<\/p>\n
Atkl\u0101\u0161ana: 25. j\u016blijs, 2024, 18.00 \u2013 21.00<\/span><\/p>\n Norise: 26. j\u016blijs \u2013 8. septembris, 2024\u00a0<\/span><\/p>\n Vieta: Sporta iela 2-k1<\/span><\/p>\n Kuratore: Zane Onckule<\/span><\/p>\n <\/p>\n <\/p>\n <\/p>\n dom\u0101s nosl\u012bcis<\/span><\/i><\/p>\n dom\u0101s iesl\u012bcis<\/span><\/i><\/p>\n skatoties bezgal\u012bb\u0101<\/span><\/i><\/p>\n iesp\u0113jams iemidzis<\/span><\/i><\/p>\n vai lasot gr\u0101matu<\/span><\/i><\/p>\n klusum\u0101<\/span><\/i><\/p>\n vienatn\u0113<\/span><\/i><\/p>\n p\u0113k\u0161\u0146i kas noskan<\/span><\/i><\/p>\n kaut kur<\/span><\/i><\/p>\n kaut kas<\/span><\/i><\/p>\n apg\u0101z\u0101s<\/span><\/i><\/p>\n es nodom\u0101ju<\/span><\/i><\/p>\n apzinoties<\/span><\/i><\/p>\n ka nekad<\/span><\/i><\/p>\n neuzzin\u0101\u0161u<\/span><\/i><\/p>\n kas tas<\/span><\/i><\/p>\n bija<\/span><\/i><\/p>\n <\/p>\n R.\u0160.<\/p>\n <\/p>\n R\u016bdolfa \u0160tamera pirm\u0101s person\u0101lizst\u0101des Kim? Laikmet\u012bgaj\u0101 m\u0101kslas centr\u0101 mot\u012bvs ir iegremd\u0113jo\u0161s<\/span> un manipulat\u012bvs piedz\u012bvojums, iedarbojoties uz ma\u0146\u0101m, tostarp dzirdi, o\u017eu un orient\u0101ciju telp\u0101.\u00a0<\/span><\/p>\n <\/p>\n Sav\u0113rpjot nor\u0101des uz t\u0101diem pa\u0161pieredz\u0113tiem emocion\u0101liem lielumiem k\u0101 iek\u0101re, j\u016btas, tieksmes un alkas, \u201cKaut kur kaut kas apg\u0101z\u0101s\u201d kalpo par ietvaru izdom\u0101tu pr\u0101ta scen\u0101riju un absurdu st\u0101stu-situ\u0101ciju izsp\u0113lei. Iet\u0113rpta vair\u0101kos scenogr\u0101fiskos turpin\u0101jumos \u2013 atsevi\u0161\u0137os zon\u0113jumos \u2013, izst\u0101des konceptu\u0101l\u0101 valoda atsedz autora dom\u0101\u0161anas trajektorijas un ment\u0101los pr\u0101ta st\u0101vok\u013cus, kas ir saist\u012bti ar apcer\u0113m par da\u017e\u0101du \u0101r\u0113ju trauc\u0113k\u013cu satricino\u0161o ietekmi un nepiecie\u0161am\u012bbu p\u0113c to rad\u012bt\u0101 haosa apvald\u012b\u0161anas.<\/span><\/p>\n <\/p>\n Izst\u0101des kontekst\u0101 dzi\u013ci subjekt\u012bvais un autoram individu\u0101li aktu\u0101lais top par visp\u0101r\u012bgu vizualiz\u0101ciju realit\u0101tes un sap\u0146u pasaules robe\u017e\u0161\u0137irtnei. K\u0101 atsauce uz atmi\u0146\u0101 spilgti iespiedu\u0161os pieredzi, pirmo melnbalto murgu, \u0160tamera uzm\u0101c\u012bgo domu cirklul\u0101cij\u0101 dzimusi instal\u0101cija, kas burtiski ilustr\u0113 zem k\u0101j\u0101m z\u016bdo\u0161u pamatu. Tas sapnis, murgs vai ne, menbalts vai ne, uztverams k\u0101 miega nepiln\u012bba, k\u0101 asinsrites net\u012brumi, bez proporcij\u0101m un sapr\u0101ta, bez paties\u012bbas un skaidr\u012bbas. Tieksme p\u0113c l\u012bdzsvara ir k\u0101 pamo\u0161an\u0101s no sap\u0146a, atgrie\u017eoties pie re\u0101l\u0101s paties\u012bbas, kur\u0101 valda kl\u0101tesam\u012bba, apzi\u0146a un vismaz \u0161\u0137ietama kontroles saj\u016bta p\u0101r notieko\u0161o. Tas gan nenotiek uzreiz. Vestibul\u0101rajam apar\u0101tam par vis\u0101m var\u012bt\u0113m cen\u0161oties adapt\u0113ties, telpas dzelten\u0101s gaismas spektr\u0101lais diapazons izraisa neirolo\u0123isku, kr\u0101su apsl\u0101p\u0113jo\u0161u reakciju, it k\u0101 atmetot atpaka\u013c pie murga un visu redzamo liekot tvert monohromi.