*Raudives tehnokult\u016bras izp\u0113tes centrs<\/i><\/b><\/p>\n
<\/p>\n
Ka Baird, Skots Benzels (Scott Benzel<\/i>), Valdis Celms, Cal Fish, D\u017eeisons Izol\u012bni (Jason <\/i><\/b>Isolini<\/i>), Voldem\u0101rs Matvejs, Karl\u012bna Me\u017eecka, Adriana Rami\u010da (Adriana Rami\u010d<\/i>), <\/b>Konstant\u012bns Raudive, Ieva Rubeze<\/b><\/p>\n
<\/p>\n
Norises vieta\/Organiz\u0113:<\/b> KAJE, 74 15th St., Brooklyn, NY 11215, \u0145ujorka<\/p>\n
RTRU<\/b>: Zane Onckule, Elizaveta \u0160neidermane<\/p>\n
Izst\u0101des atkl\u0101\u0161ana:<\/b> 4. apr\u012blis 18:00-21:00<\/p>\n
Izst\u0101des datumi: <\/b>5. apr\u012blis \u2014 17. maijs<\/p>\n
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\u201cMammu, n\u0101c \u0101tr\u0101k.\u201d<\/p>\n
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RTRU pied\u0101v\u0101 RTRU*<\/b> (Raudive Technoculture Research Unit<\/i>) \u2014 grupas izst\u0101di KAJE, kas veidota ap Konstant\u012bna Raudives (1909\u20131974) personu. Raudive ir latvie\u0161u rakstnieks, tulkot\u0101js, filozofs un parapsiholo\u0123ijas p\u0113tnieks, kur\u0161 paz\u012bstams ar saviem p\u0113t\u012bjumiem par elektronisko balss fenomenu (EVP) \u2014 bez\u0137ermenisku balsu uztver\u0161anu un ierakst\u012b\u0161anu magn\u0113tiskaj\u0101 lent\u0113.<\/p>\n
Izst\u0101des nosaukums atsaucas uz t\u0101s veidot\u0101ju-kuratoru kolekt\u012bva nosaukumu \u2014 RTRU (Riga <\/i>Technoculture Research Unit<\/i>), kas kalpo k\u0101 reference gan uz Cybernetic Culture Research <\/i>Unit<\/i> (CCRU), gan uz Baltijas vec\u0101ko tehnisko universit\u0101ti \u2014 R\u012bgas Tehnisko universit\u0101ti (RTU, dib. 1862) \u2014 aizst\u0101jot v\u0101rdu \u201cR\u012bga\u201d ar \u201cRaudive\u201d un t\u0101d\u0113j\u0101di izl\u012bdzinot izst\u0101des priek\u0161metu ar kolekt\u012bva pa\u0161a p\u0113tniecisko ietvaru.<\/p>\n
Uz p\u0113ckara Eiropas traumatisko seku fona Raudive \u2014 savulaik Karla Junga students \u2014 ieviesa eksperiment\u0101las ierakst\u012b\u0161anas metodes, lai sav\u0101ktu, vi\u0146apr\u0101t, miru\u0161o v\u0113st\u012bjumus. Izmantojot radio \u0161\u0146\u0101ko\u0146u, tuk\u0161as magn\u0113tisk\u0101s lentes un improviz\u0113tas ieraksta konfigur\u0101cijas, vi\u0146\u0161 apgalvoja, ka dokument\u0113jis t\u016bksto\u0161iem \u012bsu, saraust\u012btu izteikumu balsu fiks\u0113jumus. \u0160ie daudzvalod\u012bgie, fragment\u0101rie un stabilai interpret\u0101cijai nepak\u013c\u0101v\u012bgie ieraksti tika apkopotiRaudives gr\u0101mat\u0101 Breakthrough<\/i> (1971), kur vi\u0146\u0161 tos katalo\u0123iz\u0113ja un analiz\u0113ja, izmantojot metodi, kas apvieno emp\u012briskus nov\u0113rojumus ar metafizisku aizraut\u012bbu.<\/p>\n
Poliglots Raudive ierakst\u012bja balsis, kas sabl\u012bv\u0113ju\u0161\u0101s vai hibridiz\u0113jo\u0161\u0101s starp latvie\u0161u, v\u0101cu, sp\u0101\u0146u, ang\u013cu, it\u0101\u013cu, zviedru, krievu un fran\u010du valod\u0101m, uzburot sa\u0161\u0137eltu akustisko lauku, kur ska\u0146as sv\u0101rst\u0101s starp t\u012bru troksni un liel\u0101kas vai maz\u0101kas \u201cnolas\u0101m\u012bbas\u201d atbl\u0101zmu. Vi\u0146\u0161 zi\u0146oja, ka daudzas balsis \u0161\u0137iet n\u0101kam no vi\u0146a tuviniekiem\u2014 visbie\u017e\u0101k sadzirdama<\/i> Raudivi par \u201cKostju\u201d uzrun\u0101jo\u0161\u0101 m\u0101te. Tom\u0113r vienlaic\u012bgi arh\u012bv\u0101 sastopamas ar\u012b bied\u0113jo\u0161as (at)balsis no \u010c\u0113r\u010dila, Hitlera, Sta\u013cina un Musol\u012bni, pietuvinot int\u012bmu atmi\u0146u divdesmit\u0101 gadsimta v\u0113sturisko fig\u016bru kl\u0101tb\u016btnei.<\/p>\n
