{"id":9095,"date":"2026-03-04T14:16:42","date_gmt":"2026-03-04T12:16:42","guid":{"rendered":"https:\/\/kim.lv\/?p=9095"},"modified":"2026-03-12T12:57:33","modified_gmt":"2026-03-12T10:57:33","slug":"paulas-punkstinas-solo-show-the-arrows-of-concerns","status":"publish","type":"post","link":"https:\/\/kim.lv\/lv\/paulas-punkstinas-solo-show-the-arrows-of-concerns\/","title":{"rendered":"Paulas Punksti\u0146as person\u0101lizst\u0101de “R\u016bpju bultas”"},"content":{"rendered":"<\/b>Izst\u0101des norise:<\/b> 14. marts \u2013 19. apr\u012blis, 2026
\n<\/span>Kuratore: Zane Onckule<\/b><\/p>\n

 <\/p>\n

Kas paliek p\u0101ri, kad noraujam visu lieko un cen\u0161amies non\u0101kt l\u012bdz k\u0101dam b\u016btiskam kodolam? Vai \u0161\u0101ds kodols visp\u0101r past\u0101v, vai tas saglab\u0101jas sav\u0101 stabilit\u0101t\u0113?<\/span><\/i><\/p>\n

 <\/p>\n

Izst\u0101d\u0113 \u201cR\u016bpju bultas\u201d<\/span> Paula Punksti\u0146a pietuvojas identit\u0101tei k\u0101 robe\u017est\u0101vokl\u012b eso\u0161ai un\u00a0 ievainojamai strukt\u016brai, kura nep\u0101rtraukti veidojas no jauna. Ekspoz\u012bcija atkl\u0101jas materi\u0101lu un psiholo\u0123isku sabl\u012bv\u0113jumu telp\u0101 \u2013 viet\u0101, kur \u201ces\u201d k\u0101 pat\u012bbas serde lok\u0101s, plais\u0101, iz\u0161\u0137\u012bst un no jauna ie\u0146em aprises. Sv\u0101rstoties starp ievainojam\u012bbu un preto\u0161anos, rota\u013c\u012bgumu un distanci, m\u0101kslinieces darbi iez\u012bm\u0113 to, k\u0101 subjektivit\u0101te piel\u0101gojas spiedienam, tom\u0113r piln\u012bb\u0101 neizz\u016bd.<\/span><\/p>\n

Izst\u0101des idejiskaj\u0101 centr\u0101 ievietojies elast\u012bgs poliuret\u0101ns jeb t\u0101 d\u0113v\u0113t\u0101s \u201catmi\u0146u putas\u201d, kas vienlaikus kalpo k\u0101 konstrukcija un metafora \u0137ermeniskumam un atkailin\u0101t\u012bbai. T\u0101s absorb\u0113 spiedienu un katru triecienu, pak\u013caujas iedarb\u012bbai un tad l\u0113n\u0101m atgrie\u017eas s\u0101kotn\u0113j\u0101 veidol\u0101. Punksti\u0146a \u0161o materi\u0101lu trakt\u0113 k\u0101 \u201cesences modeli\u201d: main\u012bgu, bet atmi\u0146u saglab\u0101jo\u0161u; pieredzes uzl\u0101d\u0113tu, ta\u010du neatgriezeniskai deform\u0101cijai nepak\u013c\u0101v\u012bgu. P\u0101rkl\u0101ts, caurdurts vai savienots ar invaz\u012bviem elementiem \u2013 bambusa bult\u0101m, taksidermijas fragmentiem, velosip\u0113du deta\u013c\u0101m, sint\u0113tiskiem matiem,\u2013 miesai l\u012bdz\u012bgais materi\u0101ls k\u013c\u016bst par atseguma un pa\u0161atkl\u0101smes vietu. Vietumis tas iet\u0113rpts medaini porain\u0101 membr\u0101n\u0101, kas atg\u0101dina otro \u0101du: t\u0101 sola aizsardz\u012bbu, tom\u0113r piln\u012bb\u0101 neaizver robe\u017eu starp iek\u0161pusi un \u0101rpusi.<\/span><\/p>\n

