Kuratore: Zane Onckule<\/p>\n
Atkl\u0101\u0161ana: 7. febru\u0101ris, plkst. 18.00<\/p>\n
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\u201cAtmi\u0146aines pl\u016bdma\u0146as\u201d ir m\u0101kslinieces Annas Ceipes pirm\u0101 person\u0101lizst\u0101de Kim? Laikmet\u012bg\u0101s m\u0101kslas centr\u0101. Izst\u0101des tematisk\u0101 re\u0123istra pieteik\u0161anai j\u0101piev\u0113r\u0161as atmi\u0146as ainavu (memoryscapes) noj\u0113gumam jeb t\u0101dai atmi\u0146ainei, kas ir da\u013ca k\u0101 no re\u0101l\u0101s, soci\u0101l\u0101s, politisk\u0101s, t\u0101 ar\u012b no kult\u016bras un individu\u0101l\u0101s atmi\u0146as fiks\u0113jum\u0101 izt\u0113lotas (ment\u0101las) telpvietas. Pr\u0101ta atmi\u0146as uzkr\u0101jumos veidot\u0101s atmi\u0146aines atsaucas uz vidi, vietu vai nevietu, kas, sev\u012b v\u0113l (pa)tur\u0113jusi aizg\u0101ju\u0161o laikmetu liec\u012bbas, sav\u0113rpjas ar \u0161odien\u012bbu un t\u0101s dz\u012bveszi\u0146as du\u013c\u0137ain\u012bbu.<\/p>\n
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Atmi\u0146aine dz\u012bvo caur re\u017e\u012bmu uzb\u016bv\u0113tiem pieminek\u013ciem, uz z\u0101les stiebra v\u0113rt\u0101m me\u017ezemen\u0113m, kolekt\u012bvu un individu\u0101lu sv\u0113tku svin\u0113\u0161anu, ta\u010du n\u012bkst, kad varu nomai\u0146\u0101 simboli tiek nojaukti vai trad\u012bciju praktiz\u0113\u0161anas p\u0101rr\u0101vum\u0101 papl\u0113n\u0113ju\u0161i-l\u012bdz-pavisam-izdzisu\u0161i.<\/p>\n
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Atmi\u0146as narat\u012bva apskate cie\u0161i caurvijas Ceipes l\u012bdz\u0161in\u0113j\u0101 m\u0101kslinieciskaj\u0101 praks\u0113, kur\u0101 apvienojas dabas un neorganisko materi\u0101lu mijiedarb\u0113 k\u0101rtotas piez\u012bmes, to formveides kop\u0101m sv\u0101rstoties starp telpisk\u0101m instal\u0101cij\u0101m un objektiem, l\u012bdz main\u012bgo ma\u0146u \u2013 smar\u017eu, tausti \u2013 atmi\u0146\u0101 aktiviz\u0113jo\u0161iem, gaisto\u0161iem skultpur\u0101liem momentiem.<\/p>\n
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\u201cAtmi\u0146aines pl\u016bdma\u0146as\u201d t\u0101s tap\u0161anas aizskatuv\u0113 pieskaras apgaism\u012bbas perioda ide\u0101l\u0101s ainavas (picturesque) mekl\u0113jumiem, apstr\u012bdot t\u0101du est\u0113tiku, kur\u0101 dabasskats ir augsne piktori\u0101li glezniecisku ainavu veido\u0161anai. Vairs neb\u016bdamas dabas cilden\u0101 slavin\u0101jums, \u0161\u012bs ainas ir sentimenta virz\u012bts pieraksts, kas fiks\u0113ts, burtiski veroties \u0101r\u0101 pa logu. \u0160ajos nekritiskajos gleznain\u0101 surog\u0101tskaistuma mekl\u0113jumos logs savulaik kalpojis par r\u0101mi un robe\u017e\u0161\u0137irtni skatam, lai ar redzes pal\u012bdz\u012bbu \u0101rpus\u0113 tverto ievietotu iek\u0161pus\u0113.<\/p>\n
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\u0160\u012b kust\u012bba iespaido izst\u0101des centr\u0101lo darbu kopu \u2013 kaus\u0113ta stikla ci\u013c\u0146us, kuri atg\u0101dina neregul\u0101ru apri\u0161u logus un uz kuru trauslaj\u0101m virsm\u0101m iegrebtaj\u0101s form\u0101s sl\u0113pjas vizu\u0101lus nospiedumus atst\u0101ju\u0161as Ceipes pa\u0161as atmi\u0146ainas drupatas \u2013 no viet\u0101m, pieredz\u0113t\u0101, sajust\u0101. Fragment\u0113ta, selekt\u012bva, nosac\u012bta un abstrakta, ainava \u0161eit ir dokuments izt\u0113l\u0113 sasalu\u0161o atmi\u0146u fragmentu las\u012bjumam. Dzi\u013ci int\u012bmi, nostalgiski un personiski, Ceipes atmi\u0146ainas \u201clogi\u201d ir reiz\u0113 no realit\u0101tes neitraliz\u0113ti, pies\u0101tin\u0101tas kr\u0101sas atbr\u012bvoti un tik tikko k\u0101 saturiski nolas\u0101mi; tie sniedz m\u0101jienus, ir (ie)rosino\u0161i, bet ne didaktiski vai emocion\u0101li dai\u013crun\u012bgi.<\/p>\n
