The line crosses the page diagonally in reverse. Commas, image clusters, conceptual speculations are strewn about. A formless creation has attached itself to the top corner. Subtle cotton wool traces are discernable, all the points have lined up and the end of the line segment gradually tapers off. A fractured and disoriented line circles about, hoping to attract derivations and define more concrete boundaries. The creations remain stubbornly silent, abstractions sway, the groups imitate a solution and irreverently throw around meanings. Actions are followed by decisions, descriptions trip over each other in parallel and diagrams continue to balloon. A technical device expresses a thin object in peaceful apathy. Freed from shyness and fear that is connected with the dubious origins of the original, the images happily multiply.
Elza Sīle(1989) has almost completed her studies at the Painting Department of the Art Academy of Latvia and continues to record her experiences. Her primary interests and central activities are ordering and loose systematization. She is evasive about concrete materializations. Lives in Riga and has attended educational institutions as well as other events.