Ekspoz\u012bcij\u0101 apl\u016bkojamie skulptur\u0101lie objekti eksistenci\u0101li ieton\u0113t\u0101 st\u0101st\u012bjuma ietvaros funkcion\u0113 k\u0101 prot\u0113zes un implanti. Fragment\u0113ti cilv\u0113ka un dz\u012bvnieka anatomijas elementi \u2013 mati, ragi, ekstremit\u0101tes \u2013 iemieso nestabilus es\u012bbas st\u0101vok\u013cus un sasaucas ar J\u016blijas Kristevas abjekcijas jeb riebuma j\u0113dzienu, kas izgaismo \u0137ermenim un apzi\u0146ai piem\u012bto\u0161\u0101s sv\u0101rst\u012bbas starp identific\u0113\u0161anos un atgr\u016b\u0161anu. Kl\u012bniskas un industri\u0101las atsauces \u2013 formas, kas raisa asoci\u0101cijas ar oper\u0101ciju galdiem vai nenosak\u0101miem p\u0101rvieto\u0161an\u0101s meh\u0101nismiem,\u2013 izst\u0101d\u0113 ienes vienlaikus apr\u0113\u0137in\u0101tas iejauk\u0161an\u0101s un reiz\u0113 kust\u012bbu ierobe\u017eojo\u0161u atmosf\u0113ru. \u0160\u012b sterilit\u0101te asi kontrast\u0113 ar materi\u0101lu maigumu, ko t\u0101s caururbj, balsta vai ieskauj. Uzburt\u0101 spriedze atbalsojas ar\u012b autores izp\u0113tes un studijas darb\u0101 izmantotajos \u017eestos \u2013 rakstiskaj\u0101s not\u0101cij\u0101s k\u0101 alternat\u012bv\u0101s domu izpausm\u0113s:\u2026 <\/span>k\u0101 izvair\u012bties no lodes, tom\u0113r turpin\u0101t nest sev\u012b ievainojumu\u2026<\/span><\/i><\/p>\n

Stirnas t\u0113ls izst\u0101d\u0113 caurvijas k\u0101 kolekt\u012bvas semantikas pies\u0101tin\u0101ts simbols, kas iemieso nevain\u012bbu, naivumu, jaun\u012bbu un pieder\u012bbu. Dekonstru\u0113jot \u0161o \u201cBembija\u201d t\u0113lu, Punksti\u0146a ap\u0161auba past\u0101v\u012bbas il\u016bziju un p\u0113ta sliek\u0161\u0146us starp dz\u012bv\u012bbu un n\u0101vi, kl\u0101tb\u016btni un izdz\u0113\u0161anu. Aizie\u0161ana \u0161eit nav beigas, bet p\u0101rtap\u0161ana k\u013c\u016bst par p\u0101rdali, nevis izn\u012bc\u012bbu.\u00a0<\/span><\/p>\n

P\u0101rdomas atmi\u0146as lauk\u0101 papla\u0161ina no person\u012bgajiem arh\u012bviem un atrastiem att\u0113liem veidoti fotogr\u0101fiski kol\u0101\u017eu darbi. Tie iemieso mekl\u0113jumus un izkrop\u013cojumu, uzdodot jaut\u0101jumu: vai sa\u0161\u0137eltas un nev\u0113lamas atmi\u0146as sp\u0113j sa\u0161\u0137ob\u012bt es\u012bbu? Individu\u0101cija s\u0101kas ar (ie)griezumu, laika gait\u0101 uzaugu\u0161ais pa\u0161pal\u012bdz\u012bbas sl\u0101nis pies\u0101tin\u0101ts ar apspiestiem afektiem un apsl\u0101p\u0113tu pieredzi. Lai ar\u012b pa\u0161cie\u0146as un pa\u0161narat\u012bva dzinulis cen\u0161as to p\u0101rrakst\u012bt, pieredzes nospieduma p\u0113das saglab\u0101jas, t\u0101l\u0101k mar\u0137\u0113jot identit\u0101tes kont\u016bras. Heidegerisk\u0101 izpratn\u0113 \u201ces\u012bba-pasaul\u0113\u201d nav atdal\u0101ma no tap\u0161anas; eksistence ir iesaiste, nevis sastingums. Punksti\u0146as prakse m\u0101jo \u0161aj\u0101 spriedz\u0113 starp sairumu un rekonstrukciju, izce\u013cot ievainojam\u012bbu, savstarp\u0113ju atkar\u012bbu un nemierpilnu tuvumu objektam-subjektam.<\/span><\/p>\n

S\u0101kotn\u0113ji iecer\u0113ta k\u0101 atv\u0113rts eksperiments, izst\u0101de uzr\u0101da pav\u0113rsienu m\u0101kslinieces materi\u0101laj\u0101 un konceptu\u0101laj\u0101 pieej\u0101. Atk\u0101pjoties no iepriek\u0161 izmantotaj\u0101m alum\u012bnija pl\u0101ksn\u0113m un UV drukas, Punksti\u0146a piev\u0113r\u0161as procesiem, kuros ideja tie\u0161i p\u0101rtop materi\u0101l\u0101: apdedzin\u0101tas malas, perfor\u0101cijas, kaus\u0113ti p\u0101rkl\u0101jumi. Tulkojums k\u013c\u016bst par centr\u0101lu kategoriju: starp valodu un vielu, pieredzi un formu, pl\u012bsumu un rezonansi.<\/span><\/p>\n

