kolekcija \/ ASV, Zuz\u0101nu priv\u0101taj\u0101 kolekcij\u0101 \/ Latvija.<\/span><\/p>\n
\n<\/span>Gallery Artbeat, Tbilisi <\/span>
\n<\/span>BANK Gallery, Shanghai<\/span>
\n<\/span>Gathering, London<\/span>
\n<\/span>GINSBERG +TZU, Lima & Madrid<\/span>
\n<\/span>Laurel Gitlen, New York<\/span>
\n<\/span>The Green Gallery, Milwaukee<\/span>
\n<\/span>IVAN GALLERY, Bucharest<\/span>
\n<\/span>Kendall Koppe, Glasgow <\/span>
\n<\/span>Kogo Galerii, Tartu<\/span>
\n<\/span>Andrew Kreps Gallery, New York<\/span>
\n<\/span>Ciaccia Levi, Paris & Milan<\/span>
\n<\/span>Silke Lindner, New York<\/span>
\n<\/span>Management, New York<\/span>
\n<\/span>kaufmann repetto, Milan & New York<\/span>
\n<\/span>Kim? Contemporary Art Centre, Riga<\/span>
\n<\/span>Margot Samel, New York<\/span>
\n<\/span>Richard Saltoun Gallery, London, Rome, & New York<\/span>
\n<\/span>Seventeen, London<\/span>
\n<\/span>Someday, New York<\/span>
\n<\/span>Simone Subal Gallery, New York<\/span>
\n<\/span>Temnikova & Kasela, Tallinn<\/span>
\n<\/span>Kate Werble Gallery, New York<\/span>
\n<\/span>Galeria Wsch\u00f3d, Warsaw, New York, & Cologne<\/span>
\n<\/span>VI, VII, Oslo<\/span>
\n<\/span>The Modern Institute, Glasgow<\/span><\/p>\n