Raudive nor\u0101d\u012bja, ka sp\u0113ja saklaus\u012bt balsis lentes \u0161\u0146\u0101ko\u0146\u0101 nav vienm\u0113r\u012bgi izplat\u012bta, bet galvenok\u0101rt par\u0101d\u0101s \u0101rstu, priesteru, milit\u0101rpersonu un skolot\u0101ju vid\u016b, t\u0101d\u0113j\u0101di pozicion\u0113jot pa\u0161u klaus\u012b\u0161an\u0101s aktu k\u0101 tren\u0113tu un attiec\u012bg\u0101s discipl\u012bnas ievirz\u012btu praksi. Saklaus\u012btie izteikumi \u2014 no ikdieni\u0161\u0137i absurdiem (\u201cSasildi vannasistabu. N\u0101k viesi\u201d \/ Bad heizen\u2026<\/i>Besuch kommt<\/i>) l\u012bdz kod\u0113ti neskaidriem (\u201cTu dro\u0161i vien piederi pie gur\u0137iem\u201d \/ Du geh\u00f6rst <\/i>wahrscheinlich zu den Gurken<\/i>) \u2014 tostarp pirm\u0101 fr\u0101ze, kuru Raudive uzskat\u012bja par skaidri at\u0161ifr\u0113jamu \u2014\u201cpa-reizi-t\u0101-b\u016bs\u201d<\/i> \u2014 k\u0101 tika apgalvots, v\u0113l\u0101k izr\u0101d\u012bj\u0101s kl\u0101teso\u0161i ar\u012b agr\u0101kos ierakstos. Tas liecina par arh\u012bvu, no kura noz\u012bmes iznirst retrospekt\u012bvi, atk\u0101rtotas klaus\u012b\u0161an\u0101s gait\u0101 sadu\u013c\u0137ojot robe\u017eu starp \u0101r\u0113ju p\u0101rraidi un iek\u0161\u0113ju uztveri.<\/p>\n
Raudives darba recepcija at\u0161\u0137iras atkar\u012bb\u0101 no kult\u016bras konteksta: Latvij\u0101 vi\u0146a mantojums izv\u0113r\u0161as divos re\u0123istros: pla\u0161s eseju un tulkojumu liter\u0101rais katalogs un atmi\u0146a par nopietnu, kaut ar\u012b ekscentrisku intelektu\u0101li, kura p\u0113t\u012bjumi sasaucas ar pla\u0161\u0101k\u0101m filozofisk\u0101m un gar\u012bg\u0101m trad\u012bcij\u0101m; nost\u0101ju, ko vi\u0146\u0161 pats reiz\u0113m formul\u0113ja caur j\u0113dzienu gara aristokr\u0101ts <\/i>jeb patva\u013c\u012bgi spekul\u0113jot \u2014 garu aristokr\u0101ts<\/i>; savuk\u0101rt Amerikas Savienotaj\u0101s Valst\u012bs Raudives ieraksti galvenok\u0101rt cirkul\u0113 paranorm\u0101lo subkult\u016bru vid\u0113 \u2014 spoku mednieku, spekulat\u012bvu p\u0113tnieku un v\u0113lo nakts radio auditoriju aprit\u0113.<\/p>\n
\u0100rpus \u0161\u012bm ni\u0161\u0101m Raudives len\u0161u ieraksti p\u0101rvietojas starp da\u017e\u0101diem kult\u016bras re\u0123istriem: \u0161\u0146\u0101ko\u0146a un apsl\u0113ptas balsis krist\u012bgaj\u0101 met\u0101l\u0101 par\u0101d\u0101s k\u0101 iesp\u0113jami s\u0101taniski nos\u0113dumi; The <\/i>Smiths <\/i>savos semplos izmanto to spektr\u0101l\u0101s atmosf\u0113ras; Deivids Lin\u010ds uzr\u0101da radniec\u012bgu interesi bez\u0137ermenisk\u0101 p\u0101rraidei; Viljams Barouzs lentes cut-up<\/i> tehnik\u0101 fragment\u0113 un p\u0101rkombin\u0113 ierakstus, lai atkl\u0101tu latent\u0101s noz\u012bmes; savuk\u0101rt Maiks Kellijs adapt\u0113 EVP sav\u0101 audio praks\u0113, nov\u0113rt\u0113jot t\u0101 ska\u0146as efektu, m\u012btveides, interpret\u0101cijas