Simptom\u0101tiski m\u0101kslinieces jaun\u012bbai, \u201cR\u016bpju bultu\u201d centr\u0101lo asi defin\u0113 refleksijas par pat\u012bbas fluidit\u0101ti, t\u0101s notur\u012bguma un nenotur\u012bguma sv\u0101rst\u012bb\u0101m, par izv\u0113l\u0113m un personiski piedz\u012bvotu \u0161\u0137ir\u0161anos, k\u0101 ar\u012b par zaud\u0113juma un sevis p\u0101rdefin\u0113\u0161anas pieredz\u0113m. Cik rei\u017eu \u201ces\u201d j\u0101ievaino, pirms piel\u0101go\u0161an\u0101s nervs tiks uztren\u0113ts un k\u0101das nogulsnes to caurv\u012bs, tam atgrie\u017eoties \u0161\u0137ietami \u201cs\u0101kotn\u0113j\u0101\u201d form\u0101?<\/span><\/p>\n

 <\/p>\n

Paula Punksti\u0146a ir \u201cKim? Open Call 2026\u201d laure\u0101te.\u00a0<\/b><\/p>\n

Paula Punksti\u0146a<\/b> (dz. 2001) ir latvie\u0161u vizu\u0101l\u0101 m\u0101ksliniece. Vi\u0146a ir absolv\u0113jusi fotogr\u0101fijas studijas H\u0101gas Karaliskaj\u0101 M\u0101kslas akad\u0113mij\u0101 un \u0161obr\u012bd stud\u0113 ma\u0123istrant\u016br\u0101 <\/span>Piet Zwart <\/span><\/i>instit\u016bt\u0101, Roterdam\u0101. Savos darbos Paula akcent\u0113 identit\u0101tes izp\u0113ti, trauslumu un izzu\u0161anas p\u0101rejas. Apvienojot filozofiju ar vizu\u0101l\u0101m metafor\u0101m, vi\u0146as m\u0101ksliniecisk\u0101 prakse piev\u0113r\u0161as konceptu p\u0101rv\u0113r\u0161anai materi\u0101l\u0101 form\u0101. Nesenie projekti ietver person\u0101lizst\u0101di <\/span>DOM Gallery<\/span><\/i>, R\u012bg\u0101 (2024), k\u0101 ar\u012b gaid\u0101mu duo izst\u0101di kop\u0101 ar S\u0101ru Frankkolu (<\/span>Sara Francola<\/span><\/i>) <\/span>Art Au Centre<\/span><\/i>, Lj\u0113\u017e\u0101 (2026). Grupu izst\u0101des: Kim? <\/span>Black Market <\/span><\/i>(2024, 2025), <\/span>Where Are You Currently?<\/span><\/i> galerij\u0101 <\/span>Paradise<\/span><\/i>, H\u0101g\u0101 (2025), RESTART galerij\u0101 <\/span>Prospektas<\/span><\/i>, Vi\u013c\u0146\u0101 (2024), k\u0101 ar\u012b Limburgas bienn\u0101l\u0113 <\/span>Marres House for Contemporary Culture<\/span><\/i>, M\u0101striht\u0101 (2024).<\/span><\/p>\n

Paulas Punksti\u0146as pateic\u012bbas: \u0123imenei, S\u0101rai Frankolai, Timam Rosam, A\u012bdai Valdesai Gomezai.<\/span><\/p>\n

 <\/p>\n

Izst\u0101di atbalsta: <\/b>Latvijas Republikas Kult\u016bras ministrija, Valsts Kult\u016brkapit\u0101la fonds, R\u012bgas dome, <\/span>Kokmui\u017ea, Media Port<\/span><\/i><\/p>\n

 <\/p>\n

Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs un izst\u0101des komanda:
\n<\/b>Izpilddirektore: Evita Goze
\n<\/span>Programmas direktore: Zane Onckule
\n<\/span>Projektu vad\u012bt\u0101ja: Katr\u012bna Jau\u0123iete
\n<\/span>Komunik\u0101cijas vad\u012bt\u0101ja: Kristi\u0101na B\u0113rza
\n<\/span>P\u0101rdo\u0161anas direktore: D\u0101rta Purvl\u012bce
\n<\/span>Izst\u0101des mediatores: Betija Briede, Linda \u0160terna, Em\u012blija Austra Lodi\u0146a, Alise Sedleniece
\n<\/span>Tehnisk\u0101 komanda: Aldis Bu\u0161s, Andris Mara\u010dkovskis, J\u0101nis Noviks
\n<\/span>Dizains: Anna Ceipe
\n<\/span>Teksta tulkojums ang\u013cu valod\u0101: Valts Mi\u0137elsons
\n<\/span>Latvie\u0161u valodas korekt\u016bra: Ilze Jansone
\n<\/span>Ang\u013cu valodas korekt\u016bra: Will Mawhood<\/span>","protected":false},"excerpt":{"rendered":"