<\/span><\/p>\n <\/p>\n \u012apa\u0161i izst\u0101dei veidotaj\u0101s jaunrad\u012btu darbu s\u0113rij\u0101s, k\u0101 ar\u012b iepriek\u0161, citviet ekspon\u0113tajos darbos integr\u0113ti \u0160tamera vizu\u0101lajam rokrakstam tik rakstur\u012bgi industri\u0101li, padz\u012bvoju\u0161i, robusti, reiz\u0113m toksiski vai cit\u0101di \u201cnecili\u201d materi\u0101li pla\u0161\u0101 tekst\u016bru un fakt\u016bru spektr\u0101. Savuk\u0101rt no jebk\u0101diem jautriem pamatkr\u0101su to\u0146iem att\u012br\u012bt\u0101 kr\u0101su palet\u0113 ietur\u0113tajos da\u017e\u0101du form\u0101tu plaknes un skulptur\u0101los darbos valda meln\u0101s kr\u0101sas dominante ar da\u017e\u0101d\u0101m vari\u0101cij\u0101m smago met\u0101lu \u2013 sudraba, hroma \u2013 virzien\u0101.\u00a0 No subkult\u016br\u0101m palien\u0113to tum\u0161o to\u0146u slavin\u0101jums \u0161eit kalpo par netie\u0161u m\u0101jienu k\u0101da neskaidra un nereli\u0123ioza misticisma praktiz\u0113\u0161anai, kura ietvaros, virz\u012bb\u0101 no tumsas pie gaismas, \u0101rd\u0101s <\/span>d\u00e9j\u00e0 vu<\/span><\/i> un<\/span> jamais vu<\/span><\/i>.<\/span><\/p>\n <\/p>\n Bet viss, kas kustas, kustas bez gribas. Visa veikl\u012bba, sasprindzin\u0101jums un nodoms ir pretrun\u0101 ar vieglumu. Praktiz\u0113 t\u016bksto\u0161 rei\u017eu, un tas k\u013c\u016bst gr\u016bti; t\u016bksto\u0161 t\u016bksto\u0161iem rei\u017eu, un tas k\u013c\u016bst viegli; t\u016bksto\u0161 t\u016bksto\u0161 t\u016bksto\u0161iem rei\u017eu, un vairs ne tu to dari, bet gan <\/span>tas <\/span><\/i>pats caur tevi <\/span>to<\/span><\/i> dara. Tikai tad tas, kas tiek dar\u012bts, ir labi izdar\u012bts.<\/span><\/p>\n <\/p>\n Nesatricin\u0101m\u0101 autor\u012bbas un rad\u012b\u0161anas vilkme ir kl\u0101teso\u0161a da\u017e\u0101dos medijos risin\u0101tos, uz \u201cdv\u0113seles spoguli\u201d uzvedino\u0161os darbos, kas, ie\u0146\u0113mu\u0161i \u0160tamera acs apveidu, v\u0113rt\u0113jo\u0161i un kritiski v\u0113ro. Apzi\u0146a var b\u016bt trauc\u0113jo\u0161a, un pr\u0101ts var kalpot par nodev\u0113ju, tom\u0113r tie\u0161i \u0161aj\u0101 savien\u012bb\u0101 dzimst tas, ko saucam par \u201cEs\u201d.\u00a0 Lai ar\u012b reiz\u0113m neskaidrs, nosl\u0113pumains un nenoteikts, praktiz\u0113jot apzi\u0146as saturs top gai\u0161s. Tumsn\u0113jais nesapr\u0101t\u012bgums k\u013c\u016bst par pieredzi, ko sec\u012bgi nomaina \u201cKaut kur kaut kas apg\u0101z\u0101s\u201d nosl\u0113dzo\u0161\u0101 telpa.<\/span><\/p>\n <\/p>\n Izol\u0113ta, mekl\u0113jama, mier\u012bga un gai\u0161a, t\u0101 atv\u0113rta tuk\u0161umam un pauz\u0113m, atbr\u012bvota no aizsienas \u0101rpr\u0101ta, trauksmes un nemiera. \u0160eit ar nol\u016bku deform\u0113tas un kr\u0101sotas orgstikla lauskas un \u0161\u0137aidas \u201csakrat\u012bju\u0161\u0101s\u201d un kop\u0101 liktas jaunu darbu k\u0101rtojumos \u2013 ilgsto\u0161a meditat\u012bva procesa rezult\u0101ts, kas pak\u013cauts vizu\u0101li pievilc\u012bgu darbu veido\u0161anas impulsam. \u0160tameram saisto\u0161\u0101 manier\u0113, tiecoties sav\u0101 procesu\u0101laj\u0101 m\u0101ksl\u0101 ienest vair\u0101k atbr\u012bvot\u012bbas un br\u012bvi apieties ar sev pieejamiem lielumiem, k\u0101 ironiska \u201catkrat\u012b\u0161an\u0101s\u201d no sadom\u0101tas nopietn\u012bbas nolas\u0101ms ir gais\u0101 virmojo\u0161s, neatkl\u0101ts, tom\u0113r m\u0101kslas vid\u0113 ikvienam zin\u0101ms arom\u0101ts. K\u0101<\/span> boujee crowd <\/span><\/i>dva\u0161a tas atmet atpaka\u013c taj\u0101 realit\u0101t\u0113, kur m\u0101kslas un rad\u012b\u0161anas akts nesaraujami saist\u012bts ar tieksmi p\u0113c monet\u0101riem, statusu apliecino\u0161iem un cit\u0101di izm\u0113r\u0101miem sasniegumiem.