un spiritu\u0101lisma v\u0113stures savijumu un vienlaic\u012bgi nod\u0113v\u0113jot Raudivi par \u201cjauno popm\u016bzikas karali\u201d. Ierakstu izdevniec\u012bbas, piem\u0113ram, Sub Rosa<\/i>, ievieto Raudivi eksperiment\u0101l\u0101s, industri\u0101l\u0101s un arhiv\u0101l\u0101s ska\u0146u kult\u016bras kontekst\u0101, kur lente vienlaikus funkcion\u0113 k\u0101 pier\u0101d\u012bjums, artefakts un est\u0113tisks objekts, p\u0101rvietojoties starp okultu izp\u0113ti, avangarda praksi un laikmet\u012bgo m\u016bziku.<\/p>\n
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RTRU*<\/b> Raudives arh\u012bvu izmanto k\u0101 materi\u0101lu, ko atk\u0101rtoti p\u0101rskat\u012bt, nevis atrisin\u0101t. M\u0101jsaimniec\u012bb\u0101 izlietotu olu kastu strukt\u016bras-atliekas iez\u012bm\u0113 izst\u0101des arhitekt\u016bru, atsaucoties uz improviz\u0113t\u0101m ierakstu studij\u0101m. \u0160aj\u0101 kontekst\u0101 izst\u0101de atst\u0101j atv\u0113rtu jaut\u0101jumu, vai Raudive b\u016btu trakt\u0113jams k\u0101 jauna uztveres apar\u0101ta izgudrot\u0101js vai k\u0101 subjekts, kurup\u0101r\u0146\u0113musi dzirdes halucin\u0101cija. Ja trauma iez\u012bm\u0113 p\u0101rr\u0101vumu simboliskaj\u0101 nep\u0101rtraukt\u012bb\u0101, tad ieraksta apar\u0101ts par\u0101d\u0101s k\u0101 prot\u0113tisks m\u0113\u0123in\u0101jums uztvert un stabiliz\u0113t to, kas atgrie\u017eas deform\u0113t\u0101 veid\u0101. T\u0101d\u0113j\u0101di izst\u0101de izv\u0113r\u0161as maz\u0101k k\u0101 line\u0101rs st\u0101st\u012bjums un vair\u0101k k\u0101 eksplod\u0113ta diagramma, kur\u0101 balsis, ier\u012bces, liec\u012bbas, m\u0101kslas darbi un dokumenti tiek savstarp\u0113ji sasaist\u012bti, nekad piln\u012bb\u0101 nenosl\u0113dzoties. \u0160aj\u0101 kontekst\u0101 Raudives magnetofons darbojas gan k\u0101 instruments, gan k\u0101 atsauces punkts, radot runas fragmentus, kuru run\u0101t\u0101ji pa\u0161i paliek nenoteikti, nekonkr\u0113ti.<\/p>\n
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RTRU* apkopotie darbi aptver laikmet\u012bg\u0101s m\u0101kslas darbus, reproduc\u0113tus un ori\u0123in\u0101lus arh\u012bva iestarpin\u0101jumus un jaunus, audio iekr\u0101sotus pas\u016bt\u012bjumus no starppaaud\u017eu autoru grupas \u2014 k\u0101 dz\u012bvu, t\u0101 miru\u0161u. Sign\u0101li uzrodas fragment\u0101ri, noz\u012bmes paliek provizoriskas, un klaus\u012b\u0161an\u0101s-skat\u012b\u0161an\u0101s k\u013c\u016bst par apzin\u0101tu un spekulat\u012bvu darbu, nevis pas\u012bvu uztveri. \u0160\u0101d\u0101 lauk\u0101 v\u0113st\u012bjumi reti paliek tur, kur tie s\u0101ku\u0161ies: balsis dreif\u0113, konteksti sairst, un tas, kas reiz cirkul\u0113ja k\u0101 metafizisks pier\u0101d\u012bjums, bez ceremonij\u0101m atgrie\u017eas ska\u0146u m\u0101kslas form\u0101lajos re\u0123istros, arh\u012bva atska\u0146ojum\u0101 vai pat deju m\u016bzik\u0101. Past\u0101v\u012bgais jaut\u0101jums ir, vai k\u0101da da\u013ca s\u0101kotn\u0113j\u0101 l\u0101di\u0146a \u0161\u0101d\u0101s migr\u0101cij\u0101s saglab\u0101jas, vai ar\u012b noz\u012bme \u2014 glu\u017ei k\u0101 lentes \u0161\u0146\u0101ko\u0146a \u2014vienk\u0101r\u0161i piel\u0101gojas sist\u0113m\u0101m, kas to reproduc\u0113.<\/p>\n