Izst\u0101des norise: 14. marts \u2013 19. apr\u012blis, 2026 Kuratore: Zane Onckule   Kas paliek p\u0101ri, kad noraujam visu lieko un cen\u0161amies non\u0101kt l\u012bdz k\u0101dam b\u016btiskam kodolam? Vai \u0161\u0101ds kodols visp\u0101r past\u0101v, vai tas saglab\u0101jas sav\u0101 stabilit\u0101t\u0113?   Izst\u0101d\u0113 \u201cR\u016bpju bultas\u201d Paula Punksti\u0146a pietuvojas identit\u0101tei k\u0101 robe\u017est\u0101vokl\u012b eso\u0161ai un\u00a0 ievainojamai strukt\u016brai, kura nep\u0101rtraukti veidojas no jauna. […]<\/p>\n","protected":false},"author":2,"featured_media":9135,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-9095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kim-exhibitions"],"acf":[],"yoast_head":"\nPaulas Punksti\u0146as person\u0101lizst\u0101de "R\u016bpju bultas" - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kim.lv\/paulas-punkstinas-solo-show-the-arrows-of-concerns\/\" \/>\n<meta property=\"og:locale\" content=\"lv_LV\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:en]Paula Punksti\u0146a's solo show The Arrows of Concerns[:lv]Paulas Punksti\u0146as person\u0101lizst\u0101de "R\u016bpju bultas"[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs\" \/>\n<meta property=\"og:description\" content=\"Izst\u0101des norise: 14. marts \u2013 19. apr\u012blis, 2026 Kuratore: Zane Onckule   Kas paliek p\u0101ri, kad noraujam visu lieko un cen\u0161amies non\u0101kt l\u012bdz k\u0101dam b\u016btiskam kodolam? Vai \u0161\u0101ds kodols visp\u0101r past\u0101v, vai tas saglab\u0101jas sav\u0101 stabilit\u0101t\u0113?   Izst\u0101d\u0113 \u201cR\u016bpju bultas\u201d Paula Punksti\u0146a pietuvojas identit\u0101tei k\u0101 robe\u017est\u0101vokl\u012b eso\u0161ai un\u00a0 ievainojamai strukt\u016brai, kura nep\u0101rtraukti veidojas no jauna. […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kim.lv\/paulas-punkstinas-solo-show-the-arrows-of-concerns\/\" \/>\n<meta property=\"og:site_name\" content=\"Kim? 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Laikmet\u012bg\u0101s m\u0101kslas centrs","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/kim.lv\/paulas-punkstinas-solo-show-the-arrows-of-concerns\/","og_locale":"lv_LV","og_type":"article","og_title":"[:en]Paula Punksti\u0146a's solo show The Arrows of Concerns[:lv]Paulas Punksti\u0146as person\u0101lizst\u0101de \"R\u016bpju bultas\"[:] - Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","og_description":"Izst\u0101des norise: 14. marts \u2013 19. apr\u012blis, 2026 Kuratore: Zane Onckule   Kas paliek p\u0101ri, kad noraujam visu lieko un cen\u0161amies non\u0101kt l\u012bdz k\u0101dam b\u016btiskam kodolam? Vai \u0161\u0101ds kodols visp\u0101r past\u0101v, vai tas saglab\u0101jas sav\u0101 stabilit\u0101t\u0113?   Izst\u0101d\u0113 \u201cR\u016bpju bultas\u201d Paula Punksti\u0146a pietuvojas identit\u0101tei k\u0101 robe\u017est\u0101vokl\u012b eso\u0161ai un\u00a0 ievainojamai strukt\u016brai, kura nep\u0101rtraukti veidojas no jauna. […]","og_url":"https:\/\/kim.lv\/paulas-punkstinas-solo-show-the-arrows-of-concerns\/","og_site_name":"Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs","article_published_time":"2026-03-04T12:16:42+00:00","article_modified_time":"2026-03-12T10:57:33+00:00","og_image":[{"width":2048,"height":2560,"url":"http:\/\/kim.lv\/wp-content\/uploads\/2026\/03\/punkstina_visuals_press-scaled.jpg","type":"image\/jpeg"}],"author":"Kim?","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Kim?","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/kim.lv\/paulas-punkstinas-solo-show-the-arrows-of-concerns\/","url":"https:\/\/kim.lv\/paulas-punkstinas-solo-show-the-arrows-of-concerns\/","name":"[:en]Paula Punksti\u0146a's solo show The Arrows of Concerns[:lv]Paulas Punksti\u0146as person\u0101lizst\u0101de \"R\u016bpju bultas\"[:] - Kim? 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