\u00a0\u00a0<\/span><\/p>\n <\/p>\n Kaut kur kaut kas apg\u0101z\u0101s. Nav zin\u0101ms gan, kas tie\u0161i un kur.\u00a0 Visums k\u0101 praktisks joks, kur\u0101, ne bez bail\u0113m un nejau\u0161\u012bb\u0101m, m\u0113s pa\u0161i rad\u0101m sevi un savu att\u0113lu. K\u0101 uzm\u0101c\u012bgu domu pr\u0101ta st\u0101voklis, \u201cKaut kur kaut kas apg\u0101z\u0101s\u201d.\u00a0<\/span><\/p>\n <\/p>\n M\u0101kslinieka pateic\u012bbas: Mat\u012bsam Eduardam \u0100bolti\u0146am, Tuukka Laurila un Benjamin P\u00f6ntinen, El\u012bzai Elizabetei Ramzai, Filipam \u0160mitam<\/span><\/p>\n <\/p>\n <\/p>\n <\/p>\n R\u016bdolfs \u0160tamers <\/b>(dz. 1995) ir latvie\u0161u m\u0101kslinieks, kur\u0161 dz\u012bvo un str\u0101d\u0101 Par\u012bz\u0113. \u0160tamers ir absolv\u0113jis Latvijas M\u0101kslas akad\u0113mijas Vizu\u0101l\u0101s komunik\u0101cijas noda\u013cu un ieguvis ma\u0123istra gr\u0101du Antverpenes Karaliskaj\u0101 m\u0101kslas akad\u0113mij\u0101. Vi\u0146a jaun\u0101k\u0101s person\u0101lizst\u0101des ir “Voices in My Heads”, <\/span>TUR<\/span><\/i> telpa<\/span><\/i>, R\u012bga (2023), \u201cMetamorfozes\u201d, <\/span>New Garden Gallerie<\/span><\/i>, Par\u012bze (2022), \u201cTur kaut kam ir j\u0101b\u016bt\u201d, <\/span>Tu Jau Zini Kur<\/span><\/i>, R\u012bga (2020) un atsevi\u0161\u0137as grupu izst\u0101des: “Lucky Charms”, <\/span>Ballroom Gallery<\/span><\/i>, Brisele (2022), <\/span>PILOT<\/span><\/i> LMA x <\/span>Art Vilnius\u201921<\/span><\/i>, Kuld\u012bgas M\u0101kslas nams, Kuld\u012bga (2022), “Surrender”, <\/span>PILOT<\/span><\/i> galerija, R\u012bga (2021), m\u0101kslas mese <\/span>Art Vilnius<\/span><\/i>, galerijas <\/span>PILOT <\/span><\/i>stends, Vi\u013c\u0146a (2021), “MASTERS EXPO”, Antverpenes Karalisk\u0101 m\u0101kslas akad\u0113mija (2020). No 2017. gada \u0160tamers ir k\u016br\u0113jis vair\u0101kas grupu izst\u0101des galerij\u0101s un m\u0101kslinieku vad\u012bt\u0101s telp\u0101s Latvij\u0101 un \u0101rzem\u0113s. Izveidojis m\u0101kslas telpu <\/span>New Garden <\/span><\/i>galerie Par\u012bz\u0113 un <\/span>TUR telpa<\/span><\/i> R\u012bg\u0101.\u00a0<\/span><\/p>\n <\/p>\n <\/p>\n Atbalsta: Kult\u016bras ministrija, Valsts kult\u016brkapit\u0101la fonds, \u201cValmiermui\u017ea\u201d, KRASO<\/span><\/p>\n ","protected":false},"excerpt":{"rendered":" Atkl\u0101\u0161ana: 25. j\u016blijs, 2024, 18.00 \u2013 21.00 Norise: 26. j\u016blijs \u2013 8. septembris, 2024\u00a0 Vieta: Sporta iela 2-k1 Kuratore: Zane Onckule dom\u0101s nosl\u012bcis dom\u0101s iesl\u012bcis skatoties bezgal\u012bb\u0101 iesp\u0113jams iemidzis vai lasot gr\u0101matu klusum\u0101 vienatn\u0113 p\u0113k\u0161\u0146i kas noskan kaut kur kaut kas apg\u0101z\u0101s es nodom\u0101ju apzinoties ka nekad neuzzin\u0101\u0161u kas tas […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4,1],"tags":[],"class_list":["post-8349","post","type-post","status-publish","format-standard","hentry","category-kim-exhibitions","category-uncategorized"],"acf":[],"yoast_head":"\n