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Atmi\u0146as izvair\u012bgums un daudznoz\u012bm\u012bgums, t\u0101s sazobe un r\u012bv\u0113\u0161an\u0101s ar v\u0113stures konvencionalit\u0101t\u0113m paver lauku distanc\u0113t\u0101kam skatienam uz katra pa\u0161a b\u016bt\u012bbu un pieredz\u0113to. K\u0101 sve\u0161\u0137erme\u0146i, uzm\u0101c\u012bgas un p\u0101rejo\u0161as, atmi\u0146as ir te bl\u012bvi intens\u012bvas un kl\u0101teso\u0161as, te \u2013 atsve\u0161in\u0101tas, spoc\u012bgas un neatpaz\u012bstamas. Tom\u0113r vienlaic\u012bgi ar \u0161o katrs \u017eests, l\u012bdz pat visparast\u0101kajam, tiek piedz\u012bvots k\u0101 p\u0101rlaic\u012bgas prakses ritu\u0101ls atk\u0101rtojums darb\u012bbas un noz\u012bmes pirmatn\u0113j\u0101 identific\u0113\u0161an\u0101. Par\u0101doties izsekojam\u0101m p\u0113d\u0101m, starpniec\u012bbai un laika distances att\u0101lumam, neatrodamies vairs paties\u0101s atmi\u0146as, bet gan fundament\u0101l\u0101s v\u0113stures instit\u016bcijas valgos.<\/p>\n
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T\u0101 atmi\u0146as ainava jeb ainavu atmi\u0146a, t\u0101 atcer\u0113\u0161an\u0101s jeb b\u0113g\u0161ana atmi\u0146\u0101. Daudz run\u0101jams par atmi\u0146u, jo tik maz no t\u0101s palicis p\u0101ri.1<\/p>\n
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1 Atsauce uz fran\u010du v\u0113sturnieka Pj\u0113ra Nor\u0101 v\u0113stures un kolekt\u012bv\u0101s un soci\u0101l\u0101s atmi\u0146as semin\u0101lo anal\u012bzi esej\u0101 \u201cStarp atmi\u0146u un v\u0113sturi\u201d (Nor\u0101, 1989)<\/p>\n
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Anna Ceipe<\/b> (dz. 1990) ir m\u0101ksliniece no Latvijas. Absolv\u0113jusi Latvijas M\u0101kslas akad\u0113mijas Audiovizu\u0101l\u0101s m\u0101kslas noda\u013cas Vizu\u0101l\u0101s komunik\u0101cijas apak\u0161nozari (2016), k\u0101 ar\u012b stud\u0113jusi Karalisk\u0101 t\u0113lot\u0101jm\u0101kslas akad\u0113mij\u0101 (T<\/span>he Royal Academy of Fine Arts<\/span><\/i>) Be\u013c\u0123ij\u0101 (2015). Person\u0101lizst\u0101des: <\/span>Links through release<\/span><\/i>, galerija <\/span>SPAREWHEEL<\/span><\/i>, Brisele (2023), \u201cPiez\u012bmes no ce\u013cojo\u0161\u0101s zemes\u201d, galerija <\/span>Hoib<\/span><\/i>, Tallina (2022), \u201cLietas p\u0113c liet\u0101m\u201d, galerija \u201c427\u201d, R\u012bga (2020), \u201cMekl\u0113jot o\u0101zi\u201d, galerija LOW, R\u012bga, (2018), \u201cNesalau\u017eamais paliek klus\u0113jot\u201d, Kalnciema kvart\u0101la galerija, R\u012bga (2017). Grupas izst\u0101des: \u201c\u0160\u0137idrumi\u201d, R\u012bgas Porcel\u0101na muzejs, R\u012bga (2022), \u201cDGS Sapnis\u201d, festiv\u0101ls MABOCA, Madona (2021), <\/span>To exhibit in case of emergency<\/span><\/i>, <\/span>Cit\u00e9 Internationale des Arts<\/span><\/i>, Pari\u0304ze (2021), NADA Miami 2020, galerija LOW, R\u012bga (2020), <\/span>Palette: Three-legged Evidence at Les Parall\u00e8les du sud<\/span><\/i>, <\/span>Manifesta 13<\/span><\/i>, Marsel\u0327a (2020), \u201cSe\u0304rijveida risina\u0304jumi (Banali\u0304kas)\u201d Ri\u0304gas cirka zilon\u0327u za\u0304le\u0304, Ri\u0304ga (2020),\u00a0 \u201cMelos\u201d, izsta\u0304\u017eu za\u0304le \u201cArsen\u0101ls\u201d, Rado\u0161a\u0304 darbni\u0304ca, Ri\u0304ga (2019).<\/span><\/p>\n <\/p>\n Atbalsta: Kult\u016bras ministrija, Valsts kult\u016brkapit\u0101la fonds, R\u012bgas dome, Absolut, Valmiermui\u017ea, KRASO","protected":false},"excerpt":{"rendered":" Annas Ceipes person\u0101lizst\u0101de \u201cAtmi\u0146aines pl\u016bdma\u0146as\u201d Kuratore: Zane Onckule Atkl\u0101\u0161ana: 7. febru\u0101ris, plkst. 18.00 \u201cAtmi\u0146aines pl\u016bdma\u0146as\u201d ir m\u0101kslinieces Annas Ceipes pirm\u0101 person\u0101lizst\u0101de Kim? Laikmet\u012bg\u0101s m\u0101kslas centr\u0101. Izst\u0101des tematisk\u0101 re\u0123istra pieteik\u0161anai j\u0101piev\u0113r\u0161as atmi\u0146as ainavu (memoryscapes) noj\u0113gumam jeb t\u0101dai atmi\u0146ainei, kas ir da\u013ca k\u0101 no re\u0101l\u0101s, soci\u0101l\u0101s, politisk\u0101s, t\u0101 ar\u012b no kult\u016bras un individu\u0101l\u0101s atmi\u0146as fiks\u0113jum\u0101 izt\u0113lotas […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-8511","post","type-post","status-publish","format-standard","hentry","category-kim-exhibitions"],"acf":[],"yoast_head":"\n