\u0160is jaut\u0101jums atbalsojas uzrakst\u0101 uz pa\u0161a Raudives kapakmens: \u201cN\u0101ves nav, ir tikai p\u0101rtap\u0161ana.\u201d Ja t\u0101 tie\u0161\u0101m ir, tad Raudives arh\u012bvs pied\u0101v\u0101 vienk\u0101r\u0161u operacion\u0101lu principu: sign\u0101li nepaz\u016bd, tie tikai maina form\u0101tus. Tas savuk\u0101rt vedina uzdot \u0161\u0101du jaut\u0101jumu \u2014 kas turpina run\u0101t br\u012bd\u012b, kad kan\u0101ls ir p\u0101rsl\u0113gts.<\/p>\n
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PAR RTRU<\/b><\/p>\n
Dibin\u0101ts 2022. gad\u0101 k\u0101 Riga Technoculture Research Unit<\/i> p\u0113c Kim? Laikmet\u012bg\u0101s m\u0101kslas centra pas\u016bt\u012bjuma, RTRU ir kuratori\u0101ls kolekt\u012bvs (Zane Onckule un Elizaveta \u0160neidermane), kas izst\u0101des att\u012bsta k\u0101 atv\u0113rtas izp\u0113tes sist\u0113mas. RTRU projektos m\u0101kslas darbi un ar m\u0101kslu tie\u0161i nesaist\u012bti objekti tiek apkopoti struktur\u0113tos, ta\u010du iepriek\u0161noteiktas programmas neievirz\u012btos ietvaros, kas nereti organiz\u0113jas ap fig\u016br\u0101m, j\u0113dzieniem vai problem\u0101tiku, kas nepak\u013caujas stabilai interpret\u0101cijai.<\/p>\n
RTRU p\u0113tniec\u012bba iesaist\u0101s papla\u0161in\u0101taj\u0101 tehnokult\u016bras lauk\u0101 un tehnisko att\u0113lu aprit\u0113 laikmet\u012bgaj\u0101 m\u0101ksl\u0101, pieejot medijiem nevis k\u0101 autonom\u0101m inov\u0101cij\u0101m, bet k\u0101 par\u0101d\u012bb\u0101m, kas izriet no kult\u016bras apst\u0101k\u013ciem un tajos atgriezeniski iepl\u016bst. Sav\u0101s izst\u0101d\u0113s RTRU akcent\u0113 pretnostat\u012bjumu, nob\u012bdi un noz\u012bmes p\u0101rdali starp objektiem, kontekstiem un skat\u012bt\u0101jiem. Vienotas t\u0113zes viet\u0101 katrs projekts konstru\u0113 noteiktu apst\u0101k\u013cu kopumu, kur\u0101 var rasties vair\u0101ki un nereti savstarp\u0113ji konflikt\u0113jo\u0161i las\u012bjumi.<\/p>\n
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Kuratori\u0101l\u0101 darba atbalsts:<\/b> Valsts kult\u016brkapit\u0101la fonds<\/p>\n
Kuratori\u0101l\u0101s izp\u0113tes asistente:<\/b> Katr\u012bna Jau\u0123iete<\/p>\n
Pateic\u012bbas:<\/b> Konstant\u012bna Raudives kult\u016brv\u0113sturisk\u0101 mantojuma centram, Latvijas Nacion\u0101lajai bibliot\u0113kai, Annai Vojevodskai, Annai D\u0101vei, m\u0101ksliniekiem.","protected":false},"excerpt":{"rendered":"
RTRU* *Raudives tehnokult\u016bras izp\u0113tes centrs Ka Baird, Skots Benzels (Scott Benzel), Valdis Celms, Cal Fish, D\u017eeisons Izol\u012bni (Jason Isolini), Voldem\u0101rs Matvejs, Karl\u012bna Me\u017eecka, Adriana Rami\u010da (Adriana Rami\u010d), Konstant\u012bns Raudive, Ieva Rubeze Norises vieta\/Organiz\u0113: KAJE, 74 15th St., Brooklyn, NY 11215, \u0145ujorka RTRU: Zane Onckule, Elizaveta \u0160neidermane Izst\u0101des atkl\u0101\u0161ana: 4. apr\u012blis 18:00-21:00 Izst\u0101des datumi: […]<\/p>\n","protected":false},"author":2,"featured_media":9213,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[5,4,24,38],"tags":[],"class_list":["post-9189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kim-events","category-kim-exhibitions","category-featured-homepage","category-news"],"acf":[],"yoast_head":"\n